Showing posts with label Egypt. Show all posts
Showing posts with label Egypt. Show all posts

Monday, 28 April 2025

All the old paintings on the tomb - they do the sand dance, don't you know?

Oh, no! Back to work again!

Truth be told, I am not overly distraught - for, although this is likely to be a hectic one in work (it's always shit after any time away, and there were major changes in workloads just before I went on leave thanks to two people leaving in quick succession), I'm only there for five days before we jet off to the joys of Benalmadena again for a week (and I have another week off aftwerwards, to boot)!

On Saturday, a little gang of us went to the weird and wonderful Tutankhamun Immersive Experience [my first ever VR headset experience], where we were in turn educated and (mainly) overwhelmed with visuals evoking the glories and the mythology of the Ancient Egyptian empire (of which Tutenkhamun was merely a minor representative, given its 3000-year history) via glittering moving walls illustrating that world, followed by a (literally) flying 3D trip through Tutenkhamun's tomb and on to the mythological afterlife and much more besides. Best of all was the room where the headsets not only dropped everyone into a complete walk-around representation of archaeologist Howard Carter's desert camp (with the ability to turn pages on his books and listen to his gramophone) and the tomb he opened, but (hilariously) made everyone in the room into an avatar of the venerable gentleman explorer himself [with ID numbers underneath, so you could locate companions easily]!

Oh, and there was even an "AI photobooth", that merged one's features with Egyptian garb...


A floating Tut sarcophagus, and me as some kind of (big-eared) Pharaoh

It was quite extraordinary, and loads of fun!

Back to reality. On this Tacky Music Monday, this seems appropriate:

Have a good week, dear reader. I won't.

Thursday, 26 September 2019

Gold crocodiles they snap their teeth on your cigarette



We're off this evening to an event at our beloved Petrie Museum - Egyptomania in the Time of Freud and Petrie, which promises, among other things: "an atmospheric window on the past evoking the era of Petrie’s archaeological discoveries. Artist Nikki Shaill will be on hand throughout the evening to analyse your inner subconscious and illustrate your dreams and nightmares, while socialite Auntie Maureen shares more music on her gramophone. Catch a pop-up talk from one of our experts in Egyptology and archaeology, and experience an extract from a new play exploring whether Freud and Petrie actually met during their lifetimes."

It should be fab!

Only one thing to play, really...


Sunday, 4 August 2019

The Algerian rose



As you will know, dear reader, nothing thrills us here at Dolores Delargo Towers quite as much as the discovery of a new Diva!

Adored everywhere in the Middle East, from her father's homeland Algeria to her mother's in Lebanon, and in her own adopted country Egypt, the mononymous artiste Warda (for it is she) started her career singing patriotic Algerian songs in the lead-up to its war of independence, and from there she scaled the dizzy heights to be lauded as one of the greatest interpreters of Arabic-language songs ever. When she died, she was given a state funeral with honours and buried in Algieria's El Alia Cemetery, which is reserved for national heroes.

Of course, in our world, it's not just for her vocal talents nor for the songs that she is so captivating - it's all about the frocks, the hair, the sparkles and the drama - enjoy!



رائع (rayie)! [="fabulous" in Arabic]

Warda Al-Jazairia (nee Fatouki; 22nd July 1939 – 17th May 2012)

Wednesday, 23 January 2019

Caput Mundi - the musical





Our friend Mark and I had privileged access to the launch of a new exhibition on Monday, hosted at our beloved Petrie Museum of Egyptian Archaeology - Sounds of Roman Egypt. It was fascinating! From the Petrie website:
The UCL Petrie Museum has one of the largest and best-documented collections of Roman artefacts in the UK, including musical instruments that are too fragile to be played today.

For this exhibition, researchers used laser scanning and computer modelling to create 3D printed replicas of the original objects in the Petrie collection, and made recordings of the instruments to reveal sounds not heard for hundreds of years.
And we even got to play some of them! - who knew that a donkey's jawbone was used as a rhythmic percussion instrument in Roman times?

Of course, despite the extensive research and transcription of papyrus and other fragmentary musical annotations and the subsequent recordings by modern musicians in the exhibition, nobody really knows how their music would have sounded - I rather hope it might sound something like this...


...or maybe not.

Sounds of Roman Egypt is on at the Petrie Museum until 22nd April 2019 - read more about the project on the blog page of the University of Kent, which contributed to the research.

Thursday, 10 March 2016

He means it!



Suddenly, I feel like a concubine...

Saturday, 27 February 2016

More old cocks



Tonight we're donning our glad-rags for the grand "One Night in Heaven" Ball to mark the end of LGBT History Month for 2016, featuring the unstoppable Andy Bell. However, on Thursday night I was overjoyed (once again) to attend the flagship event "Objects of Desire" at our fave small museum in London, the Petrie Museum of Egyptian Archaeology. Another splendid evening of "frocks, rocks and cocks"...



Hosted as ever by the ebullient and learned John J Johnston, the premise is for a bevy of invited guests, prominent in the "LGBT world" and from a variety of non-archaeological disciplines, to talk about a chosen item from the Petrie's collection with a relevance to gay history.



First up was ethical florist, artist and designer Lauren Craig, whose choice was one of the newly displayed items from the Petrie's special exhibition on life in Amarna, the chosen capital of the 'heretic' Pharaoh Akhenaten, a fragment of wall art depicting a lotus and part of a poppy.



With encouragement from "J-J-J", she related this directly to her work campaigning for an improvement in working conditions for (the mainly female) workers who cultivate and harvest flowers in the Third World for use as decoration in the West; and together they wove into the discussion the importance of the Sacred Lotus in cosmetics and decorative arts throughout the Egyptian world.



Public Astronomer Marek Kukula chose as his item some tiny and corroded (and not outwardly impressive) iron beads - which, remarkably, date from a period 2,000 years before the Iron Age (long before humans first mastered the art of mining and smelting iron). Relevant to Mr Kukula's profession, it appears that the beads were worked from chippings taken from a meteorite, and, he surmised, must have been revered as a "gift from the Gods" back in those pre-Dynastic days.



His discussion also revealed how modern artists, working with the same methods as those ancient metalworkers, had attempted to recreate beads from meteorite material and - because the iron from space rocks is liberally mixed with crystals of nickel, which creates naturally exotic geometric patterns in the finished articles - they turned out to be quite beautiful indeed.



Dress and textile historian Daniel Milford-Cottam of the V&A [who is profoundly deaf and uses written notes to communicate, hence the fact that Public Programmer at The Petrie Museum the witty and charming Helen Pike was sat with him to interpret] naturally chose the remarkable Tarkhan Dress - a pleated linen gown that was recently confirmed to be the world's oldest known extant garment. It was made between 3482-3102BC, about the time that Stonehenge was under construction - and is still alluring.



The discussion not only surmised how the dress would actually have been worn [its skin-tight skirt is missing, but it would not have been a practical garment for walking in], but also covered its (and Egypt's visual style in general) influence on fashion to this day - especially some famous 20th century pleated gowns, such as Manuel Fortuny's Delphos gown and the work of Madame Grès, that obviously owe some of their origins to Ancient Egypt (alongside their more obvious homages to Ancient Greece and Rome).



The very lovely Sara Walton - author of the historical novel Rufius (about the outrageous exploits of a cinaedus [ultra-femme gay man] in turbulent times for Rome and Egypt) and reader at the most recent Polari - quite mischievously chose an item of cock-worship; a Graeco-Roman period terracotta model of a procession carrying a large phallus.



Of course, this gave "J-J-J" full rein to steer the discussion around the role of the phallus in Egyptian ceremony (and in more - ahem - domestic rituals; as a fertility token of course!). The audience was enraptured. This is LGBT History Month, after all, and the audience was indeed full of fellow phallus-worshippers...



Rob Eagle - visual anthropologist, documentary film-maker and occasional drag queen - is a long-time supporter of the Petrie Museum (and an avid fan of dressing as icons from Egypt's history). He arrived this year in the regalia of Horus the hawk-headed god to talk about one of the most popular LGBT-themed items in the collection (regularly featured in similar events we've attended here over the years) - a notorious papyrus fragment found at Lahun telling the (rather fruity) Tale of Horus and Seth. Dating from the Late Middle Kingdom (1850BC – 1700BC), it's an early version of the story that in its later incarnations became more violent.



However, in the Petrie Museum's copy Horus and Seth, who had been fighting over the throne of Egypt for over 80 years, have a well-deserved break from hostilities for a more intimate encounter. Seth flatters Horus with what is the oldest recorded gay chat-up line: “How lovely are your buttocks. And how muscular your thighs”. After a meal the two gods retire to bed and have sex - which the papyrus describes in all its glory:
Then Set said to Horus: "Come, let us have a feast day at my house." And Horus said to him: "I will, I will." Now when evening had come, a bed was prepared for them, and they lay down together. At night, Set let his member become stiff, and he inserted it between the thighs of Horus. And Horus placed his hand between his thighs and caught the semen of Set.
Steamy stuff!

This was a remarkably enjoyable evening (again). Even though I was on my own, once more, I had a wonderful time.

Long live the Petrie Museum of Egyptian Archaeology!

Saturday, 24 August 2013

Eastern eye



We're off for a guided tour of the fantastic Petrie Museum of Egyptian Archaeology today, and I can think of few better ways to spend a damp, humid afternoon.

To accompany the day's adventure, let's take a musical trip to a more modern Egypt (in happier days, given its current civil strife), and have a bit of a bop with one of their finest singers Sa'd El Soghayar - surrounded as he is (and we would like to be) by the cream of Egyptian totty and some rather camp ladies - and Ya Rab Kol El Banat Tetgawez:


Youm sa'eed!

Indeed.

Wednesday, 27 February 2013

Get Hur! - our history interpreted



Ably steered once more by our genial host and all-round expert in gay antiquity Egyptologist John J Johnston, last night's Camden & Islington LGBT History Month event Every Good Thing at the wondrous Petrie Museum was sheer joy...



The premise of the evening was that a selection of hand-picked LGBT figures from the world of arts and academia were invited to speak a little about the stories behind their chosen objects from the museum's collection. A very clever way to introduce a number of wonderfully enlightening discussions about our gay antecedents - some of the stories familiar, some less so. [And many of which will appear, or indeed have already appeared, in the Dolores Delargo Towers Museum of Camp as time goes on.]



Opening the selection, the very charming actor and comedian Tom Allen chose a very tiny alabaster head of a sculpture of Alexander the Great. That led us into an examination of the passionate love between the young world-conqueror and his lover and general Hephaestion, on whose death was honoured by Alexander as a Divine Hero. At the time of his own death eight months later, Alexander was still planning lasting monuments to Hephaestion's memory, and, it has been written that the Emperor's own premature death was partly brought on by his inconsolable grief at his loss.

Writer James Goss (who has worked on various Dr Who and Torchwood-related media for several years) chose the object that gave us perhaps the most wonderfully camp back-story of the lot. The subject, another tiny head from a tiny statue, was of an Old Kingdom Pharaoh of whom we had never heard before - Pepi II, whose nocturnal wanderings to visit his burly lover, General Sisene, complete with a "shag-ladder", were fabulous - and the discussion had the whole audience laughing.



Taking a step away from face-to-face conversation, Director of Camden LGBT Forum Lou Hart had given her apologies as she was double-booked with conflicting History Month events - but nonetheless recorded her insights into her choice of a frieze of Akhenaten, the radical and later vilified Pharaoh who, with his wife Nefertiti and quite possibly his male lover Smenkhkare after her death, dragged a reluctant Egypt away from the old gods towards his own brand of sun-worship. Lou's analysis of the peculiarly androgynous way Akhenaten is usually portrayed, and the unconventionally sensual depiction of his domestic set-ups, surmised that he may have deliberately or otherwise conveyed a trans- or at the very least a "fey" and unmasculine gender identity. Interesting stuff, indeed...



The (rather cute, Madam Arcati and I thought) Public Astronomer Marek Kukula, true to his profession, chose the shadow clock of Senenu, who was a mystic, a scientist and scribe at the highly camp cross-dressing court of the female Pharoah Hatshepsut, an era shrouded in conspiracy and naughty goings-on.

It was time for another pre-recorded topic, as Mr Johnson proudly introduced an audio recording from Professor of Gay and Lesbian Studies at Nottingham Trent University Gregory Woods, who used the statue of Antinous that adorns the main University College London (UCL) building upon whose campus the Petrie Museum resides to open the topic of that doomed boy, favourite and beloved of Emperor Hadrian. Was he a self-sacrifice for the continued health and prosperity of his God-Emperor lover? Was the frenzy that surrounded his ascendancy to the role of deity a major factor in the rabid homophobia of the Christians who took over Rome not long afterwards? The questions perpetuate his adoration by gays even to this day. [I have, of course, written of Antinous before (following last year's History Month event at the museum) - see here and here.]

Next up, artist Andrew Prior has apparently been so inspired by the beautiful boys (and girls) depicted on the sarcophagi of the later Romano-Egyptian era that he has produced several works of his own based upon their style - and very camp they are too! Check them out on his website.



Returning to a favourite gay historical theme, child prodigy pianist Mark Viner chose a coin from the reign of Emperor Hadrian to focus on the hysteria of the way the burly world leader expressed his grief over the death of Antinous, the raising of an entire city in his name (that continued to worship him long after Christianity had become the Empire's official religion) and the numerous incarnations of the beautiful one's image that survived long after other, older, deities had been disregarded (often re-named and re-designated as being of other historical figures).



On the home stretch of the discussion, the editor of Gay Star News Tris Reid-Smith chose a rather fabulous piece - an ancient and fragile segment of papyrus that told the myth of Seth and Horus, the original brawling gay bitches (and uncle and nephew), whose ninety-year war for the throne of the King of the Gods culminated in a rather fab seduction - "how lovely your backside is!" says Seth to Horus - and a spunk-fest that decides the contest once and for all in young Horus's favour. You'd have to hear it to believe it, and this was written in around 1850 BC!

Our final guest, another Dr Who and Torchwood writer Joseph Lidster chose a little pink hippo amulet, which, continuing the story Tris Reid-Smith had set up, illustrated another aspect of the battle between Seth and Horus, whereby they transmogrify into hippos - whose own behaviour includes the victor in battle "mounting" the loser as part of their submission routine. Even in nature, it seems...



But now the academic stuff drew to a close, and it was time for the most wonderful treat - a live performance by our dear gay icon Bette Bourne [who today I have made our latest "exhibit" in the Dolores Delargo Towers Museum of Camp] and his partner of 37 years Paul Shaw, who masterfully performed one of their classic "interpretative" pieces "Get Hur!"!



True to the night's theme, the piece (very) roughly followed the gay love story of Hadrian and Antinous, and included a hilarious audience-participation sketch Titty-bum, titty-bum, bum, bum (to the tune of the William Tell Overture). Truly, truly awesome to behold - and a perfect finale to a brilliant evening!

Petrie Museum

Camden and Islington LGBT History Month

Bette Bourne over at the Dolores Delargo Towers Museum of Camp