Showing posts with label Songs of the Year. Show all posts
Showing posts with label Songs of the Year. Show all posts

Sunday, 31 December 2023

The countdown begins...

As the Madam and I do the final whizz around cleaning in preparation for receiving visitors, and I turn my attention to preparing the buffet - I think some musical highlights from 2023 are in order, to get the juices flowing for a party!

And the "Song of the Year":

However, as my 60th year passes into the ether, let's have another outing for my song from my birthday post - this:

Happy New Year, dear reader!

Thursday, 30 December 2021

So get your mind made up, call me on the telephone

In previous years I might have taken this opportunity - in this "bit in the middle" - to put in a load of effort, go back month-by-month, and choose a variety of tracks that have caught my attention during the year to produce a summary of fave choons.

This year - when everything we might have hoped for (after the initial arrival of COVID in 2020, and the expectation that that was it) was cancelled or fucked-over, including our usual break in Spain in February, our Eurovision party, visits to Kew Gardens, Gay Pride, the annual pilgrimage to Amsterdam for my birthday, our regular picnic, Proms in the Park, and now our New Years' Eve bash - I say stuff that!

There is only ONE song from this year I really think deserves the prize...

They remain the campest thing under the sun, and I love them!

Fuck you, 2021.

[A cornucopia of previous musical choices from this, and previous years, is available if you clink the "Pick of the Pops" label at the foot of this blog post]

Tuesday, 29 December 2020

Songs of the Year, Part 2

There are very few certainties in life, but when it comes down to musical tastes, dear reader, you can be absolutely sure that no list of my "favourites" will ever include: whining gits like Ed Sheeran, Lewis Capaldi or Coldplay; nor urban/rap/grime/whatever-the-latest-term-is for the likes of Stormzy, Drake, Megan Thee Stallion and so on; nor wibblers like Rihanna or Ariana or their newer competitors in the "ear-bleed" stakes; nor will there be much in the way of Country or Rock. No Taylor "Gwyneth Paltrow-lookey-likey" Swift, nor Harry Styles, Justin "somebody smack him" Bieber or the GaGa creature. Nor Captain Tom Moore.

Artists who did "tickle my fancy" during 2020 included Róisín Murphy, Shapeshifters, Jess Glynne, Doja Cat, Dua Lipa (well, one of hers, anyhow), Jaxx Jones and Martin Solveig - all featured (or linked to), among others, in Part 1 of this personal year-end round-up... 

...and this lot!

Without further ado, here in Part 2 - these are the songs that I loved the most in 2020.

First up, a song that has had not one, not two, but three iterations in a matter of eighteen months - not least the Xmas version I featured here. However, this was the one that made me laugh out loud (and lord knows we needed it this year):

From laughter to tears. A superbly-arranged collaboration between some very big names indeed (to raise funds for Children In Need); you'd have to have a heart of stone not to be moved by this one...

Changing the mood completely, despite the fact that (like just about everything) the Eurovision Song Contest was cancelled in 2020, this song - which indubitably would have won - remains an exercise in pure, understated genius:

What's this? Two bites of the cherry for "Little Miss Weeknd-without-an-e"? Yes. I adored this song for the whole of lockdown #1, and I love it still:

Our beloved Patron Saint of Belting Dame Shirley Bassey apparently hung up her sparkly frocks for the last time in November with a "farewell" album, much to our dismay - but from it came a boppy little number that has been receiving quite a bit of airplay on BBC Radio 2 ever since:

Speaking of Patron Saints and Divas, Kylie exploded back into our lives with her DISCO album, from which came first the sublime Say Something - and then, this!

Ramping up the camp-with-a-capital-C (as only they can), 2020 was also a busy year for the fantabulosa Steps, who released a couple of genuine earworms, Something In Your Eyes and, from the album of the same name, this house favourite here at Dolores Delargo Towers:

And finally, if there is to be an end-point, a pinnacle, a crescendo for such a list of remarkable numbers from an otherwise benighted year - here is the "Queen of the Lockdown" herself, with not only a brilliant cover of an all-time camp classic, but also with a poignant video that just about sums up our feelings about this "year of shuttered venues". Let's hope that by this time next year, we'll have a had few happier times on a dance-floor somewhere...

As always, let me know your thoughts, my leetle chums!

Sunday, 27 December 2020

Songs of the Year? Part 1

Yes, I am more than well aware that I haven't really been keeping my ear on the pulse of newer music as regularly as I used to. I make few excuses for this, other than a) the joys of getting older and more disconnected, and b) seeking comfort in more familiar stuff in a most unsettling year when every one of our usual entertainments was cancelled. However, dear chums, there are one or several choons I could tick off as "quite jolly discoveries of 2020", such as these...

Let's start as we mean to go on, with a faboo uplifting track [featuring on vocals the lady cavorting with all those lovely mirroball items in the photo above] that might have filled the floor at many a club and festival, had there been any:

Next, the biggest hit of the year, both in sales and in streaming [unless there are any sudden surprises]. Mr Abel Makkonen Tesfaye [yes, that is his real name!] has a penchant for gory videos [as I mentioned when I posted my own personal fave song of his back in April], but some clever bugger out there has merged this song with footage of that dance scene from The Breakfast Club instead - and it works perfectly!

Speaking of all things retro, Erasure received a great reception for their new album The Neon in the summer, and from it, this drag-queen-heavy video:

Speaking of drag - an unexpected [for me] joy next, from a hitherto unknown reggaeton artist from Puerto Rico, who plays all the female roles here...

I was overjoyed when one of my favourite eccentrics made a bit of a comeback, with a typically odd-yet-very-catchy number:

This year, I observed an ongoing trend in new songs that leaned heavily towards the sounds of the 1970s and 80s, including other favourite tunes of the year not actually included in this list by Dua Lipa and Doja Cat [as well as the above-mentioned The Weeknd] - and here's another in a similar vein that was a bit of an "earworm" in Spring:

And, rounding off this "first half" - another sure-fire dancefloor hit that unfortunately wasn't...

Part Two of this self-indulgence will be winging its way in a couple of days.

As always, dear reader, let me know your thoughts!

Wednesday, 1 January 2014

New Musical Excess



It's 2014, dear reader - Happy New Year!

As we slowly recover from last night's annual melée that is the Dolores Delargo Towers NYE party, it is time, methinks, to recall some of the musical highlights of the year that was...

We had many great musical nights out during 2013 - A Chorus Line, The Tailor-Made Man, Mile High - the Musical, The Supreme Fabulettes supporting Leslie Jordan, Marianne Faithfull, Merrily We Roll Along, Brian Ferry at Proms in the Park, Eve Ferret and Hazel O'Connor, and Top Hat among them.

However, the year in music really belonged to one man. Surprising the world (as he inevitably does), our icon Mr David Bowie returned to the limelight in January after a decade away, with a new single Where Are We Now? - a prelude to his absolutely brilliant album The Next Day:


As excellent as that comeback trip was, it was the title track of the album that I think really did it for me (as featured here in May)...


...and (needless to say), I will remember the stunning tribute exhibition David Bowie is... for the rest of my life!

Speaking if surprising musical resurrections, our beloved Pet Clark really astounded the critics with her Cut Copy Me single and marvellous album Lost in You (featured here back in March) - and one of the best events of the year was seeing her live in October. Here's the single:


But what of the rest? It wasn't such a bad year for newer music, either...

I first highlighted the superb single I Could Be The One by Avicii vs Nicky Romero way back in January, and lo and behold the benighted music-buying yoof agreed - this was one of the biggest dance songs of the year:


Speaking of mega-hits of the year, it was in February that I first picked up on the fab'n'shouty I Love It by Icona Pop featuring Charlie XCX, and the rest is history, as it dominated early summer in the UK:


Mention "shouty", and of course we have to mention our beloved Luciana! In June 2013, she teamed up with the gayest-of-in-yer-face-gays Cazwell to knock the spots off the opposition:


A completely contrasting singer who I really adored during 2013 is the marvellously camp Miss Caro Emerald. Featured here in August, here's her anthem for my life, it's Liquid Lunch:


We also welcomed back an old favourite in August, the singer formerly of the mega-kitsch Bear Force One, now calling himself Circuit21, and his version of gay 80s standard Love In The Shadows:


Our very own superstars the Pet Shop Boys had a rather good renaissance in 2013 with the fab album Electric, and a clutch of great singles from it. Here, from June, is my fave - Axis:



It was quite a year for our favourite sexy houseboys Kazaky, too! They featured here not once, not twice, but three times - in August it was their exhortation to Touch Me (yes, please!) and in October It Doesn't Matter; but it was their protest song against the creeping repression of gays in Russia and their native Ukraine (from April), Crazy Law that really was the business!


Princess Kylie, on the other hand, had a less memorable year. In 2013 she not only signed to Jay-Z's management firm Roc-Nation (gawd help us! - the home of bloody Rihanna, MIA and Rita Ora) and split with her gorgeous boyfriend Andrés Velencoso, but her official single Skirt was in my opinion so unbearable it didn't even merit being featured here. Two side-projects with other artists, however, did - the very strange Whistle (with Icelandic experimental combo Múm, as featured here in March), and this rather lovely collaboration with Laura Pausini (from October), Limpido:


There were many contenders in 2013 for the title "catchiest song of the year", but Le Grind's I Was There (Where Were You?) from June was certainly one of them!


Many, too, are the contenders for "song of 2013". However, for me - and I make no apologies for featuring it here for a third time (first time was in October) - given the unhappy situation in Russia, and with the Sochi Winter Olympics almost upon us, it simply has to be the magnificent Xelle and Red Flag!


Let us look forward to another good year in music - roll on, 2014!

Sunday, 30 December 2012

Fire up the smoke machine and put on your heels



In general 2012 was not one of the best as far as our musical tastes here at Dolores Delargo Towers were concerned. An awful lot of the new music around was of the tawdry, "urban", deadly dull and mindless kind. Even some of the hoped-for new music from established artists - George Michael, Mika, Robbie Williams, even the Pet Shop Boys - was underwhelming (even though I have featured the latter many times during the year, I cannot bring myself to count any of their songs as highlights). Much of the music that really made an impact was old stuff (given the fact it was the Jubilee and the Olympics, which relied heavily on nostalgia, this is not a surprise), including the wonderful reunion of Marc and the Mambas at the Meltdown Festival, and much of Kylie's musical output (if rehashed with an orchestra).

Nevertheless, as is my wont at this time of year, I have selected twenty songs - with a little difficulty - that perhaps represent the best (in my opinion) this wet, gloomy year had to offer. So here goes...

Despite the fact we in the UK had absolutely no summer at all to speak of, in June we had a glut of choice music all of a sudden. One of the choicest was Mr Cosmo Jarvis and his incredible performing groinage - with Love This:

Another mid-summer fave was a little Gallic number by Dombrance featuring Sourya - The Witch:


Fabulously kooky Melbourne duo Parralox returned with the very entertaining single Sharper Than A Knife, first featured here in September:


That eternal pop hopeful from Blackpool Little Boots launched herself into the world of Disco back in July, with very pleasing results - it's Headphones:


Our Glorious Leader Queen Madge threw everything into promoting her new album MDNA during 2012, yet the pop world (tainted by eternal sniping from GaGa-ites and ageist journalists alike) failed to be set alight by any of it - despite her triumphant Superbowl appearance. The highlight of Madonna's musical year for me was Offer Nissim's remix of Girl Gone Wild (featuring the ever-gorgeous Kazaky), which I featured back in May:


Speaking of powerful camp gay icons, the music world here at Dolores Delargo Towers would be somehow incomplete without Amanda Lear - and, true to form, back in February she delivered the goods with the magnificent La Bête et la Belle:


A debut single that really caught my imagination was Solomon Grey's Firechild, as featured in November:


The Scissor Sisters made a very welcome return to form in April with the fantabulosa Only The Horses. [Sadder news followed towards the end of the year, when they announced they were "pursuing solo projects" for a while. No, not splitting up, of course.]


If ever there were to be an obvious successor to the Sisters' crown, it would be the ever-wonderful Hot Chip - who bounded back into our lives in June (a productive month it seems) with the fantabulosa Night and Day:


One of the most catchy (if possibly the least cool) tracks of the year was another from June, in the form of the folksy tones of Rumer and P.F. Sloan:


The ever-reliable Young Professionals treated us to a rather fab new number earlier this month - Be With You Tonight:


We missed seeing the decadent-sounding Mollyhaus at the Big Gay Lifestyles Show this Autumn - shame - I still love their Love Machine (as featured in May):


Speaking of the Gay Lifestyles expo, it would be churlish of me not to feature one of the highlights of that day, our friend Marcus Reeves's stunning new single Black Tears:


Once again from June, the superb Irrepressibles treated us to a new musical outing (and a semi-nude video to boot) - here's Arrow:


One of my fave Welsh artists Bright Light Bright Light had a killer of a song out in October - I loved it, it's Feel It:


It fell to one of the "old-timers" Miss Gloria Estefan, however, to provide us with the style and decadence we want and need from a dance number - her superb Hotel Nacional from way back in February was a treat!


Still echoing through my brain from November - courtesy of the incredible tonsils of Haringey's finest, Adele - is the theme to another of Britain's reasons to be proud during 2012, the new James Bond film Skyfall:


THE musical memory of 2012 for me has to be seeing our beloved Princess Kylie on stage for the first time at (one of the rare sunny days this year) Proms in the Park! Celebrating all year her 25th anniversary - with appearances for the Jubilee and many other guest slots on stage, film and TV, and an "Anti-Tour" of b-sides and rarities to boot - Miss Minogue's Abbey Road Sessions album is sublime, as is this, the single (featured in October) Flower:


Almost, but not quite, my favourite song of the year is Georgian Lesson 1-6 by the mad-as-hatters DeLaDap (as featured in late November):


However - and this is unusual for me to have two tracks by one artist in my favourites of the year - but there can only be one triumphal anthem for 2012. It just had to be the magnificent Scissor Sisters and Let's Have a Kiki!!


"And work and turn, and hu-hu-honey!"

Happy New Year!

[Let's hope it's a better one for music.]

Tuesday, 18 January 2011

A year of musical memories...

I am reminded that I haven't yet posted my "Songs of the Year" for 2010!

How remiss of me... Anyhow, before January slips out of the back door, and while the slough of despond is still upon us as we wait eagerly for the first pay day of the year, here are ten songs that sum up my year for me quite succinctly.

This is not (and could never be) a complete and comprehensive list, as there are many more I could have included (and many more I have no doubt forgotten completely in my ditzy fashion!).

Nevertheless, enjoy...











What a year...

Saturday, 27 December 2008

Best single of 2008?

Well, according to Billboard (the magazine that is the epitome of American "taste" - if that isn't an oxymoron!) the "best" single of the year was Beyonce's deeply unimpressive Single Ladies. Considering that she beat the genuinely good Santogold/Santigold to the top of this chart - a list that also includes Coldplay (bleurgh) - it just about sums it up really.

Although the Brits won't be announced until January (and there is no guarantee that the great unwashed of Britain - in conjunction with The Sun's "Bizarre" column for gawd's sake - will come up with a much better list given the huge sales of X-Factor dross and bloody Estelle), I can safely assume that two faves of mine Duffy and Sam Sparro will be among the listings.

However, in hindsight, for its pure enjoyment factor as much as anything else, my own nomination for best single of 2008 in any chart would have to be be this...