Showing posts with label Elisabeth Welch. Show all posts
Showing posts with label Elisabeth Welch. Show all posts

Monday, 27 February 2017

What IS this thing called, love?



I am just not ready to start yet another week in the benighted office - I feel like I need "more weekend"...

Hey ho. These things are sent to try us. It pays the bills.

To lift the mood a little on this Tacky Music Monday, here's today's birthday girl the magnificent Elisabeth Welch, in the company of musical theatre aficionados Karen Morrow, David Kernan and [Alan Jay Lerner's widow] Liz Robertson, with a medley of Cole Porter numbers: What is This Thing Called Love?, Nobody's Chasing Me and Friendship.


That cheered me up! Have a good week, dear reader...

Elisabeth Margaret Welch (27th February 1904 – 15th July 2003)

Thursday, 27 February 2014

Don't know why there's no sun up in the sky



Had she lived (and she had a bloody good go - surviving almost to her centenary!), the marvellous cabaret singer and civil rights activist Miss Elisabeth Welch would have been 110 years old today...

On such an auspicious occasion, I have no qualms at all in featuring, for a second time, this scene described by George Melly as "arguably the campest, most sparkling moment in the history of cinema".

A most appropriate song for a grey Wednesday, it's Stormy Weather (from Derek Jarman's The Tempest (1979):


Elisabeth Welch (27th February 1904 - 15th July 2003)

Saturday, 3 March 2012

A blue plaque for a Blues lady



The actress and singer Elisabeth Welch moved away from the racial difficulties of her homeland America in the 1930s and settled in the UK, where she lived for the rest of her life.

A favourite singer of Ivor Novello, Cole Porter and Noel Coward, she was an early pioneer of (then) unusual and difficult cabaret material - she introduced Stormy Weather to British audiences, was the first to popularise As Time Goes By (before Casablanca) and fell foul of censorship when she became associated with the song Love for Sale.

She performed for the British troops during the war and for the Queen at several Royal Variety Performances, and broke new ground by being the first black person to have their own BBC radio show and by starring with Paul Robeson in some early film roles where black characters were - gasp! - not just "the servants". Robeson, a passionate campaigner for black civil rights, urged her to join the fight. "She said 'Paul, my father was African and native American, my mother was Scottish and Irish, I've got four people within me, I can't make a stand for all of them, you'll have to excuse me.' He roared with laughter and hugged her, and the subject was never mentioned again."

Now she has finally, posthumously, been recognised with a Blue Plaque on her Kensington home. Despite being nominated for Olivier and Tony awards for her work, she surprisingly never received an honour from the Queen in her lifetime.

Read more about the plaque unveiling

Here is a most stunning performance by Miss Welch singing her "signature tune" Stormy Weather in Derek Jarman's The Tempest, a scene described by George Melly as "arguably the campest, most sparkling moment in the history of cinema":


Elisabeth Welch obituary from The Telegraph