Showing posts with label Fidelis Morgan. Show all posts
Showing posts with label Fidelis Morgan. Show all posts

Tuesday, 5 November 2013

The amazing bouncing Ferret





Described succinctly by one reviewer as "poet, philosopher, peignoir model, puppeteer and trainee crowd surfer", Miss Eve Ferret is a firm favourite here at Dolores Delargo Towers. And her new show A Ferret Up The Arts (that Paul and I went to see last night) is fucking hilarious, to boot!

From her riotous opening number complete with marching drum, through her trademark meandering repartee of anecdotes and jokes (often at the expense of her long-suffering guitar accompanist Roddy Matthews), through her paean to the aforementioned peignoir (a long frilled nylon nightie - "closed, it's Rita Hayworth, open, it's Elsie Tanner!") to her seemingly endless supply of props (at one point, singing in French, she peppered us with mangetout, the next, fake money) not to mention her crowd-surfing Ferret doll, she was unstoppable.

The divine Miss F is not just a clever knock-about performer however, she can actually sing - and beautifully - when she wants to. She has been compared to both Barbara Dickson and Diana Krall in the past, and when she gets her teeth into a number her voice has the power to send chills down the spine.

She certainly had the audience in rapt awe at her version of Scars (a song written by Fran Landesman, whose Ballad of the Sad Young Men is a gay classic). Over the course of the evening she tried her hand at just about everything from Rappers' Delight to the blues, singing a blend of covers and her own material - Handbag Girl was a particular joy - and at every musical turn we were thrilled.



Of course the biggest thrill of all was Miss Ferret's promised "messing about with my chums" bit, as she introduced the first of her special guests, the extraordinarily talented Mzz Kimberley - an American drag queen with a magnificently powerful soul diva voice, who did a stunning version of Bridge Over Troubled Water as a gospel number, and transformed Peggy Lee's classic I'm A Woman into I'm A Tranny in a duet with Eve. Stunning.

But, of course, it was the appearance of that remarkable double-act, the lovely Fidelis Morgan and "national treasure" Celia Imrie - who entertained us so magnificently at Polari in April this year - which really set the place alight! They opened with a suitably autumnal song'n'dance number, during which the pair were pelted with fallen leaves - and soft toys and anything else that came to hand - by Miss Ferret, and then returned to delight us with a three-way version of Noel Coward's Mad About The Boy, with Fidelis playing the posh masculine type, Eve the Cockney housekeeper, and Celia the infatuated schoolgirl. It was a work of genius, and we adored it!

Eve Ferrett is an incomparable entertainer. There really is no-one else like her. This show was so hysterically funny at times, both Paul and I had tears streaming down our faces and were doubled up with laughter! I am so very pleased we went - it cheered me up immensely.

So overjoyed were we that we are booking for the second of her two shows. Next Monday (11th November), Eve's special guests are none other than Miss Adele Anderson (of Fascinating Aida fame) and the 80s pop legend Hazel O'Connor!

I can't wait.

A Ferret Up The Arts is at the Arts Theatre, Covent Garden.

Saturday, 27 April 2013

Fishwives, an amputated nose, hoofers, bonk-busters, brothels and a kiss from Miss Babs


[Photo: krysphotos.co.uk]

Last night's outing for "London's peerless gay literary salon" Polari was possibly one of the most entertaining, most thrilling evenings I have had for a long time! We had been promised a "special surprise guest", and my word did we get one - none other than the lovely Celia Imrie!



Ange, John-John, little Tony, our Paul, Craig and "Polari virgin" William were champing at the bit with excitement as we took our seats, and our host Paul Burston opened the show by introducing our first reader, newcomer and recipient of a number of "first book" awards Miss Kerry Hudson.



She read us a very funny extract from the book that has won her all those accolades, the amusingly-titled Tony Hogan Bought Me an Ice-cream Float Before He Stole My Ma. A tale that "tells the story of a Scottish childhood of filthy council flats and B&Bs, screeching women, feckless men, fags and booze and drugs, the dole queue and bread and marge sandwiches" - how could you not love a novel that opens like this?
‘Get out, you cunting, shitting, little fucking fucker!’ were the first words I ever heard. The midwife, a shiny-faced woman who learned entirely new turns of phrase that night, smoothed Ma’s hair.

‘Yer both fine. We’ll have tae give yeh a quick stitch up later, but – baby girl just ripped you a wee bit coming out.’

Ma laid me, sticky and slack-limbed, on her chest and wondered how something so pink, puckered and fragile could be so vicious as to tear the person who was meant to love her most in the world. But that was the Ryan Women: fishwives to the marrow, they were always ready to fight and knew the places that would cut deepest.

I was not vicious, though. No one could tell if I was clever, or sly as my grandma had predicted while blowing Benson & Hedges smoke rings over my ma's swollen belly. I was a "bad baby", forever gurning and spitting out my ma's nipple. My delicate skin had mottled with the indignation of being ripped by forceps from a warm, cosy spot where I was perfectly happy.

For all my fretful kicking at the air and scratching at my own face, my saving grace was beauty. Everyone said so; a golden baby with extra-blue eyes, the slope of my nose and forehead just so.

"She'll be a wee heartbreaker," Grandma said, smoothing down her mint-green nylon trousers. "But she'll have a lot o' jealousy. An' I know wha' a burden it is tae be born with beauty."

Grandma's violet eyes filled and the tears seeped through her pale powder into the wrinkles underneath.

Ma held me to her bony chest, resting my bum on the roll of flesh under her sharp ribs, which was all that remained of my home.

"Aye, she takes after her daddy. He was gorgeous. Those American blue eyes. She's the spit of him."

Ma's face crumpled, her mouth sagged in a whine and her face turned pink. I wondered what I'd been born into.

Other mas in the ward came over and eyed me suspiciously, checking I wasn't heavier, livelier or prettier than their babies. Ma's – my – family came and held their faces so close to mine I could smell whether they'd had booze or food for breakfast. It was mostly booze.
Excellent...



Next to the podium was an old favourite - the wonderful actress and writer of plays, non-fiction and whodunits, and wearer of the most fabulous array of diamanté and pearls Miss Fidelis Morgan (who we so enjoyed at her last visit to Polari in January 2013).

She was as entertaining and dramatic as ever, reading an extract from one of her 18th century murder mysteries The Rival Queens, featuring the Countess Ashby de la Zouche, her maid, some outlandish theatricals, a lot of society gossip, scandalous affairs and intrigue, and some unfortunate amputations (a missing nose being the least of it); and a second from her more recent, and equally intriguing novel, The Murder Quadrille. But this was not all Miss Morgan was going to do on this particular evening...



As an almost hysterical Mr Burston - who had been asked by the lady in question "am I really a gay icon?", to which the only answer could be "of course you bloody well are!" - introduced Miss Celia Imrie to the stage, to riotous applause from our packed audience (that included such arty luminaries as Terry Ronald, Stephen Appleby, Helen Smith, Eve Ferret, Suzi Feay, VG Lee, Max Wallis, William Parker, DJ Connell and Toby Tobes), so Miss Morgan reappeared to play "interviewer" for Miss Imrie [the two ladies are evidently very close friends, and the chemistry was perfect], as she related some of the many fascinating anecdotes from her autobiography The Happy Hoofer.



From her phobia of flying that means she travels everywhere on cruise ships, to the preponderance of plastic surgeons among the swanky boutiques of Los Angeles (where she landed her recent role in The Best Exotic Marigold Hotel), to the harrowing experience of auditions, to her myriad film and TV appearances and co-stars, she presented each vignette in such a charming and engaging manner, we were hypnotised - and she finished of with a world premiere of a hilarious piece from her forthcoming one-woman show. We really must look out for that one!

Here is the lady herself, taking a little about the book:


And here (inevitably) is one of her classic appearances on the legendary Acorn Antiques:


Exhausted with laughing, it was time for a break - during which time we queued for copies of The Happy Hoofer, which the wonderful Miss Imrie duly signed. Then it was time for part two...



There is very little that could top the experience of of Celia (and Fidelis) on stage, so our fave Miss Lauren Henderson aka Rebecca Chance was taking few risks when she manoeuvred the two ladies to tread the boards once again, this time to act out a marvellous scene from one of her own bonk-busters Killer Heels.



Mere words cannot describe how utterly camp this was, but suffice to say we were in stitches as "ruthless fashion magazine editor Victoria Glossop" (Miss Imrie) savaged "starry-eyed ingenue Jodie/Coco Raeburn" (Miss Morgan) at her interview for the job of her PA (shades of The Devil Wears Prada). With Lauren/Rebecca's narration on top, this was totally outrageous, priceless stuff!



As our headline reader the eminent Paul Bailey remarked drily, "I only wish I could have lowered the tone. I don't think that is possible." However, he rounded-off the sexual theme of the evening perfectly with his exquisitely-written (and read) pieces from his book Uncle Rudolf - the first charting the inner turmoil and conflict of a wartime Romanian refugee and his hesitant, stumbling encounter with the longed-for "beast" he so desires in a male brothel in Paris, and the second, also in a brothel (of the female kind), where the boy confronts his inner feelings while faced with the dilemma of an unwanted prostitute purchased for him by his beloved uncle. Exemplary literary magic; we were transfixed.



And so, leaving us breathless with the exuberance of it all, the evening sadly ended (with the usual mingling and chatting; before going for more drinks to calm down).



This was a first-class Polari - the like of which we are unlikely to see again in a hurry - proving once more that this is indeed one of the best nights out you can have anywhere...

Polari now has its own website - http://www.polariliterarysalon.co.uk/.

On the bill at the next one on Tuesday 28th May are old favourites Christopher Fowler, Sophia Blackwell and VG Lee, plus Andrew Belshaw, Greg Mitchell and Anny Knight. Can't wait!

Saturday, 21 January 2012

Sexy redheads, Restoration grimacing, Viv Stanishall's sausages and a Ferret





It was the first Polari of 2012 on Thursday, and yet again our host (and sometime semi-nude photographic poseur) Mr Paul Burston pulled out all the stops to give us a wonderful evening of literary high camp!

Arriving on stage fully clothed (and sickeningly tanned) with a tack-o-rama souvenir brolly from his recent holiday in Brazil with hubby Paulo, we knew it wouldn't be long before he could no longer resist the temptation to strip for our star-studded audience. However, there was another "peerless gay literary salon" to introduce first...



Our opening speaker was the lovely Anthony McDonald, author of the books Adam and Blue Sky Adam (extracts from which he read for us at Polari back in June 2009). His new book emerged out of a real-life obsession with a redhead stranger on a train, and the passage he read involved the burgeoning relationship between such strangers - the older (slightly autobiographical) Oliver and the younger, ostensibly straight Orlando - and their adventures in Malaga. It seems like a great story! Getting Orlando is available from BigFib books.



The ebullient Mr Rikki Beadle-Blair is a true drama queen - the man responsible for Stonewall - The Musical (which we went to see at the Pleasance Theatre back in 2007), the TV series Metrosexuality and numerous theatrical productions, in many of which he starred as well as produced. As well as having a long history in drama and gay activism, he is also an avid poster of "Things I Learned Today" on Facebook, which apparently have become so popular he has collected them all into a "self-help" book of the same name. It was this he decided to focus his reading on - and encouraged a lively and interesting audience debate session in the process! I found it fascinating (if a little reminiscent of Sigourney Weaver's cameo role in Jeffrey).



"Pox, say I, upon the insolent crackfarts, the impudent numps, the tawdry morts!" These are just some of the shocking expletives that our next reader the actress and author Fidelis Morgan uses - regularly by all accounts. An expert in the wild, weird and wacky world of the 60s - the 1760s, that is! - Miss Morgan is a fantastic and mesmerising reader and performer. In her scarlet velvet jacket and pearls, she gave us an extract from her "Countess Ashby de la Zouche" period crime novels involving the purchase of a dildo, and an insight into attitudes to homosexuality and sex two hundred and fifty years ago - and not content with all that she dragged some willing victims out of the audience for a Restoration-era lesson in acting expressions as well...


"I have three passions: larger-than-life people, structure and smut. It was therefore inevitable that I would write whodunits set in Restoration London. Everything is waiting there for me: actresses, stalkers, prostitutes, street hoodlums, footpads, extortionists, rapists and, inevitably, murderers. A quick glimpse through the 1690s Accounts of the London Sessions or the Newgate Calendar is not unlike spending a Sunday with the red tops. Human desires and foibles roll on without ever really changing. I have found neighbours squabbling about noise or smells from next door, wife-beaters, husband-beaters, drunks, peers who think themselves above the law, fraudsters, child molesters, child thieves and children who murdered.
Marvellous stuff! Download an extract of her Unnatural Fire [pdf].



It is very difficult to follow an act like that, but Miss Rosie Wilby certainly leapt to the stage with aplomb! From her roots as a singer with a band back in the 90s, Miss W has developed her career into journalism and latterly stand-up comedy. Recently she has combined all three into a new show based upon her Pop Diaries from the dearly-departed Melody Maker. Here are a couple of samples of the lady's superb talents...





Rounding off the evening, his clothes having unsurprisingly fallen off by this stage, Mr B introduced Polari First Book Prize winner Mr James Maker, who treated us to some of his often hilarious reminisces from his memoir Autofellatio. On this occasion he entertained us with the often bizarre experience of filming Middleton's Changeling alongside an array of eccentric characters including Billy Connolly, Ian Dury, John Cooper-Clarke and Viv Stanishall (who appeared in the kitchen in the middle of the night to announce to the startled young Mr Maker "The Cumberland sausages are mine!" before disappearing again). Read in James' typically droll "throwaway" style, the experience seemed all the more amazing...



And so it was unfortunate that another great evening's entertainment had to close - just sufficient time for me to get a photograph taken with two of my favourite entertainers, Miss Adele Anderson (who we saw only recently on stage with her group Fascinating Aida) and Miss Eve Ferret (whose one-woman show we saw in June last year), who I had been raving about meeting all evening!



Utterly charming and delightful company they were, too.

J'adore Polari! Our next is on 6th February, and Tiffany Murray and Faarea Masud are already announced - but I have no doubt there will be much much more.

Polari is at the Southbank Centre