Showing posts with label Maria Callas. Show all posts
Showing posts with label Maria Callas. Show all posts

Saturday, 2 December 2023

I lived for my art

"La Divina", "the Bible of opera", "the definition of the diva as artist".

It's the centenary today of the most-lauded operatic soprano of the 20th century, Maria Callas!

Here she is, at her utmost peak of her powers...

Perfection.

Maria Callas (born Maria Anna Cecilia Sofia Kalogeropoulos, 2nd December 1923 – 16th September 1977)

[More Callas here, and at the label at the foot of this post, of course.]

Sunday, 8 December 2019

She opened a new door



"She opened a new door for us, for all the singers in the world, a door that had been closed. Behind it was sleeping not only great music but great idea of interpretation. She has given us the chance, those who follow her, to do things that were hardly possible before her." - Montserrat Caballé

We missed celebrating the birthday of "La Divina", Maria Callas - one of the most influential opera divas of the 20th century...

...all hail!


Maria Callas (born Maria Anna Cecilia Sofia Kalogeropoulos, 2nd December 1923 – 16th September 1977)

Sunday, 2 December 2018

I make the goddam rules







"When music fails to agree to the ear, to soothe the ear and the heart and the senses, then it has missed the point."

"You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there."

"I would not kill my enemies, but I will make them get down on their knees. I will, I can, I must."

"Don't talk to me about rules, dear. Wherever I stay I make the goddam rules."


It's been a very laid-back Sunday here at Dolores Delargo Towers (as it should be) - with so little daylight, it is difficult to really get a huge amount done.

So instead, let us put our feet up and wallow in the musical splendour of "La Divina" herself, Maria Callas, whose 95th birthday it would have been today...


Utter perfection. Sigh.

Maria Callas (2nd December 1923 – 16th September 1977)

More Maria Callas here and here.

Tuesday, 21 July 2015

Mash up of the day...



...Maria Callas vs Marni Nixon/Audrey Hepburn?


Who wins?

[Thanks to my erstwhile other half Madam Arcati for finding this!]

Tuesday, 14 February 2012

La Divina in London



Madam Arcati and I went to a see a real treat last night - the marvellous Tyne Daly (of Cagney and Lacey fame) portraying Maria Callas in Master Class.

"Class" is most definitely the word! In a truly awe-inspiring performance, Miss Daly managed the "suspension of disbelief" and transformed herself into "La Divina" before our eyes, strutting and preening about the stage, in most definite charge of the operatic masterclass of the title, berating and praising her victims - sorry, students [an able supporting cast of young talent including Jeremy Cohen, Naomi O'Connell, Diane Pilkington and Garrett Sorenson] - in turn.

Quite rightly, Miss Daly has received rave reviews and accolades galore for this astounding achievement. Her monologues, as she recalls her stormy (and ultimately doomed) relationship with the brutish Aristotle Onassis, her dreadful younger days in wartime Greece and her estrangement from her mother, and of course her operatic triumphs at La Scala, Covent Garden and the New York Met, were truly breathtaking - to the point that we, the audience, did not know whether to applaud or cry. Madame Callas's constant exhortations to the audience not to applaud - "this is not about me", she kept (un)subtlely reminding us - made that struggle all the more difficult. For this performance is more than worthy of the highest applause.

In ninety minutes, we felt we knew every foible of this extraordinary woman - hard as nails, yet fragile inside; pompous and insufferable, yet a woman driven by her inner demons to become the best; cruel on occasions, yet the survivor of many cruel indignities herself.

Astonishing.

Here's just a brief taster:


Master Class was a smash hit on Broadway, and was written by one of the best - the fabulous out-gay playwright Terrence McNally, who not only wrote one of my all-time fave films The Ritz, but also the "books" for such modern hit shows/films as The Full Monty, Kiss Of the Spiderwoman, Ragtime, and the forthcoming Catch Me If You Can.


Edward Albee, Terrence McNally, Larry Kramer

Apart from Master Class, Mr McNally has won awards for his plays Corpus Christi and Love! Valour! Compassion!. He remains a staunch gay rights advocate and married his partner Tom Kirdahy in 2010.

It is showing for a strictly limited season until 28th April 2012 at The Vaudeville Theatre. Miss this at your peril!

Visit the official Master Class website for more information and tickets.

And to conclude, let us enjoy a sample of the genius that was La Divina herself. I would have posted her sublime version of Vissi d'Arte, but that would invoke unfair comparisons with the interpretation by Miss Leontyne Pryce that I featured on Saturday. Thus, it is to Bellini's Norma we turn, for her glorious Casta Diva:


Maria Callas on Wikipedia

Tuesday, 2 December 2008

La Divina



"It is very difficult to speak of the voice of Callas. Her voice was a very special instrument. Something happens sometimes with string instruments - violin, viola, cello - where the first moment you listen to the sound of this instrument, the first feeling is a bit strange sometimes. But after just a few minutes, when you get used to it,
when you become friends with this kind of sound, then the sound becomes a magical quality. This was Callas."

Had she lived, today would have been the 85th birthday of the diva Maria Callas.

Although born in the USA, her singing career began in her native Greece - to where her mother had moved the family - even during the German occupation of WW2. After the war, she briefly moved back to America, but it was in Italy that the music establishment began to really sit up and take notice of the budding opera star.

In post-war Venice she was a massive success. Callas demonstrated to the world the sheer versatility of her voice and talent by taking on not one but two demanding (and stylistically different) roles - Wagner's Brünnhilde and Bellini's Elvira - in the same season! She went on to triumph at La Scala in Milan throughout the 1950s, which mounted many new productions specially for her by directors such as Herbert Von Karajan, Margherita Wallmann, Luchino Visconti and Franco Zeffirelli, and the international legend "La Divina" (the divine one) was born. She dazzled audiences in Chicago, New York and London - and with her striking looks and stylish attire she soon became a media darling, even if she was rumoured to be temperamental and difficult to deal with.

But it was during the twilight of her full-time operatic career in the late 50s that she really drew the attention of the media, when she embarked on a scandalous (for the time) affair with billionaire shipping magnate Aristotle Onassis. The two later married, but more scandal ensued when Onassis left her in 1968 for the President's widow Jackie Kennedy. Always battling with ill-health (she was rumoured to be anorexic and was almost blind), Maria Callas died alone in Paris in 1977, and was hysterically mourned across the world.

We still have the music by which to remember one of the world's most magnificent operatic divas...



Maria Callas website