Showing posts with label Andy Bell. Show all posts
Showing posts with label Andy Bell. Show all posts

Thursday, 13 November 2025

Just a part of modern times

We're well overdue methinks, dear reader, another little selection of some of the "newer" choons that have caught my ear of late - before everything turns to shit with the coming tsunami of Xmas cash-ins...

A fitting way to start is with something that couldn't be more diametrically opposed to tinsel, sleigh-bells, faux-jollity and mawkish sentimentality if it tried! Who would ever have thought that a legendary member of that most decadent of bands Velvet Underground and a contemporary pop-princess would ever have collaborated on something as utterly breath-taking, gothic and sinister as this?

Phew. I think we should break the mood, at least a little bit, with a poignant one - the Soft Cell cover of an old Giorgio Moroder choon, that turned out to be the very last single released before Dave Ball's premature death:

Speaking of 80s/90s troupers, this:

Now for something completely different! [This album's actually on my Amazon wish-list] Abba as you never heard them before:

The wonderful Mr Bill McClintock does it again!

And, saving the best till last - I LOVE THIS!

As ever, dear reader, let me know your thoughts...

Saturday, 2 August 2025

Diggin(s) the choons!


Pioneering DJ Ron Diggins and his "Diggola" booth

After the excitement and spectacle of seeing Fantastic Four: First Steps in Leicester Square last night - an utterly brilliant movie, I cannot recommend it enough! - today's been a little more down-to-earth. The weather was warm, and the rain held off, so I took the opportunity to tackle a job that was well overdue [flowering finished back in June!] - cutting-back and training our splendid Rosa Veilchenblau (a rambler, albeit a usually well-behaved one, it was making "a bit of a break for it" with branches heading into next door's garden), and doing a bit of dead-heading and general tidying-up of other plants that have gone over.

Time, methinks, for another little selection of some of the "newer" choons that have caught my ear of late...

As is my wont, of course, first up is a song that isn't new at all - but since I heard it for the first time on the radio a few weeks ago, became a bit of an earworm:

Not one, but two legends on one record? Yes, please!

Filmed on the viewing platform on the 87th floor of London's massive Shard tower, here's a contender for "dance choon of the summer":

Speaking of "anthemic", this is a fantabulosa slice of tongue-in-cheek brilliance - I love it!

Here's an "independent girl" after our own heart - she knows how to keep her "safety gays" in order!

I always love something a bit retro-sounding:

Changing the mood ever so slightly - here's an utterly irresistible number:

And, saving the best for last - the 'Babes!

As ever, dear reader, let me know your thoughts...

Wednesday, 14 May 2025

Another pop potpurri

It's been a busy time here at Dolores Delargo Towers! Instead of, as one might have expected after a fun-packed holiday in Spain burning the candle at both ends (as is our wont), taking a bit of a breather and a wind-down - with the combination of a garden rocketing away before our eyes and needing to be sorted-out and the "party of the year" for Eurovision pending this weekend, there's been loads of work to do.

Today alone, while cleaning, I tackled an unwanted infestation of moths and their grubs that I found have half-eaten the carpet behind chairs in the bedroom and I built a new set of garden shelving that we hope will make a big difference in accommodating our rapidly-expanding collection of plants (all Spring I have been splitting and dividing overgrown specimens, which inevitably increases the volume, and (obviously) shopping for more - especially on my Easter jaunt to Essex). The Madam's been back at work, but still embarked on scrubbing-down the front room in anticipation of guests. Phew!

Time, methinks for a bit of a musical interlude, with some of the "newer" choons that have caught my ear of late [thanks, Mr DeVice for spurring me into actually finishing a draft blog idea I have had pootling around for ages]...

Let's open with a pleasant surprise! I have always had a soft spot for Dame Elton John, but when I found out that his newest choice of collaborator was a country'n'western artiste, I dreaded the outcome. I was entirely wrong - I love this! A real nod to his heyday:

A singer who never disappoints is Our Sophie - here's her brand new (and rather good) single:

The engimatic Ms Goldfrapp's new one's pretty catchy, too:

It's been a bit of a cavalcade of "welcome returns" in the past few months - not least for none other than the Mael brothers!

...and here's another:

At last! The hoo-ha about the reformation and return of the original trio of Sugababes has so far been a bit of a "damp squib" - however, this one has their full signature hit-making sound, so let's hope it becomes one:

Here's an oddity that I have been hanging on to for too long without sharing it here - it's an absolute work of genius!

And finally - saving the best for last, it's Our Princess!

Enjoy! And, as ever dear reader, let me know your thoughts...


PS

My post about the posthumous premiere of Stephen Sondheim's Here We Are, that we went to see the night before we flew to Spain, is over at the Dolores Delargo Towers Museum of Camp...

Friday, 26 April 2024

Don't jump before you look

You know you're getting old when...

...you discover that the elfin Andy Bell of Erasure was 60 years old yesterday!

How fitting, as the joyful prospect of the impending weekend hoves into view, that we have an excuse (as if any were needed) to start the party with one of the great man's crowning glories!

Thank Disco It's Friday!


We'll be together again
I've been waiting for a long time
We're gonna be, we're gonna be
Together again
I've been connected to the right line
We'll be together and nobody ain't never
Gonna disconnect us or ever separate us
Or say to us you've got to

Stop!
Stand there where you are
Before you go too far
Before you make a fool out of love
Stop!
Don't jump before you look
Get hung upon a hook
Before you make a fool out of love

We'll be together again
I've been waiting for a long time
We're gonna be we're gonna be
Together again
I've been connected to the right line
We'll be together and nobody ain't never
Gonna disconnect us or ever separate us
Or say to us you've got to

Stop!
Stand there where you are
Before you go too far
Before you make a fool out of love
Stop!
Don't jump before you look
Get hung upon a hook
Before you make a fool out of love

We'll be together and nobody ain't never
Gonna disconnect us or ever separate us
Or say to us you've got to

Stop!
Stand there where you are
Before you go too far
Before you make a fool out of love
Stop!
Don't jump before you look
Get hung upon a hook
Before you make a fool out of love

Utterly faboo!

Many (belated) happy returns, Andrew Ivan Bell (born 25th April 1964)

Have a great weekend, dear reader!

Saturday, 4 July 2020

Been a long time, been a long time now, I'll get to you somehow



Over the pond, our ungrateful former colony is celebrating (after a fashion, given the pandemic) its armed rebellion. Over here, we have a rather more British moment to celebrate - for yesterday, one of the most influential men in the world of popular music turned 60 years old!

Vince Clarke (for it is he) was the founder member of three of our (and the UK's) favourite chart-topping bands, Depeche Mode, Yazoo and Erasure - so, by way of a celebration, how about a choon from each of them? I think we should...







[Although this worldwide hit was intended for their second album You and Me Both (but was actually released as a standalone single instead), my fave Yazoo LP remains Upstairs at Eric's - see my blog post about that from 2012]




[Read my post about their concert at The Roundhouse in Camden in 2011]

The man is, quite simply, a genius.

Many happy returns, Mr Vince Clarke (born Vincent John Martin, 3rd July 1960)

Monday, 31 December 2018

Toot toot, hey, beep beep



It's New Year's Eve, and our party beckons...

...and we find that the (somewhat tainted) gay icon Donna Summer would have been seventy years old today!

This being a Tacky Music (New Year) Monday, let us first pay tribute with some - ahem - interesting covers of the great lady's hits...

...courtesy of the unlikely combo of Andy Bell of Erasure and - err - k.d. lang?


...that tacky music icon Iris Chacon:


...and the fantabulosa Blue Man Group:


However, there was ever only one Donna Summer - so here is the lady herself (unfortunately duetting with a rather creepy-looking "porn star"):


What a way to close a year!

Donna Summer (born LaDonna Adrian Gaines, 31st December 1948 – 17th May 2012)

Saturday, 22 October 2016

Salmigondis de musique



I have not done one of these "potpourri-of-pop" blogs for such a long time, I'd almost forgotten that "newer music" can produce some works of wonder and amusement. One tends to avoid most music beloved of the "benighted yoof" these days (all those Kendricks, Minajs, Drakes, Arianas, Little Mixes and Biebers - yuk), but occasionally I do pop in for a little look... Of the chart-toppers, I can just about cope with some currently mega-popular artists such as Adele or Clean Bandit, and the occasional tolerable choon like that Zara Larsson one that dominated the summer airwaves, or maybe that much-hyped Christina and the Queens ditty, but in general whatever the "Charts" these days encompasses tends to pass me by. But what of the rest? Here goes...

Watch me shimmy into the light..." Thus the remarkable Allie X announces her arrival - and, with RuPaul's Drag Race winner (and house fave) Violet Chachki on board in this magnificent "let's-raid-the-dressing-up-box" video, what a spectacle she is too! She's All The Rage:


Speaking of summer, the strangely-named Kungs vs Cookin’ on 3 Burners and This Girl has an alluring Northern Soul-tinged feel about it. The "pretty-young-things-at-play" video certainly does make one rather nostalgic for warmer climes...


One can always rely upon the brilliant Mr Dave Audé to make a slightly-catchy-yet-not-good-enough song such as Handclap by Fitz and the Tantrums into something really special:


No-one ever thought that meeja-sensations Sam and the Womp would ever be more than a one-hit-wonder, after their surprise hit of 2012 Bom Bom - but, as "comebacks" go, with the help of some "Bjork-lite" vocals from Bloom De Wilde and a glitzy video I think Fireflies is a rather jolly effort:


Next, and by complete contrast, a song that was played (with his tongue firmly in his cheek) by the ever-wonderful Desmond Carrington on his penultimate show on Radio 2 last night - it's Madeleine Peyroux and her cover of Tom Waits's Tango Till They're Sore. I love it!


Here is a really unexpected treat. We are all aware that everyone's (not least ours at Dolores Delargo Towers) favourite octogenarian chanteuse (not-yet-a-Dame) Petula Clark is cool, professional, and still retains the vocal tone and energy that would shame many a wannabee a quarter her age, but she is also never content just to rest on her "easy listening" laurels, it seems. With its catchy tune and atmospheric visuals, her new single Sacrifice My Heart is simply faboo!


The very lovely Andy Bell has been busy, too - what with his stage show Torsten The Beautiful Libertine, various live appearances and the release of two albums (the soundtrack to Torsten and a remix album of songs from the show Variance 2) this year. And here [courtesy of our friend John-John, who alerted me to it a while ago], with the excellent support of the one-and-only Al Pillay and the mixing talents of DJ Matt Pop, is Queercore!


If it's a party you're after, you can do much worse than a really catchy cover of the Four Seasons' Oh What A Night, in French, by the Gallic pop sensation (and occasional Ricky Martin duettist) M. (Matt) Pokora! Cette Année La, indeed:


...then there is the sumptuously funky début by the esoterically-named JANE and We Don't Wanna Dance! Shades of Sylvester/Wild Cherry/Average White Band and the heyday of Disco, methinks:

And, finally - not because this is by any means a conclusive list of favourites from the past few months, but merely because I have to end somewhere - Here's the lovely Robbie Williams and his (oh-so-"controversial") Party Like a Russian:


Anything that pisses Putin off has my vote!

Anyhoo, that's all folks - as ever, enjoy; and let me know your thoughts...

[*Salmigondis de musique = (hopefully) "musical hodgepodge" in French]

Monday, 29 February 2016

A little something to make me sweeter



All good things must come to an end. Some with a whimper - and some with a bang!

And so, all dressed for "an early preview of the afterlife", Hils, Crog, John-John, Paul, Mark and I trolled off to Islington Assembly Hall for One Night in Heaven, the traditional end-of-LGBT-History-Month gala hosted by Camden LGBT Forum on Saturday.



Oh, those fabulous balls we love to hold...

...and it was fabulous! What remnants there were of it. The "Whore of Hampstead" - drag queen Sandra - was advertised as our host again; she was nowhere to be seen (or heard!). Neither was the lovely Rosie Wilby; but we did have poetry from Trudy Howson. And, instead of the Gay Men's Chorus, we got some Ed Sheeran-wannabee with a guitar and a load of dull songs.

However...



Al Pillay was - as always - a sparkling, loud, and very entertaining opening act. Totally unconnected to her performance on Saturday,and just for the hell of it, here he/she is with her own inimitable take on the fairy tale The Snow Queen:




Meth - the only member of the advertised "Family Fierce" to show up - was a wonder to behold. Her "performance art" interpretations of Adele's Hello (inter-cut with snippets of Miss Jackson and, of course, Lionel Richie's identically-titled signature tune) and Katy Perry's Roar were in turn bewildering and hilarious.

But, if truth be told, there was only one act we really wanted to see - the utterly wonderful Andy Bell (of Erasure), of course!!



He was everything we expected, and more. With a set that didn't just stick to the "obvious" - his opening rendition of Erasure's Always, was a remix version - he has so much energy as a performer, he left many in the audience (some decades younger than he) exhausted just watching him.





In between Sacred from 2014's Erasure album The Violet Flame and his finale of crowd-pleasers including Blue Savannah and Respect (with a troupe of "backing dancers"; all the evening's performers), he proudly announced (before singing it) he was back at the top of America's Billboard Dance Chart with this one - Dave Aude feat. Andy Bell and True Original:


Pumped up with adrenaline, we cheered and whooped for more, but alas! We were to be disappointed. Despite everyone who attended having been issued with tickets that said it closed at 1am, we had no more from the acts, no more brilliant party choons from DJs Jonathan Kemp and Sadie Frost (as we had when we arrived); nothing else but... the raffle prize draw. Then the bar closed. To say we were disappointed is a bit of an understatement - but, as we were ushered out of the hall, we still had Andy Bell's voice ringing in our ears...

"Give a little respect to-oo-oo me!"

Saturday, 27 December 2014

A year in music, Dolores Delargo Towers style



It's in the "bit in-between" - the pause for breath as the shops start to dispense with the tinsel and Shakin' Stevens and you start to wonder what to do with that mound of leftovers at the bottom of the fridge - that our thoughts turn to "reviews of the year that was".

Let's start with music.

I can't deny that 2014 was a bit underwhelming. Maybe it was just me (what with the distractions of the two of us at different times being "at risk of redundancy", and moving house in the middle of it), not keeping up with the newest releases - and certainly with all that was going on, I felt I rarely had the time or the inclination to listen to it all. However, there were some highlights...

Keeping up our long tradition here at Dolores Delargo Towers of live events, I did manage to tick off some significant musical "firsts", beginning with a marvellous evening with Miss Mari Wilson in Soho in January, and ending with Mr Adam Ant in November. We were humbled by the presence of the marvellous Chrissie Hynde with the Pet Shop Boys at the Prom for Alan Turing in July, and overwhelmed with glitter by Earth Wind and Fire at Proms in the Park in September.



On a much smaller scale, we had a fab evening of salsa courtesy of Jesus Cutino Y Son de Cuba at the sparkling Hippodrome, the effervescent Al Pillay saved the day at the end-of-LGBT-History-Month Ball, there was the fun of West End Live with Daniel Boys and Jodie Prenger, the "Evening with Noel Coward" courtesy of Stefan Bednarczyk, and Eve Ferret provided a showcase for the lovely Andy Bell. We missed: Prince in Camden, Kylie in Shoreditch, Dolly at Glastonbury, and of course the hyped-up musical event of the year - Kate Bush in Hammersmith. Hey ho.

But what of the musical world "out there"? Forty years on from the birth of Blondie and of Abba winning Eurovision? In a year where the charts were dominated by dross like Taylor Swift, Sam Smith, Ariana Grande and Ed Sheeran, a year when U2 mis-fired an album launch, Take That became a trio, Sinitta, Band-Aid and S-Club 7(!) made comebacks, and a Disney song (Let it Go) became an "anthem", was there any sign of salvation?



Well, several of "our kind of Divas" - albeit very different in style - had new albums to promote, not least Amanda Lear's tribute to Elvis, Marianne Faithfull's tribute to London, Dame Shirley Bassey's tribute to the songs no-one ever let her sing till she was old, and Kylie Minogue's tribute to... pop! To my chagrin, 99.999999% of all shopping this year has been focussed on improving our domestic surroundings here at Dolores Delargo Towers #3, and nary a CD nor a DVD has been purchased all year. In fact, since moving in we haven't even connected the DVD or stereo together. Most of our musical entertainment of late has been via the wonders of the interweb, and (despite the fact I was very, very lackadaisical about posting my usual "Pick of the Pops" musical round-up blogs during 2014) here are just a few things that piqued our interest...

We always love those sassy divas who can actually sing (as opposed to that dreadful wibbly stuff that Christina or Beyoncé or any X-Factor-wannabee does, or that hideous pseudo-"street-cred" rubbish that comes from the charts), and providing us with a well-needed dose of just that (as I featured in April) was Miss Kimberly Davis (with a significant degree of assistance from "musical producer of the year" Dave Audé):


...and another diva (with whom I have had a love-hate relationship over the years) with a classy set of pipes, Miss Mary J Blige really caught my ear with F For You:


Speaking of Dave Audé, his Aftermath (Here We Go) for the aforementioned Andy Bell was an absolute joy:


Possibly the weirdest - and most infectious - of this year's clutch of choons had to be I'm an Albatraoz by AronChupa (featured here in November):


Providing a harmonic novelty as well as delightful amounts of young male flesh, from July came the boys of Out of the Blue and their Shakira cover:


Speaking of totty, the ever-lovely Mika returned this year with a lavish video for Boum Boum Boum - and in French, no less...


Dear old Auntie Beeb pulled out all the stops (and all the stars!) for their ensemble version of God Only Knows:


Dance act success story of the year had to be the unpronounceable Kiesza, who seems to have captured the hearts and minds of critics and the buying public alike (most unusual these days) - here from March is her marvellous Hideaway:


Miss Róisín Murphy delighted us with her return early in the year, and she chose a magnificent tribute EP to some of our fave Italian crooners with which to do it:



On our return from Spain in February, we just had to delight our audiences with the simply filthy Sebastian Castro and his Bubble:


Unfortunately not as massive a success as we may have hoped, Princess Kylie's utterly wonderful Into The Blue needless to say remained a very welcome "ear-worm" for most of 2014:


Mr Jimmy Somerville's rediscovery of Disco with Travesty - as featured here last month - was not just one of 2014's most incredibly uplifting moments, but had the most brilliant video of the year, too:


There is, however, absolutely NO CONTEST when it comes to the "Song of the Year".





In 2014, when we gayers experienced some of the most virulent homophobia we had heard in a long time - not just from the usual selection of fucking horrible African dictators, American evangelists and Islamic psychopaths, but thanks to a coldly cynical state-sponsored effort by the most reprehensible world leader since the dark days of the mid-20th century, Vladimir Putin - it fell upon the sequinned shoulders of a remarkable bearded drag queen from, of all places, Austria to provide us with the most rousing song of defiance of the lot. Bigger than Eurovision, bigger than the combined forces of GaGa, Queen Madge, Cher and Dame Elton put together - 2014 was the year of Conchita Wurst!


Let's hope the musical world can come up with another eclectic selection in 2015 (and that I can concentrate harder on musical discoveries of the newer kind to share with you, dear reader...).

More cogitations on the year 2014 to come - stay tuned!

Wednesday, 13 August 2014

Music catch-up, final part(y)



The third (and final; for now) of my little musical "catch-ups" is all about dance - and in particular, the work of one man: Mr Dave Audé!

You can keep your Avicii, your Pharrell, Calvin Harris and Tiesto, this man is consistently the most uplifting of all the "remixers-du-jour". And here are just a few examples from the summer of 2014 of his work, that have made me smile and shake my booty (admittedly somewhat wheezily these days)...




He even made that Disney schmaltz-fest Let It Go sound good:


And, finally, his collaboration with a lady who I only name-checked yesterday - the lovely Luciana:


That's got me in the mood for a party - in Amsterdam!

Dave Audé official website

Wednesday, 30 April 2014

All about Eve (and Andy!)





Peter York, Sue Tilley, Rusty Egan, Andrew Logan - more often than not such names, either alone or in combination, are the sort that crop up in some nostalgic Sunday supplement piece about "Shapers of the 80s". Yet there they all were in their finery in Soho's Arts Theatre, in 2014 (on Monday, actually) - assembled to pay homage to the doyenne of madcap camp cabaret and peignoir glamour, Miss Eve Ferret!

As my regular reader will no doubt be aware, Miss Ferret (solo, and in her original incarnation as part of "Biddie and Eve", in-house cabaret artistes at Steve Strange's seminal "Blitz" club) is a house favourite (and budding Patron Saint) here at Dolores Delargo Towers. Monday's show was the fourth time I had been to see her on stage...

Last year, the occasions were ably assisted by Celia Imrie/Fidelis Morgan, and by Adele Anderson/Hazel O'Connor.



This time, however (and Eve could hardly contain her excitement; nor could we), it was the turn of the ever-lovely Andy Bell (of Erasure) to occupy the guest slot! A fantastic choice for the launch night of Eve's first CD, Doolally (and for her forthcoming "Don't Be So Shellfish" tour). And a brilliant (and hilarious) show it was, too.

Miss Ferret - eclectic as ever - treated us to a whole raft of her own songs from the album, including favourites such as Diva's Tea Party, Handbag Girl and (I am the) Diva and previously unheard ones such as Twisted Sense of Glamour and (the rather wonderful) Cheers My Dears, alongside a clutch of bizarre oddities including This Town Ain't Big Enough for the Both of Us (Sparks), a medley of reggae songs with filthy lyrics (Push it In, Wet Dream and the like), Scars (Fran Landesman), The Model (Kraftwerk), Rapper's Delight (Sugarhill Gang) and of course her grand finale number Crazy Horses (The Osmonds)!



Here she is in a rather well-compiled video from her previous season of shows. It's Jezebel!


Andy Bell - even without Vince and with just a backing tape - still retains the ability to send shivers down the spine with his magnificently powerful voice.



His own solo numbers were simply superb - including his hit Electric Blue, a rousing sing-along version of Erasure's classic Respect, and this this, his new single with maestro DJ Dave Aude:


But the best moment - the very best - was when Andy and Eve (once she'd stopped twirling her wand behind him) took to the mikes together, to perform a wonderful duet on the Gershwins' finest torch song The Man I Love. The audience (for a moment anyhow) was completely hushed...

Eve Ferret deserves to be far more widely recognised. She is one of the warmest, funniest and most creative cabaret artistes (and indeed singers) I have had the pleasure of going to see - two hours just flew by!

As the lady herself said in a recent interview: “I like to think when I’m performing we’re all in the party together and I’m just at the helm.”

Aye, aye, Cap'n!

Facts about Eve:
  • Her uncle Pierre “Baro” Ferret played gypsy jazz with Django Reinhardt in the Hot Club de France.
  • She appeared in Absolute Beginners alongside David Bowie, and was also in the great man's Jazzin' For Blue Jean video.
  • Among the players in Biddie and Eve's band at The Blitz (apart from Roddy Matthews, who patiently accompanies Eve to this day) were Rowland Rivron, jazz pianist Simon Wallace and (latterly opera director) Richard Jones.
  • The duo were the support act for a number of New Romantic and Goth bands in the 80s, including Theatre of Hate, Blancmange and Duran Duran.
Eve Ferret website

Andy Bell website

The Arts Theatre

Monday, 19 November 2012

Enigma and operations



I am going into hospital this morning (in fact I will be there as you read this, having to attend theatre at 7am!!) for an operation to remove what is one of the most annoying signs of getting older, the dreaded varicose veins. It is day surgery, which means I should be out again (suitably drugged) later today. Ho hum. At least I get two weeks off work!

Anyhoo, surgery or no surgery, it is still a Tacky Music Monday. And who better to cheer everyone up but yesterday's birthday girl [as I have noted before, heaven only knows how old she really is] Miss Amanda Lear? - here in a most gob-smacking performance (on Italian TV, of course) of her classic Enigma (Give A Bit Of Mmmmmm To Me):


And just to prove she's still a force to be reckoned with, here, from earlier this year, is the simply faboo combination of Miss Lear, our very own Andy Bell (of Erasure) and the master-DJ Yiannis with a stomping mix of La Bête et La Belle...


Amanda Lear on Wikipedia

Wednesday, 26 October 2011

More respect


My verdict on the Erasure concert, (embarrassingly) captured by WinkBall.

Eek!

Far better are just some of the performances from last night...

Respect



What can I say about last night's Erasure concert?

Adjectives such as great, extraordinary, amazing, astonishing, astounding, awe-inspiring, awesome, brilliant, dynamite, excellent, fabulous, fantastic, incredible, magnificent, marvellous, outstanding, phenomenal, remarkable, sensational, terrific, and tremendous [thank you, Thesaurus.com] all come to mind!



I was curious how our "national treasures" would perform, being no spring chickens these days. After all, the last time I saw them was in 1997 at the final free Pride festival at Clapham Common, and fourteen years is a long time... I need not have worried.





Andy Bell and Vince Clarke are consummate professionals. Vince's musicianship is legendary. Give Andy an audience, and he transforms into the ultimate "showgirl". Together, their chemistry works wonders!





They threw everything into it, and we had a superb evening's entertainment as a result!

[Suffice to say, their support act the lovely Frankmusik - good though he was - hardly made a lasting impression.]



All the classics (and more) were here - Victim of Love, Ship of Fools, Blue Savannah, Drama!, Stop!, Chains of Love, Oh L'amour, their new single When I Start To (Break It All Down), Love to Hate You, Who Needs Love Like That, Breath of Life, Always, and of course the ultimate gay anthems A Little Respect and Sometimes. My voice is hoarse from singing along, and my bones are aching from dancing!




An unforgettable experience...

http://www.erasureinfo.com/

Thursday, 23 June 2011

Nina Simone, nude Basques, tutu-wearing lesbians and Andy Bell



We had another fabulous time at "London's peerless gay literary salon" Polari goes Pop last night...

Paul Burston had advertised the special guest appearance of the fantabulosa Andy Bell of Erasure in advance, so inevitably the place was packed to the gunnels. Some people might possibly have expected him to be singing. There were many esteemed regulars there too, including Suzy Feay of the FT and Joe Storey-Scott and his lovely chums, and some irregular faces including the marvellous gay journalist (who has been described as the "skinhead Oscar Wilde") Mark Simpson.

Opening with a bang, we had our only musical artist of the night, the rather fab Norman Feather - a stalwart of the Vauxhall Tavern and Wotever World alternative gay cabaret nights - who, according to his blurb, "writes and performs jaunty songs that celebrate illness, neurosis and death". Indeed, we loved his slightly smutty songs - with titles like The Bugger and The Penis is a Ghost, how could we not? He's quite cute, too..



Mr Feather was followed by Michael Alago, a massive name in the New York music industry. He signed Nina Simone for her final albums, discovered Metallica, and has worked with a bizarre range of people, including Cyndi Lauper, Michael Feinstein and John Lydon. In 2003 he retired from music to take up photography - mainly that type of photography that occupies the hearts and minds of many of the punters of Prowler or Clone Zone. Hunky, nude, male flesh! His Rough Gods and The Brutal Truth are no doubt best sellers at both emporia.

Mr Alago's readings - involving fantasy men, lust and New York, left us panting too...



Next up was a personal favourite, the adorable Sophia Blackwell. I love her!



With her customary chirpy personality, the tutu-wearing(!) Miss B read a few of her prodigious range of pithy poems, many of which she has posted on her MySpace blog for National Poetry Writing Month in May. I particularly liked this one:
Making Mixtapes
I miss them- don't you? Those long Sunday nights
Hanging over the arm of your parents' sofa,
Itchy fingers poised for the end of the track.
A scientist, an explorer, mapping from front to back,
You'd march into that vacuum, that white-noise hiss.
A general, marshalling crashing ranks of rock stars
Serving your quest to get that single kiss.

The language of tapes was all interpretation,
Songs were the flags you hid your face behind,
Your telegraphed semaphore blurring the lines-
Fast-forwarded in a laughable falsetto whine.
Pause, skip, rewind. Tongue-tied, through the wires,
Teasing as only teenagers can be. Hear me,
Pick me. Play. Click. Go. Only connect.

Later, the parties, drunk, hogging the decks,
Your mates opening doors - right, this one next-
The floor a collage of empty, naked cases,
floating liner notes. The whisky poured,
Cards painstakingly written, cartoons drawn,
The music of your spheres a late-night forecast
Wrapping you all against the dark till dawn.

I miss them- don't you? Sure, now it's quick and clean,
No end of space, no ninety-minute calculations,
And yes, there's beauty even in downloaded data,
Your memory banks decanted in an hourglass -
There's still the thought, the careful lettering,
But no matter what, it's not a party thing,
Or a solo labour of love looped on a shoestring.

I miss that kind of love- the fan-dance of belonging,
Hard to see it go. Hard to have your own,
Those tapes as lover's gifts and nothing that'll play them,
The drift of time, and those ridiculous dates-
Mix, '96, '99, 2001 - say them. Come on. Don't grieve
For what you both believed. Play. Go. Fast-forward.
Pause. See that single crooked heart on the sleeve.


From the sublime of Miss Blackwell's "innocent" poetry to the completely unexpected - the Basque performance poet Ernesto Sarezale.

We thought he was just a bit hot at first, but no! He really did strip totally naked to complete his set of readings - ending with this one, called Average:


Bizarre, but entertaining... How on earth do you follow that?!

Mr James Maker is a familiar reader - he entertained us at Polari Goes Pope last year, patent leather stilettos and all! A stunning presence.

His memoir Autofellatio is an exhaustive tale of Mr Maker's journey from punk via The Smiths, to gay goth-glam-rock, to his current (quieter) life in Spain. Great stuff!



Although he didn't actually sing last night, he is rather a fab musician too, so I thought I'd post one of his more atmospheric numbers (it seems appropriate):


So finally we reached the headline spot for Andy Bell - and this is where the reality bit. Hard. I had absolutely no idea (until he approached that stage) that Mr Bell's lover of twenty-three years (and manager) Paul Hickey had experienced a series of devastating, paralysing strokes in a hotel room in America while they were on tour a few years ago. I never guessed that behind the "flibbertygibbet" persona Mr Bell portrays for his adoring public there was such a troubled, caring, loving man who nursed his partner back from what might well have been the brink...



And so it was that Andy stepped in to read a few extracts from Mr Hickey's book (launched especially at last night's Polari) Sometimes: A Life of Loves, Loss and Erasure.

As the synopsis says, "Awakening from a coma to discover he was unable to move, swallow or communicate, he was suddenly forced to take stock of his life of sex, drugs and rock and roll and to rebuild it from scratch. The only way he could communicate in the early stages of his recovery was by writing, and this is his story." And a fabulous and emotional roller-coaster ride his story certainly appears to be - we loved it, and the applause at the end was deafening!



Truly fabulous - and a fitting end to a thoroughly enjoyable evening. Can't wait for July's Polari, when the long-list of the Polari First Book Prize will be revealed...



Oh, and lest I forget - we wished a very HAPPY BIRTHDAY to our Ange!