Mrs. Nelson: "Where are your fangs?"
Count Yorga: "Where are your manners?"
Happy Hallowe'en, everyone! (Especially my dear sister, who I know simply adores this clip...)
[Laughs maniacally.]
The Return of Count Yorga
“I don’t know if my voice was very bad and that’s why I got the ticket, but I was very shocked,” Taoufik Moalla said. “I understand if they are doing their job, they are allowed to check if everything’s okay, if I kidnapped someone or if there’s danger inside but I would never expect they would give me a ticket for that.”A Canadian man is contesting a C$149 (£90) ticket for "screaming in a public place" after being caught singing in his car.
He is the Pale Fox, known locally as the Jackal, a creature despised by all. There are many foxy trickster deities, but none of them are quite so mouthwateringly awful....and we are currently under siege from our very own version of Ogo, as I awoke today to find one of the "twisted creatures" had laid waste to a swathe of one of our beds, completely destroying a large clump of yellow Coreopsis (chewed right through) and red Monarda (Bergamot), and there was mud everywhere from its digging efforts.
Ogo’s conception and birth is a horrific tale of attempted rape inside an egg. The story includes sacrifice, stolen semen, fellatio, biting the end off a very private part, circumcision, mutilation and practices so unsavoury it would be enough to put a cannibal off his food.
Needless to say, his upbringing left much to be desired and the tortured twisted creature became the embodiment of Chaos. Seeking the power of speech, he tried an incestuous union with moist Mother Earth which brought impurity and barrenness to the world.
The last short story in the anthology, Yellow by Roelof Bakker is a touching work exploring loss... the story follows the narrator as he comes to terms with the death of his partner, Marek [who drowned]. Loss is a popular subject, but Bakker offers precise prose that avoids cliché, giving us original lines that bubble up beautifully through the paragraphs and are full of emotive veracity: ‘I’m only happy when I swim. Bits of Marek live on in the water, traces of his DNA remain wherever he’s done the butterfly, the breast-stroke. When I dive in, I delve into the past, back into his arms. Memories bob to the surface.’Truly beautiful...
We’ve become accustomed to thinking of prostitution as a legitimate way of earning a living, even ‘empowering’ for women. We call it ‘sex work’ and look away. We should not.She went on to emphasise how those very same "liberal" voices who defend prostitution as a "life choice" - an oppressed form of sexuality which deserves "freedom" from legal restrictions, akin to the struggle for LGBT equality - are actually further repressing and endangering the lives of the very people they appear to represent. Powerful stuff.
For the last three years I’ve been investigating prostitution worldwide to test the conventional wisdom of it being a career choice, as valid as any other. I conducted 250 interviews in 40 countries, interviewed 50 survivors of the sex trade, and almost all of them told me the same story: don’t believe the ‘happy hooker’ myth you see on TV. In almost every case it’s actually slavery. The women who work as prostitutes are in hock and in trouble. They’re in need of rescue just as much as any of the more fashionable victims of modern slavery.
One of the most disturbing discoveries I made was that the loudest voices calling for legalisation and normalisation of prostitution are the people who profit from it: pimps, punters and brothel owners. They have succeeded in speaking for the women under their control. The people who know the real story about the sex trade have been gagged by a powerful lobby of deluded ‘liberal’ ideologues and sex-trade profiteers.
Throughout her adult life she dressed in men’s clothes, pulled the wine corks and held the door for true ladies to pass first. An acquaintance seeing her dining alone remarked that she looked like "The Ninth Earl", a description that she liked. She had a last for her shoes at John Lobb’s the Royal bootmakers, got her shirts from Jermyn Street, had her hair cut at Truefitt gentlemen’s hairdressers in Old Bond Street and blew her nose on large linen handkerchiefs monogrammed with a G. In the early decades of the twentieth century, when men alone wore the trousers, her appearance made heads turn. Her father, a conservative and conventional man was utterly dismayed by her ‘outré clobber’, her mother referred to a ‘kink in the brain’ which she hoped would pass, and both were uneasy at going to the theatre in 1918 with Gluck wearing a wide Homburg hat and long blue coat, her hair cut short and a dagger hanging at her belt.Gluck's romantic entanglements were many and varied, including Romaine Brooks, society florist Constance Spry, and "the love of her life" the American socialite Nesta Obermer, with whom she appeared in her most famous portrait in the Art Deco era, Medallion (which she referred to as the "YouWe" picture):
She did several self-portraits, all of them mannish. There was a jaunty and defiant one in beret and braces – stolen in 1981 – and another, now in the National Portrait Gallery, which shows her as arrogant and disdainful. She painted it when suffering acutely from the tribulations of love. A couple of others she destroyed when depressed about her life.
She dressed as she did not simply to make her sexual orientation public, though that of course she achieved. By her appearance she set herself apart from society, alone with what she called the ‘ghost’ of her artistic ambition. And at a stroke she distanced herself from her family’s expectations, which were that she should be educated and cultured but pledged to hearth and home. They would have liked her to marry well, which meant a man from a similar Jewish background to hers – preferably one of her cousins – and to live, as wife and mother, a normal happy life. By her ‘outré clobber’ Gluck said no to all that; for who in his right mind would court a woman in a man’s suit? Her rebelliousness cut her father to the quick and he thought it a pose. But however provocative her behaviour there was no way he would cease to provide for her, his concept of family loyalty and obligation was too strong.
Courtesy of her private income she lived in style with staff – a housekeeper, cook and maids – to look after her. She always kept a studio in Cornwall. In the 1920s and 30s she lived in Bolton House, a large Georgian house in Hampstead village. After the war she settled in the Chantry House Steyning with Edith Shackleton Heald, journalist, essayist and lover of the poet W.B.Yeats in his twilight years. Both residences had elegantly designed detached studios...
...Mercurial, maddening, conspicuous and rebellious, she inspired great love and profound dislike. Perhaps what she most feared was indifference – the coldest death. Her dedication to work was total, even through her fallow years. Her severance from gender, family and religion, her resistance to influence from any particular artist or school of painting, her refusal to exhibit her work except in ‘one-man’ shows were all ways of protecting her artistic integrity. She desired to earn her death through the quality of her work: "I do want to reach that haven having a prize in my hand… Something of the trust that was reposed in me when I was sent out…" In reaching her destination with her paintings as her prize she took a circuitous path – unmapped, thorny and entirely her own.
“That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?”Happy - gulp - 60th birthday today to one of our favourite comediennes, Miss Dawn French!
“It can be hard when a friend, especially one you’ve never done any work separately from, suddenly has a huge success without you.
“Ab Fab was such a massive hit. Until then Jennifer and I had been utterly linked in everything we did. I was made very aware that, in comedy terms, she was a completely individual, separate person. With her own powers.
“That really shocked me. Not only was she able to do it without me, she could do it really well. So that was really annoying. But however jealous I was, I love her and I was proud of her. I dealt with it by being open and honest about my jealousy. I sent her a bunch of flowers when she won a BAFTA saying, ‘Congratulations you cunt.’"
Getting ready for a night out is infinitely more fun than going out, scientists have confirmed.The Daily Mash
Research from the Institute of Studies found that choosing what to wear while listening to music and drinking booze is a lot more fun than a cramped bar with music so loud you cannot speak to the person next to you.
Night out-goer Emma Bradford said: “I love going out.
“And by that I mean the time between half six and half nine when me and my friends are drinking vodka, listening to our favourite songs, doing our hair and being able to catch up on what’s being going on in each others lives.
“The bit where we’re queueing up for the club in the pissing rain, before waiting half an hour to get served and then have to pay a fiver for a bottle of room temperature lager is the bit where it’s not as fun.
“But how else are we going to get pictures of us looking like we’re having a good time?”
However Tom Booker said: “I have a shave, get dressed, neck a bottle of Brandy and fall asleep on the couch.
“Then I wake up in the morning £100 better off with pretty much the same hangover. Win, win.”