Sad news again.
Sheldon Harnick, Tony- and Pulitzer-winning lyricist of Fiddler on the Roof, Fiorello! and She Loves Me among many other musicals, has ascended that staircase "leading nowhere, just for show" for the very last time at the ripe old age of 99.
Here are just a few of his standards, by way of a tribute...
[from Barbara Cook: Mostly Sondheim, a one-woman revue we went to see in the West End in 2003]Sublime.
RIP, Sheldon Mayer Harnick (30th April 1924 – 23rd June 2023)
As introductions to the magnificent repertoire of Stephen Sondheim go, I must admit that Side By Side By Sondheim is possibly the finest. As I mentioned way back in chapter #1 of this rambling (more than a) week-long series of tributes to The Maestro, it was through listening to Madam Acarti's double CD of said classic revue - the brainchild of That Was The Week That Was producer Ned Sherrin, in response to a commission from none other than Dame Cleo Laine and Johnny Dankworth back in 1976 - that I gathered an understanding, and a nuanced appreciation, of the work of a true genius in the world of musical theatre. Basically, before that point I knew the song Send in the Clowns and the "hits" from West Side Story, and that was just about it.
Gathering the brilliantly talented combo of Sondheimites Julia McKenzie, Millicent Martin and David Kernan together, with connecting narration from Mr Sherrin himself, the revue covers everything from the popular and the well-known, to more obscure and rare numbers by The Maestro.
From Company there's the eponymous number Company, The Little Things You Do Together, Another Hundred People, (Not) Getting Married Today, Barcelona, You Could Drive a Person Crazy and Side By Side By Side. From Follies, there's Bring on the Girls, Ah, Paree!, Buddy's Blues, Broadway Baby, Losing My Mind, [David Kernan's "gay" version of] Could I Leave You? and I'm Still Here. From Gypsy, If Momma Was Married and You Gotta Get a Gimmick; and from West Side Story, A Boy Like That/ I Have a Love.
Then there's the less well-known ones - some of which have become firm favourites here at Dolores Delargo Towers, such as this one from the film The Seven Percent Solution [originally sung by our Patron Saint Régine; here done rather differently]:
Even more obscure, this one came from a weird-sounding US television show called Evening Primrose, about drop-outs who live in a department store [very 1967!]:
This fantabulosa number is from Do I Hear a Waltz?, with music by Richard Rodgers:
The next two were dropped from (respectively) Company, and from Follies:
From Anyone Can Whistle, the title song and this:
And, from a show that hasn't played in London since 2003, Pacific Overtures, this:
Leaving the best to last, however - also included in the melange was another particular favorite of ours, a song that was written for yet another revue [bizarrely based on Mad Magazine; a collaboration with Richard Rodgers' daughter Mary] - here as part two of a faboo skit by Kit and the Widow [Part one being just too good not to feature!]:
We went to se a revival of the show at "the Venue" (now The Leicester Square Theatre) - gosh! - fourteen years ago, which we thought was faboo, if not a patch on the original (what could be?)
Read more about Side by Side by Sondheim at Sondheim.com
In 1992, combined pressures from Cameron Mackintosh and Julia McKenzie persuaded Mr Sondheim to do a "updated version" of the 1976 classic.
Titled Putting It Together, it actually only featured four songs from Side by Side (Marry Me a Little, You Could Drive a Person Crazy - this time in first person "I" - (Not) Getting Married Today and Could I Leave You?). From A Little Night Music it featured Every Day a Little Death (with another song dropped from most performances of that show My Husband the Pig), Now, Night Waltzes, Country House, Bang and The Miller's Son; from Company, Have I Got a Girl for You, Sorry-Grateful and Being Alive; Pretty Women and Sweet Polly Plunkett from Sweeney Todd; Hello Little Girl from Into The Woods; and The Gun Song from Assassins.
Also woven into the mix were songs from a Sondheim show we've never been to see A Funny Thing Happened on the Way to the Forum, including my fave:
From another Sondheim show we've never seen Sunday in the Park with George, the number that inspired the revue's title...
...and two from Dick Tracy:
More about Putting It Together
The revue also featured numbers from a couple of productions that we did actually go and see...
Merrily We Roll Along is a very clever conceit - based as it is on a satirical play from the Depression era by Moss Hart and George S. Kaufman, the show's narrative runs entirely in reverse; from the opening scenes of embittered individuals, forcibly and callously cast aside by the lead character (and former friend) Franklin Shepard in his quest for fortune and success, to the closing ensemble numbers where the group are all young and idealistic and very much a "gang" of like-minded characters just setting out on their uncertain destinies.
We and our own "gang" went to see it in its Olivier-award-winning revival by Sondheimite Maria Friedman at the Harold Pinter Theatre in 2013.
It is a phenomenal show, with a clutch of excellent songs, such as these...
And then, there's this - a genuinely heart-wrenching number if ever there was one!
[Another one of Sondheim's that's become a bit of a "standard" in its own right, and has been recorded by Bernadette Peters, Judy Collins, La Streisand, Mandy Patinkin, Cleo Laine and even Jane McDonald]Read a rather good article about the show by arts professor Laurence Maslon, or else Wikipedia
And the other show?
It's probably more famous for this number than anything...
...it's a musical "freely adapted from" the writings of the ancient Greek playwright Aristophanes, involving the God of Wine Dionysus, Hades and the resurrected spirits of George Bernard Shaw and William Shakespeare - The Frogs. Again, only Stephen Sondheim could have possibly come up with this idea!
We caught it at its first UK production since the 1990s (and its West End première; bearing in mind this was a show that begain its life - in a swimming pool in Yale University with Meryl Streep among its cast - in 1974) at the bijou Jermyn Street Theatre in 2017. Ever since then, "Brek-kek-kek-kek" has become a bit of mantra for us - it made such an impression! Here's some grainy footage of the faboo Nathan Lane in (I believe) his own revised production in 2004:
All about The Frogs at Music Theatre International
And finally...
...the best tribute a Maestro could expect:
RIP, Stephen Joshua Sondheim (22nd March 1930 – 26th November 2021)
[The final one of a series of tributes I have posted to Mr Sondheim this week.]
Previous "Sondheim of the Day" entries:
Reputedly inspired by a famous photograph of Glora Swanson posing among the rubble of New York's Roxy Theatre, Follies was a triumphal moment in Stephen Sondheim's career, despite the fact that (as one of the most expensively-staged musicals in history at the time) it almost bankrupted itself, and him.
Aptly described by the New York Times thus: "imagine 'Who's Afraid of Virginia Woolf', choreographed by Busby Berkeley", this tangled web of a tale revolves around a gathering of former troupers at their old alma mater The Weisman Theatre just before it is demolished forever, their memories as they each perform their old "signature numbers" echoed by the ghosts of their younger selves swirling around, and often in, the action. Core to the tale is the bitterly crumbling entanglement of relationships involving Ben and Phyllis (who have clearly been scoring resentful and acidic barbs off eachother for the entirety of their long marriage), and Buddy and Sally (an unhappy and loveless couple; he's been having a long-term affair, and she's been carrying a desperate torch for Ben since they were all teenagers). Sounds tragic, and in parts it is - but oh! What a show it creates...
Opening with the parade of old chorines [and in its many, many revivals, real-life stars-past-their-best galore have flocked to appear in it - Dorothy Lamour, Régine, Yma Sumac, Carol Burnett, Vikki Carr, Polly Bergen, Hildegarde, Lynn Bari, Patty Duke, Stella Stevens, Juliet Prowse, Virginia Mayo, Kaye Ballard, Marni Nixon, Jo Anne Worley, Edie Adams, Blythe Danner, Pearl Carr, Linda Lavin, Vivian Blaine, Betty Garrett and Maxene Andrews among them], "Hats off, here they come!" Well, maybe not the ones you were expecting...
Now, I could probably do a whole standalone blog post featuring the awe-inspiring list of femmes d'une certaine age who have shimmied into the spotlight for this next one! The showstopper-to-beat-all-showstoppers, it's been done by the likes of Ann Miller, Julie Wilson, Shirley MacLaine, Stritchy (of course!), Yvonne DeCarlo, Christine Baranski, Elaine Paige, Dolores Gray, Millicent Martin, cabaret artistes and drag queens in their thousands [and Madam Arcati and I at many a drunken party!]...
...and this sparkling diva:
[We actually saw Miss Kitt perform this at an all-star gala fundraiser for Children in Need in 2005]But there's so much more to go yet...
[My all-time favourite take on this is, of course, the "gay" version by David Kernan, as featured here][Another from the show that has been covered by numerous divas, including the original cast member Dorothy Collins, Julia McKenzie, MegaBabs and Patti LuPone]It's quite a show! So good, we went to see it twice - well, in two different incarnations, anyhow.
The first of these was a (typically) glittering revue performance at the Royal Albert Hall in 2015, produced by Strictly Come Dancing's Craig Revel-Horwood, and featuring an all-star cast including Christine Baranski, Ruthie Henshall, Alexander Hanson, Peter Polycarpou, Stefanie Powers, Anita Dobson, Betty Buckley, Lorna Luft, Anita Harris and Roy Hudd. The second was the magnificent 2017 revival at The National Theatre starring Imelda Staunton, Janie Dee, Philip Quast, Peter Forbes, Tracie Bennett, Di Botcher, Geraldine Fitzgerald and Zizi Strallen (among others), with its breath-taking sets and costumes.
I'd go again tomorrow, if a new production was in the offing!
All you need to know about Follies, once again thanks to Everything Sondheim
RIP, Stephen Joshua Sondheim (22nd March 1930 – 26th November 2021)
[One of a series of tributes I will be posting to Mr Sondheim this week.]
Previous "Sondheim of the Day" entries:
