Showing posts with label Chrissie Hynde. Show all posts
Showing posts with label Chrissie Hynde. Show all posts

Thursday, 9 October 2014

As long as there are stars above you



Everybody else is talking about it.

Why shouldn't I?

It's the BBC's new "promo-cum-charity-fundraiser" (seventeen years after the excellent Perfect Day), featuring every "shimmering, glowing star in the firm-a-ment."

How did they get them all to this? God Only Knows...


In order of appearance: Pharrell Williams, Emeli Sandé, Elton John, Lorde, Coldplay, Brian Wilson, Florence + the Machine, Kylie Minogue, Stevie Wonder, Eliza Carthy, Nicola Benedetti, Jools Holland, Brian May, Jake Bugg, Lauren Laverne, Gareth Malone, Alison Balsom, One Direction, Zane Lowe, Jaz Dhami, Paloma Faith, Chrissie Hynde, Jamie Cullum, Baaba Maal, Danielle de Niese, Dave Grohl, Sam Smith, The Beach Boys, Tees Valley Youth Choir, Martin James Bartlett and the BBC Concert Orchestra.

Phew!

Even Alexis Petridis, waspish Guardian columnist, liked it. It must be A Good Thing.

Thursday, 24 July 2014

He dreamed of machines



Oh. Deep. Joy.

Last night, I was treated (by our good friend Paul, for my forthcoming birthday) to a most incredible evening - not just "a Prom" (in the glittering Royal Albert Hall), but THE Pet Shop Boys' Prom!

Opening with a heavily melodramatic orchestration of several PSB chart hits - Overture to Performance, masterminded by arranger Richard Niles - we knew we were in for a real treat. And when none other than the legendary Chrissie Hynde took to the stage to perform the next piece (“Four songs in A minor”), we were thrilled. As described admirably by Adam Sweeting in The Telegraph:
Chrissie Hynde teetered to the microphone in white blouse and tails, skinny jeans and high heels, like some sort of Nashville gunslinger.

She added the right amount of frayed world-weariness to Badalementi’s mooching, indigo-tinted arrangements. Love Is a Catastrophe felt like the aural equivalent of a bourbon hangover, while her duet with Tennant on Rent was piercingly bittersweet.

I couldn't help but think, however, that when it comes to the clipped, lyrical songs of Messrs Tennant and Lowe, a legendary diva with somewhat clearer diction might have worked a bit better.

It was a remarkable experience, nonetheless - but nothing compared to what was to follow!

For this was the world première of the Boys' classical meisterwerk - a tribute to the pioneering computer genius Alan Turing - A Man From the Future. Part Chris-Lowe-synthesiser-odyssey, part orchestral symphony, with narration by Oscar-winner Juliet Stephenson, the piece told the tragic story of the gay outsider genius from boyhood love and loss, through his amazing contribution to wartime code-breaking, to his persecution, death and eventual belated pardon by the establishment.

Mr Tennant stood in the sidelines as a part of the chorus, while the BBC Concert Orchestra (conducted by Dominic Wheeler) and Miss Stephenson took centre stage (the latter, bizarrely suspended in a commentary box in the proscenium). As the story unfolded, so the music mirrored the emotions - and throughout, He Dreamed of Machines...


The whole eight-part composition was an utterly beautiful feast for the senses (and, given its subject matter, an emotional journey through a life ruined by bigotry).

I feel privileged to have experienced it.

A Man From the Future on the Pet Shop Boys website.

Sunday, 20 April 2014

Au courant



It is time once more for a little snippet of the newer music that has caught my ear...

Let's open with the first single release from the widely-anticipated (not least by me - I adore the woman!) new EP Mi Senti by Róisín Murphy, a collection of innovative cover versions of standards by Italian singers - icons of ours including Mina and Patti Pravo, as well as Gino Paoli and Lucio Battisti. This is her version of a classic by the latter, it's Ancora Tu:


An utterly beautiful track I heard recently on BBC Radio 3's fantabulosa Late Junction show, here's the Thievery Corporation featuring Lou Lou Ghelichkhani and Décollage. Cocktails, anyone?


From the sublime to... How about something gayer than Elton John and Freddie Mercury in the back of a pink mini? Balancing queeniness with sleaze, here's Naked Highway and their cover of the late, great Laura Branigan's gay anthem for the poppers era, Self Control - it's camp-tastic!


Much more classy is the New Order-tinged sound of Client, with a rather mysterious video for their new single - Refuge:


Miss Neneh Cherry is back (having recently celebrated her 50th birthday), complete with a critically-acclaimed new "left-field artistic project" (that's music-journo-speak for "new album") Blank Project, which promises a departure from the familiar "Buffalo Stance" type pop for which she is remembered. Here is her new single, a collaboration with the equally nuts fellow Swede Robyn and Out Of The Black, complete with its odd "home video". The song is quite good, actually, if your eyes can stop watching the sub-Reynolds Girls action:


As exciting is the return - with her first ever solo album Stockholm [and she, alongside Miss Cherry, is one of the artists appearing at this year's Meltdown Festival] - of the legendary Miss Chrissie Hynde! She's wearing Dark Sunglasses:


"Lost" tracks by ground-breaking artists always make the news (and of course boost sales), but when it's Grace Jones covering Gary Numan's dystopian anthem Me I Disconnect From You [released as part of the newly-remastered re-released version of her seminal 1981 Nightclubbing album], then it is very special indeed:


Speaking of "comebacks", it seems like ages since we heard anything from the pioneering Brighton dance music combo The Freemasons, but apparently they've been keeping themselves busy producing music for others, such as this sublime piece. It's Pegasus featuring Chloe Wolf and Gorecki:


This song is simply brilliant! Many thanks again to the lovely Henry at Barbarella's Galaxy for highlighting it - it's the magnificent tonsils of Miss Kimberly Davis and the Dave Audé remix of her single With You:


But to finish, this may possibly be my weirdest discovery yet from that land of mystery, Japan - famously described by Dom Lawson in The Guardian as "a collaboration between Slipknot and Aqua", it's Babymetal and (fortuitously on Easter Sunday) Gimme Chocolate!! Bizarre...


As ever, enjoy - and let me know your thoughts!

Wednesday, 7 September 2011

Got bottle, I'm gonna use it



Happy 60th birthday today to the one and only Chrissie Hynde!

Possibly the nearest thing that Akron, Ohio ever had to what we know as a "punk", Miss Hynde moved herself lock, stock and barrel to the UK in the 1970s, worked on the NME, hung around with Malcolm McLaren, Vivienne Westwood and the Sex Pistols, was a mate of Mick Jones of the Clash, formed a band called "The Moors Murderers" with Steve Strange, and finally founded The Pretenders in 1978.

The rest, as they say, is history - and with this song they very nearly conquered the world in 1979...


Got brass in pocket
Got bottle, I'm gonna use it
Intention, I feel inventive
Gonna make you, make you, make you notice

Got motion, restrained emotion
Been driving, Detroit leaning
No reason, just seems so pleasing
Gonna make you, make you, make you notice

Gonna use my arms
Gonna use my legs
Gonna use my style
Gonna use my sidestep
Gonna use my fingers
Gonna use my, my, my imagination

'Cause I'm gonna make you see
There's nobody else here
No one like me
I'm special, so special
I gotta have some of your attention, give it to me

Got rhythm, I can't miss a beat
Got new skank, it's so reet
Got something, I'm winking at you
Gonna make you, make you, make you notice

Gonna use my arms
Gonna use my legs
Gonna use my style
Gonna use my sidestep
Gonna use my fingers
Gonna use my, my, my imagination

'Cause I'm gonna make you see
There's nobody else here
No one like me
I'm special, so special
I gotta have some of your attention
Give it to me

'Cause I'm gonna make you see
There's nobody else here
No one like me
I'm special, so special
I gotta have some of your attention
Give it to me!


Miss Hynde, having survived the deaths and departures of the rest of the original band, and ill-fated relationships with Ray Davies of The Kinks and Jim Kerr of Simple Minds, nowadays still performs (with new musicians) as The Pretenders as well as running a vegan restaurant business. Gawd bless her!

http://www.thepretenders.com/