Popping a boner

Today is the thirtieth World Aids Day, and, of course, my thoughts and memories abound on such a significant date.

However, amongst the remembrance, there is always an excuse to return to one of my fave (and definitely one of the strangest!) films arising out of that benighted era of our history - the pioneering "AIDS Musical" Zero Patience.

I have - needless to say - featured this classic in depth on previous occasions, notably here. However, there is always room for a few clips from this highly-recommended extravaganza, for your delectation...

Zero Patience - If you pop a boner in the shower

It is indeed a most unusual musical...

Zero Patience on IMDB.

Made of tiny angry angels

After yesterday's statement from the University of Oxford on World AIDS Day:

Religious homophobes are unclear about why God is letting HIV become less infectious.

Hate-fuelled zealot Roy Hobbs said: “When AIDS came along it was clear to me that this was God’s wrath against deviants, just as cancer is God’s way of punishing people for nothing in particular.

“Now they’re saying that the HIV virus, which as I understand it is made of tiny angry angels, is evolving to become less deadly.

“I’m just confused as to why God would do that. I mean there’s still loads of homosexuals around, you only have to turn on Channel 4 or any programme about cakes.

“I’ve never imagined God as the sort of being who is wrathful for a bit and then sort of chills out.

“I feel so tense and confused. If only I was allowed to have a wank, that might help.”

The Daily Mash.

Of course.

Any excuse, methinks, for a clip from my favourite (in fact quite possibly the only) "AIDS musical" - Zero Patience!

Michael Callen - Miss HIV (from Zero Patience)

Zero Patience

My previous blog about Zero Patience

More about Michael Callen

Hall of Contagion

Today is marked as World AIDS Day across the globe, and celebrities practically clamber over eachother to wear red ribbons and suddenly discover a compassion for "victims"...

I'm off to a talk this evening about a pioneering gay slut of a generation or so before the "apocalypse" of disease, dodgy medicines and media condemnation effectively put our sex lives into the public domain, Mr Joe Orton.

Neatly combining the two themes, I thought I would focus on one of my most cherished (and most bizarre) movies, Zero Patience, the first (and possibly the only) "AIDS musical", which examined the issues in a way that hundreds of so-called "experts", "impassioned commentators", "survivors" and campaigners never quite managed. Here's an article from Cinema Queer that does it justice...

The Politics Of Blame
by Michael D. Klemm, August, 2007

In the early 1990s, several comedic approaches to AIDS stories began to appear. 1993 was the year that Paul Rudnick premiered his hit play Jeffrey (filmed in 1995) and Canadian experimental filmmaker John Grayson unleashed Zero Patience on unsuspecting gay audiences...his sense of the surreal hit a raw nerve by using AIDS as the subject of a political musical.

Yes, you heard right. A musical. Even if you find that idea distasteful you will be swept up in the marvelous absurdities of this film after a few minutes. Remember how the best of all the 1960s atomic bomb films was Stanley Kubrick's "nightmare comedy," Dr. Strangelove, Or How I Learned To Stop Worrying And Love The Bomb? Laughter and satire can be powerful tools in the right hands and, during the 1980s, Grayson cut his teeth on a series of short ACT UP videos.

Zero Patience begins with a bizarre anachronism: the famous explorer, Sir Richard Francis Burton, is still alive and working as the chief taxidermist for the Toronto Museum of Natural History. It seems that he did actually find the Fountain of Youth back in the 1800s. Burton once shocked genteel London with his translations of Tales Of 1,001 Arabian Nights and The Kama Sutra, not to mention his studies of penis size in different cultures. He is preparing "The Hall Of Contagion," an exhibit on plagues throughout history. When a slashed budget denies him the "Dusseldorf Plague Rat" (which would have been the "Shroud of Turin" of his collection), he hits upon another idea: AIDS - using Patient Zero, the man who supposedly brought the disease to North America, as its centerpiece.

Meanwhile, "suspended somewhere between existential limbo and the primordial void," a young athlete is performing gymnastics with a large disco ball to an Esther Williams water ballet. He is Patient Zero and he sings "Tell the story/clear my name/why do they need someone to blame?" He dives into the water and emerges in the real world inside a hot tub with three beautiful men who do not see him. He is a ghost and invisible - except to Burton when their paths inevitably cross.

The early 90s was a time of much agitprop in the first wave of the new queer cinema. Zero Patience, as it subverted musical conventions, was one of the most outrageous examples. A group of ACT UP activists sing about their HIV status before breaking into an elaborate production number about the greed of pharmaceutical companies. A trio of naked men trill an a-capella number about "When you pop a boner in the shower" to Burton, who is doing undercover research in a gay bath house, his video camera doubling as his phallus. A stuffed African monkey in the museum comes to life as a leather-clad lesbian to demand, in song, why she is blamed for transmitting AIDS to humans. Finally, the famed drag performer (and then-longtime AIDS survivor) Michael Callen appears on a microscope slide as Miss HIV herself to exonerate Patient Zero.

The underlying theme seems to be the dubious "art" of laying blame. Gaetan Dugas, the French Canadian flight attendant who came to be known as "Patient Zero" is the film's focal point. Due to a flawed cluster study, Randy Shilts, in his extensively researched And The Band Played On (1987), blamed Dugas; even suggesting that he deliberately spread the disease once he knew that he was sick.

Zero Patience doesn't even refer to Dugas by name - the character is actually called Patient Zero in the film. Instead Grayson revels in poking fun at all the finger pointing. The monkey gave AIDS to humans, the media blames gays, Haitians and drug users, ACT UP blames the drug companies. And Burton, obsessed with blaming Patient Zero and depicting him as a remorseless killer, re-edits the truth, taking quotes from interviews out of context, pissing off the local ACT UP chapter in the process.

Another theme involves visibility. It was often written that AIDS made gays visible to the world at large. This is symbolized here when Zero's ghost speaks with Miss HIV and then becomes visible after being splashed with the virus through a microscope's eyepiece. Meanwhile, one of Zero's former lovers is going blind after getting no results from the most expensive AIDS drug on the market. This drug, by the way, is a cash cow for Gilbert & Sullivan Pharmaceuticals - who is also sponsoring Burton's "Hall of Contagion" exhibit.

Zero Patience often pushes the boundaries of good taste but so did early John Waters. At first I could have done without the "Butthole Duet" but when I got to Burton's lyric about it being "An insult to The Empire/When I take it up the bum" I couldn't stop laughing. The clever lyrics reference the patriarchy and Freud, not to mention a few very unflattering references to how gays were often viewed in the press in the 1980s.

Zero Patience isn't perfect by any means. The camera is sometimes in totally the wrong place during some of the musical numbers. The bad framing might be due to the fact that this DVD is not letterboxed (shame shame) and we're not seeing the entire image. But, obviously, the musical numbers do not have the gloss of a Fred Astaire film - despite some clever choreography. You also have to listen really closely at times to make out all the lyrics.

But its charms far outweigh its flaws. The film is usually very funny. Burton is a trip as he angers each of his interview subjects while trying to prove that Patient Zero was a serial killer; when no one will give him what he wants he takes their comments out of context, completely changing the meaning. His humiliation, when he is later forced to seek out ACT UP's endorsement of the exhibit, is priceless poetic justce. But even ACT UP doesn't escape Grayson's pointed barbs when they arrive, Keystone Kops-style, to sabotage Burton's "Hall of Contagion". Finally, the uneasy friendship between Burton and Zero is nicely developed; when they finally kiss there are fullblown fireworks.

Zero Patience - If you pop a boner in the shower

I loved it at the time, and I love this film now!

Zero Patience on Amazon

A pioneer

"The HIV paradigm has produced nothing of value for my life and I actually believe that treatments based on the arrogant belief that HIV has proven to be the sole and sufficient cause of AIDS has hastened the deaths of many of my friends."

An unusual one for me today - for this would have been the birthday of the late Michael Callen, one of the true heroes of AIDS activism.

Michael was one of the earliest diagnosed (in an era of real ignorance) with what was then known as "Gay-related immune deficiency syndrome", and famously outlived many of his contemporaries. In a decade of moral outrage, panic and misguided demands by the more radical members of the gay community (such as "Act-Up") to rush through the release of untested antiviral drugs onto the market, Michael's was a calm voice. He wrote books on living with "AIDS-related" symptoms, and introduced the concept of "safe sex" into the public domain.

Most radically - and from my own personal and intense study of the matter, he proved to be right - he always disputed the theory that a single virus was the cause of the illnesses people were succumbing to, and was particularly critical of the use of AZT, a dangerous and previously banned anti-cancer treatment which has subsequently been linked to more deaths of people than the "disease" ever killed.

In addition to being a wise and remarkably astute political campaigner - he was a spokesperson on behalf of the People With Aids (PWA) self-empowerment movement on several US government AIDS committees - Michael was also a talented singer and actor. My favourite of his roles was his appearance as "Miss HIV", the drag-wearing singing virus, in the fabulous "AIDS musical" Zero Patience! [I'm not making this up you know!]

RIP, a great hero of mine...

Here's Michael singing live:

Michael Callen - Where The Boys Are

And here he can be seen briefly (through the microscope) in this brilliant film:

Michael Callen - Miss HIV (from Zero Patience)

Michael Callen