Showing posts with label Kimberly Davis. Show all posts
Showing posts with label Kimberly Davis. Show all posts

Sunday, 27 December 2020

Songs of the Year? Part 1

Yes, I am more than well aware that I haven't really been keeping my ear on the pulse of newer music as regularly as I used to. I make few excuses for this, other than a) the joys of getting older and more disconnected, and b) seeking comfort in more familiar stuff in a most unsettling year when every one of our usual entertainments was cancelled. However, dear chums, there are one or several choons I could tick off as "quite jolly discoveries of 2020", such as these...

Let's start as we mean to go on, with a faboo uplifting track [featuring on vocals the lady cavorting with all those lovely mirroball items in the photo above] that might have filled the floor at many a club and festival, had there been any:

Next, the biggest hit of the year, both in sales and in streaming [unless there are any sudden surprises]. Mr Abel Makkonen Tesfaye [yes, that is his real name!] has a penchant for gory videos [as I mentioned when I posted my own personal fave song of his back in April], but some clever bugger out there has merged this song with footage of that dance scene from The Breakfast Club instead - and it works perfectly!

Speaking of all things retro, Erasure received a great reception for their new album The Neon in the summer, and from it, this drag-queen-heavy video:

Speaking of drag - an unexpected [for me] joy next, from a hitherto unknown reggaeton artist from Puerto Rico, who plays all the female roles here...

I was overjoyed when one of my favourite eccentrics made a bit of a comeback, with a typically odd-yet-very-catchy number:

This year, I observed an ongoing trend in new songs that leaned heavily towards the sounds of the 1970s and 80s, including other favourite tunes of the year not actually included in this list by Dua Lipa and Doja Cat [as well as the above-mentioned The Weeknd] - and here's another in a similar vein that was a bit of an "earworm" in Spring:

And, rounding off this "first half" - another sure-fire dancefloor hit that unfortunately wasn't...

Part Two of this self-indulgence will be winging its way in a couple of days.

As always, dear reader, let me know your thoughts!

Saturday, 27 December 2014

A year in music, Dolores Delargo Towers style



It's in the "bit in-between" - the pause for breath as the shops start to dispense with the tinsel and Shakin' Stevens and you start to wonder what to do with that mound of leftovers at the bottom of the fridge - that our thoughts turn to "reviews of the year that was".

Let's start with music.

I can't deny that 2014 was a bit underwhelming. Maybe it was just me (what with the distractions of the two of us at different times being "at risk of redundancy", and moving house in the middle of it), not keeping up with the newest releases - and certainly with all that was going on, I felt I rarely had the time or the inclination to listen to it all. However, there were some highlights...

Keeping up our long tradition here at Dolores Delargo Towers of live events, I did manage to tick off some significant musical "firsts", beginning with a marvellous evening with Miss Mari Wilson in Soho in January, and ending with Mr Adam Ant in November. We were humbled by the presence of the marvellous Chrissie Hynde with the Pet Shop Boys at the Prom for Alan Turing in July, and overwhelmed with glitter by Earth Wind and Fire at Proms in the Park in September.



On a much smaller scale, we had a fab evening of salsa courtesy of Jesus Cutino Y Son de Cuba at the sparkling Hippodrome, the effervescent Al Pillay saved the day at the end-of-LGBT-History-Month Ball, there was the fun of West End Live with Daniel Boys and Jodie Prenger, the "Evening with Noel Coward" courtesy of Stefan Bednarczyk, and Eve Ferret provided a showcase for the lovely Andy Bell. We missed: Prince in Camden, Kylie in Shoreditch, Dolly at Glastonbury, and of course the hyped-up musical event of the year - Kate Bush in Hammersmith. Hey ho.

But what of the musical world "out there"? Forty years on from the birth of Blondie and of Abba winning Eurovision? In a year where the charts were dominated by dross like Taylor Swift, Sam Smith, Ariana Grande and Ed Sheeran, a year when U2 mis-fired an album launch, Take That became a trio, Sinitta, Band-Aid and S-Club 7(!) made comebacks, and a Disney song (Let it Go) became an "anthem", was there any sign of salvation?



Well, several of "our kind of Divas" - albeit very different in style - had new albums to promote, not least Amanda Lear's tribute to Elvis, Marianne Faithfull's tribute to London, Dame Shirley Bassey's tribute to the songs no-one ever let her sing till she was old, and Kylie Minogue's tribute to... pop! To my chagrin, 99.999999% of all shopping this year has been focussed on improving our domestic surroundings here at Dolores Delargo Towers #3, and nary a CD nor a DVD has been purchased all year. In fact, since moving in we haven't even connected the DVD or stereo together. Most of our musical entertainment of late has been via the wonders of the interweb, and (despite the fact I was very, very lackadaisical about posting my usual "Pick of the Pops" musical round-up blogs during 2014) here are just a few things that piqued our interest...

We always love those sassy divas who can actually sing (as opposed to that dreadful wibbly stuff that Christina or Beyoncé or any X-Factor-wannabee does, or that hideous pseudo-"street-cred" rubbish that comes from the charts), and providing us with a well-needed dose of just that (as I featured in April) was Miss Kimberly Davis (with a significant degree of assistance from "musical producer of the year" Dave Audé):


...and another diva (with whom I have had a love-hate relationship over the years) with a classy set of pipes, Miss Mary J Blige really caught my ear with F For You:


Speaking of Dave Audé, his Aftermath (Here We Go) for the aforementioned Andy Bell was an absolute joy:


Possibly the weirdest - and most infectious - of this year's clutch of choons had to be I'm an Albatraoz by AronChupa (featured here in November):


Providing a harmonic novelty as well as delightful amounts of young male flesh, from July came the boys of Out of the Blue and their Shakira cover:


Speaking of totty, the ever-lovely Mika returned this year with a lavish video for Boum Boum Boum - and in French, no less...


Dear old Auntie Beeb pulled out all the stops (and all the stars!) for their ensemble version of God Only Knows:


Dance act success story of the year had to be the unpronounceable Kiesza, who seems to have captured the hearts and minds of critics and the buying public alike (most unusual these days) - here from March is her marvellous Hideaway:


Miss Róisín Murphy delighted us with her return early in the year, and she chose a magnificent tribute EP to some of our fave Italian crooners with which to do it:



On our return from Spain in February, we just had to delight our audiences with the simply filthy Sebastian Castro and his Bubble:


Unfortunately not as massive a success as we may have hoped, Princess Kylie's utterly wonderful Into The Blue needless to say remained a very welcome "ear-worm" for most of 2014:


Mr Jimmy Somerville's rediscovery of Disco with Travesty - as featured here last month - was not just one of 2014's most incredibly uplifting moments, but had the most brilliant video of the year, too:


There is, however, absolutely NO CONTEST when it comes to the "Song of the Year".





In 2014, when we gayers experienced some of the most virulent homophobia we had heard in a long time - not just from the usual selection of fucking horrible African dictators, American evangelists and Islamic psychopaths, but thanks to a coldly cynical state-sponsored effort by the most reprehensible world leader since the dark days of the mid-20th century, Vladimir Putin - it fell upon the sequinned shoulders of a remarkable bearded drag queen from, of all places, Austria to provide us with the most rousing song of defiance of the lot. Bigger than Eurovision, bigger than the combined forces of GaGa, Queen Madge, Cher and Dame Elton put together - 2014 was the year of Conchita Wurst!


Let's hope the musical world can come up with another eclectic selection in 2015 (and that I can concentrate harder on musical discoveries of the newer kind to share with you, dear reader...).

More cogitations on the year 2014 to come - stay tuned!

Sunday, 20 April 2014

Au courant



It is time once more for a little snippet of the newer music that has caught my ear...

Let's open with the first single release from the widely-anticipated (not least by me - I adore the woman!) new EP Mi Senti by Róisín Murphy, a collection of innovative cover versions of standards by Italian singers - icons of ours including Mina and Patti Pravo, as well as Gino Paoli and Lucio Battisti. This is her version of a classic by the latter, it's Ancora Tu:


An utterly beautiful track I heard recently on BBC Radio 3's fantabulosa Late Junction show, here's the Thievery Corporation featuring Lou Lou Ghelichkhani and Décollage. Cocktails, anyone?


From the sublime to... How about something gayer than Elton John and Freddie Mercury in the back of a pink mini? Balancing queeniness with sleaze, here's Naked Highway and their cover of the late, great Laura Branigan's gay anthem for the poppers era, Self Control - it's camp-tastic!


Much more classy is the New Order-tinged sound of Client, with a rather mysterious video for their new single - Refuge:


Miss Neneh Cherry is back (having recently celebrated her 50th birthday), complete with a critically-acclaimed new "left-field artistic project" (that's music-journo-speak for "new album") Blank Project, which promises a departure from the familiar "Buffalo Stance" type pop for which she is remembered. Here is her new single, a collaboration with the equally nuts fellow Swede Robyn and Out Of The Black, complete with its odd "home video". The song is quite good, actually, if your eyes can stop watching the sub-Reynolds Girls action:


As exciting is the return - with her first ever solo album Stockholm [and she, alongside Miss Cherry, is one of the artists appearing at this year's Meltdown Festival] - of the legendary Miss Chrissie Hynde! She's wearing Dark Sunglasses:


"Lost" tracks by ground-breaking artists always make the news (and of course boost sales), but when it's Grace Jones covering Gary Numan's dystopian anthem Me I Disconnect From You [released as part of the newly-remastered re-released version of her seminal 1981 Nightclubbing album], then it is very special indeed:


Speaking of "comebacks", it seems like ages since we heard anything from the pioneering Brighton dance music combo The Freemasons, but apparently they've been keeping themselves busy producing music for others, such as this sublime piece. It's Pegasus featuring Chloe Wolf and Gorecki:


This song is simply brilliant! Many thanks again to the lovely Henry at Barbarella's Galaxy for highlighting it - it's the magnificent tonsils of Miss Kimberly Davis and the Dave Audé remix of her single With You:


But to finish, this may possibly be my weirdest discovery yet from that land of mystery, Japan - famously described by Dom Lawson in The Guardian as "a collaboration between Slipknot and Aqua", it's Babymetal and (fortuitously on Easter Sunday) Gimme Chocolate!! Bizarre...


As ever, enjoy - and let me know your thoughts!