Showing posts with label Quincy Jones. Show all posts
Showing posts with label Quincy Jones. Show all posts

Sunday, 29 December 2024

Year-end melangery

As we count down the days towards the "Party of the Year" to see 2024 out with a bang - how about a final melange this year of "newer" choons that have caught my ear of late?

Let's get this little "hangover" from the Festering Season out of the way first - probably the best Xmas song never destined to hit our airwaves...

Next up, everyone's favourite pop-twink Olly's back - with a choon rather reminiscent of Janet ("Miss Jackson" if you're nasty) methinks:

Also making a welcome return - old "house fave" electro-pop combo Parralox, with a cover that is a vast improvement on the Joe Jackson original, in my opinion:

Mummy! It's the scary lady from Eurovision!

Taking things down a notch, a rather sublime acapella medley from the midst of the "pandemic lockdown" era:

And finally, an old familiar choon - but with a rather inventive video mix. It's Quincy vs Sweet Charity!

As ever, dear reader, let me know your thoughts...

Monday, 4 November 2024

Fill my heart with song, and let me sing for ever more

Grrr. Monday again, and to make the mood even more sombre than usual we are greeted by sad news - the genius that was Quincy Jones has departed (at the venerable age of 91) for that great Montreux Festival in the sky.

He worked with just about everybody in the business in a career that spanned 70 years, from Jimmy and Tommy Dorsey, Lionel Hampton, Gene Krupa, Ella Fitzgerald and Dizzy Gillespie, to Anita O'Day, Miles Davis, Aretha Franklin, Sarah Vaughan and Lena Horne, to Michael Jackson, Donna Summer, Patti Austin, James Ingram, Diana Ross, Brothers Johnson, George Benson and even Amy Winehouse.

His collaborations with Frank Sinatra and Count Basie were regarded as the pinnacle of their recording careers, not least for this:

A masterclass in how to arrange a song around a singer - his complete revision of Noël Coward's classic paean to unrequited love; a gift for the diva Dinah Washington:

His work in the Disco era and beyond (that made him such a fortune, courtesy of Michael Jackson's massive-selling Off The Wall, Thriller and Bad albums) also saw Quincy step out from behind the scenes to gain a few hits of his own, including this one:

A few decades later, and a certain toothy 1960s spy gave Mr Jones's very first single back in 1962 a new lease of life, to huge success:

And finally, no - I haven't forgotten that it's a Tacky Music Monday, nor the (surprising) fact that one of Mr Jones's earliest ventures into the big time was as the producer of the archetypal purveyor of tearful teen ballads, Miss Lesley Gore!

RIP, Quincy Delight Jones Jr. (14th March 1933 – 3rd November 2024)

Tuesday, 14 March 2023

Sixties? Or Nineties?

Among a raft of birthdays today, including Albert Einstein, Mrs Beeton, Eleanor Bron, King Victor Emmanuel II of Italy, Les Brown, Casey Jones, lesbian bookseller and patron of James Joyce Sylvia Beach, Diane Arbus, Johann Strauss Sr., Bill Owen, Jona Lewie, Rita Tushingham, Les Baxter, Billy Crystal, Jasper Carrott, Prince Albert of Monaco, and - erm - Rick Dees of Disco Duck fame, we have not one, but two milestones to celebrate today, dear reader...

...and both with a link to Swinging 60s London [so here's a little something I made earlier (slightly tweaked)]:

Maurice Micklewhite - aka Sir Michael Caine - is a stalwart of British cinema, and he blows out 90 candles on his cake today! He rose to fame as the super-cool "Harry Palmer" [a working-class equivalent of James Bond] in The Ipcress File, as the eponymous "Jack-the-Lad" Alfie, and (of course) as Cockney wide-boy "Charlie Croker" in that archetypal British 60s classic The Italian Job...

...the latter blockbuster [always on telly here, particularly over the Xmas-New Year break] featured a score written by another towering figure with whom Sir Michael shares not merely a birthday, but a birth-date - Mr Quincy Jones, composer, producer, orchestrator and a man who has worked with just about everybody (from the Dorsey brothers to Michael Jackson; from Frank Sinatra and Ella Fitzgerald to Patti Austin and Chaka Khan)...

...then in the 1990s, a "tribute" to the Swinging 60s became a massive cinematic success, and Quincy's addictive Soul Bossa Nova was resurrected for the occasion:


[...and Sir Michael appeared in the second sequel...]

Yeah, Baby, Yeah!

Sir Michael Caine, CBE (born Maurice Joseph Micklewhite Jr., 14th March 1933)

Quincy Delight Jones Jr. (born 14th March 1933)


FOOTNOTE:

A tribute:

Wednesday, 14 March 2018

What say, you, we go out on the town and swing, baby? Yeah!



Connections, connections...

Two milestone birthdays today, and both with a link to Swinging 60s London.

Maurice Micklewhite - aka Sir Michael Caine - is a stalwart of British cinema, and he blows out 85 candles on his cake today! He rose to fame as the super-cool "Harry Palmer" [a working-class equivalent of James Bond] in The Ipcress File, as the eponymous "Jack-the-Lad" Alfie, and (of course) as Cockney wide-boy "Charlie Croker" in that archetypal British 60s classic The Italian Job...



...the latter blockbuster [always on telly here, particularly over the Xmas-New Year break] featured a score written by another towering figure with whom Sir Michael shares not merely a birthday, but a birth-date - Mr Quincy Jones, composer, producer, orchestrator and a man who has worked with just about everybody (from the Dorsey brothers to Michael Jackson; from Frank Sinatra and Ella Fitzgerald to Patti Austin and Chaka Khan)...

...then in the 1990s, a "tribute" to the Swinging 60s became a massive cinematic success, and Quincy's addictive Soul Bossa Nova was resurrected for the occasion:


[...and Sir Michael appeared in the second sequel...]

Yeah, Baby, Yeah!

Sir Michael Caine, CBE (born Maurice Joseph Micklewhite Jr., 14th March 1933)

Quincy Delight Jones Jr. (born 14th March 1933)

Friday, 29 September 2017

Taste the forbidden fruit



At this time of year, it always feels like a race - to try and get as much sunshine whenever it appears, in the sure and certain knowledge that there won't be much of it in the months to come. True to form, all week while I've been stuck in the office, London has had some lovely warm sunshine. Today, and likely for the whole weekend, it is bucketing down. In the words of Father Jack: "Arse! Feck!"

Never mind, eh? A weekend is still a weekend, and we could always stick a few rhinestones onto our galoshes to cheer us us up. Alternatively, we could writhe around suggestively with some plastic chairs and a helluva lot of eyeshadow, just like the much missed Hot Gossip - and Thank Disco It's Friday!

Lord knows what dear old Quincy Jones made of this.


I knew I was captured
By the rhythm of the magic flute
Pulling and urging me
To taste the forbidden fruit

And though I felt naive
I did not want to leave, fever was in the air
And all of us sudden and I didn't care
And no reason why, I just had to testify

What makes you feel like doin' stuff like that?
What makes you feel like doin' stuff like that?
What makes you feel like doin' stuff like that?
What makes you feel like doin' stuff like that?
Do it, do it, do it, do it, do it, do it, do it, do it!


You know you want to...

Have a good weekend, dear reader!

Friday, 7 October 2016

From Grimsby to the Grammys



"He had a very small flat, so everything had to be done within one room and he had piles of washing, with the TV on top of the organ. It was a nightmare... he had trams running outside... but he made it, he just absorbed himself in the music and Rod seemed to come up with these amazing songs."

We bade a sad farewell this week to one of the most successful - yet largely unpublicised [or probably more likely "not a seeker of publicity"] - songwriters of the latter part of the 20th century, Mr Rod Temperton [probably the most famous person ever to have come from the Lincolnshire seaside town of Cleethorpes!].

Originally a full-time member of the archetypal 70s groove band Heatwave [and prior to joining them, employed in a frozen fish-packing factory in Grimsby], Mr Temperton's writing and arranging skills soon came to the notice of the big music producers in the USA, and he was "air-lifted" into the big time by none other than Quincy Jones. The result of that fortuitous collaboration? Michael Jackson's much-lauded "comeback" album Off The Wall. Mr Temperton and Mr Jones went on to produce Jacko's biggest-selling-in-the-world-ever album Thriller, and by then neither of them probably ever needed to work again.

During his long career, Rod Temperton wrote or co-wrote myriad funky, soulful and dancefloor classics [several featured here, usually at the climax of the week], including: for Heatwave - Boogie Nights, The Groove Line, Always and Forever, Gangsters of the Groove, and many more; The Brothers Johnson - Stomp!; James Ingram and Michael McDonald's Yah Mo B There; The Manhattan Transfer - The Spice of Life; and Donna Summer's Love Is in Control (Finger on the Trigger). He also worked with Lionel Richie, Rufus and Chaka Khan, Mica Paris, Patti Austin, Herbie Hancock, Stephanie Mills, Karen Carpenter and Aretha Franklin...

...and found the time to write these two!



Thank Disco It's Friday - and thank Rod for the music!

Rodney Lynn Temperton (9th October 1949; death announced 5th October 2016)

Saturday, 14 March 2009

The quintissential artist



"Imagine what a harmonious world it could be if every single person, both young and old shared a little of what he is good at doing."

Happy 76th birthday today to the incredibly talented Quincy Delight Jones.

Quincy began his musical journey as a trumpeter with bandleader Lionel Hampton in the 1950s, and from there soon gained a name for himself as an arranger, working with a cavalcade of the top artists of the day, including Sarah Vaughan, Count Basie, Duke Ellington, Gene Krupa and Ray Charles. With this respected career under his belt, he moved on to composing his own music, and was soon snapped up by Hollywood to write film scores, including In The Heat of The Night and The Italian Job.

He continued as an arranger, working with Frank Sinatra, Peggy Lee, Dinah Washington and Ella Fitzgerald. En route he found time to write the classic Soul Bossa Nova (as featured in Austin Powers), and "discovered" Lesley Gore and wrote It's My Party for her. Whew!


But this prodigious output continued throughout the 70s and 80s, and his success was assured as producer of Michael Jackson's greatest works, including his seminal solo album Off The Wall - a record that sold 20 million copies worldwide and rocketed Quincy Jones into the stratosphere of fame. He went on to produce both the biggest-selling album of all time, Thriller, and Jackson's follow-up Bad.

In the 80s he also had a solo pop career, covering Chaz Jankel's Ai No Corrida and latching onto the jazz-funk groove of the early 80s with Razzamataz, and continues writing, producing and arranging to this day...


A staggering talent!

Quincy Jones website