Showing posts with label Caro Emerald. Show all posts
Showing posts with label Caro Emerald. Show all posts

Wednesday, 26 April 2023

The standards have fallen, my value has dropped

It's bizarre. As the headlines are full of the supposed "wonders" technology is bringing - deadly-sounding self-driving cars, artificial intelligence (AI) software being used to fake interviews with tragically brain-injured sportsmen and to allow lazy-and-thick-as-shit students to have their theses written for them, "deepfake" videos and photography, and so on - the gnomes at Google can't even make Blogger run properly without breaking something-or-other!

Over the past few days, I have suddenly stopped receiving notifications via email that anyone has posted a new comment on either of my blogs. So apologies, dear reader, if there is an apparent time-lag in my replies; I have to manually go to the dashboard to find out of there's anything new to respond to... Sigh.

Onwards and upwards, eh?

In the optimistic hope that another icon doesn't pop their clogs today, it's time for a celebration of the living.

Yesterday [alongside fellow celebrants including Ella Fitzgerald, Björn Ulvaeus, Johan Cruyff, Oliver Cromwell, Renée Zellweger, Al Pacino, Walter de la Mare, Jerry Leiber and Andy Bell of Erasure], it was the 80th birthday of the simply faboo Tony Christie!

Despite having huge success with such classics as Avenues & Alleyways, I Did What I Did for Maria and (of course) Is This The Way to Amarillo, there is one song that to me surpasses them all! It remains an eternal favourite of mine, and the celebration of this milestone gives me another excuse to play it:

[Oh, how I sang that song at the top of my voice when I was being made redundant from my last job - "A halfwit in a leotard stands on my stage!", indeed.]

Today [together with the likes of the legendary Giorgio Moroder, Carol Burnett (who is 90), Ma Rainey, Duane Eddy, Roger Taylor of Duran Duran, Channing Tatum, Douglas Sirk, Susannah Harker, Jack Douglas and - erm - Melania Trump], it's the birthday of another house fave here at Dolores Delargo Towers - Miss Caro Emerald, who happens to have sung another of my personal anthems:

Felicitations!

Sunday, 13 September 2015

We felt it



As predicted, Proms in the Park was an utterly splendid day's entertainment - and the looming clouds all blew over so it stayed warm and dry the whole time we were there (particularly useful if one is decamped in the middle of a packed-to-the-gunnels Hyde Park all day!).



Our gang - Sal, Baby Steve, Alex, Lou, John-John, Julie and we two - brought oodles of nibbles for the picnic and enough booze to sink a battleship, flags, glow-sticks and the rest, and settled in for a top-notch day's entertainment to mark the final "shout" of the "Summer Season".



For once, the first half (the "daylight bit") had no bottom-drawer artists or "tribute bands". The Mavericks got all 40,000 of us in the audience up dancing, especially with their mega-hit Dance the Night Away (here performing on Top of the Pops):


The very lovely Beverley Knight, Matt Cardle and the cast of Memphis were faboo:


...and (the - ahem - appropriately named for a boy band) Jack Pack concluded the early session with a storming set of swing numbers, including their latest single (with its rather extravagant video), Light My Fire! Superb.

As the interval - and the sunset - began (and the park started to resemble a rather over-stocked gannet colony, with people trying to cram themselves into every available gap nearer the stage; we resisted all incursions rather well, we thought), and the inevitable stumble back and forth to the loos was achieved, we convened our "Grand Committee of the Official Costume Theme for Gay Pride 2016". More of that in due course...

Part two - as is to be expected - was just as excellent as the early session. With the BBC Concert Orchestra and the Royal Choral Society on our stage, and splendid solo turns from trumpeter Alison Balsom and soprano Danielle de Niese, it was class all the way...

Indeed, the show opened with one of our favourite singers Miss Caro Emerald! She was fab - and, true to the ethos of the day, here's my anthem, Liquid Lunch!


One of Britain's favourite tenors Mr Russell Watson did a fine set, including the crowd-pleaser Volare:


But what of the band we'd all been dying to see? The Jacksons - for it was they - were utterly superb!



I must confess, I was never a huge fan of the saintly Michael, but I recognise great musicianship when I hear it. The surviving brothers definitely provided that in abundance - complete with big-screen tributes to their "Jackson 5" heyday. Here, from last night, is that eternal disco classic Shake Your Body (Down To The Ground):


With tumultuous cheers echoing around the park, it was time for the boys to clear the stage for the live link-up to the Royal Albert Hall for the grand finale of the Last Night of the Proms - possibly the greatest highlight of our musical year.

Miss Marin Alsop returned once more to conduct the BBC Symphony Orchestra and Chorus, and by way of a "warm-up" we had the much-vaunted "Sing-a-longa Sound of Music", led by the gloriously vivacious Miss De Niese (who had hot-footed it from the park!) live from the glittering hall (and with the crowds at Hyde Park, in Swansea, in Glasgow and in Belfast all joining in):


Such fun!

We were very pleased that the traditional opener (complete with knee-bobbing) of the finale made a return this year - Sir Henry Wood's Fantasia on British Sea-Songs:




Then it was the (re)turn of the rather cute tenor Jonas Kaufmann (who on a previous sojourn to the stage had actually had a pair of knickers thrown at him - Tom Jones stylee - from the audience!) to perform the first of our (proper) sing-a-longs, Thomas Arne's Rule Britannia. [Most unusual, we thought, for a German to be singing an anthem that celebrates the British Empire's triumphs over its historical enemies, but he was great, so we forgave him...]


Next up, Elgar's Pomp and Circumstance March #1 aka "Land of Hope and Glory":


...and, of course Hubert Parry's Jerusalem:


And with that and the National Anthem, and some stupendous fireworks, it was all over for another year.



Throats sore, heads fuzzy, but full of adrenalin, we wended our weary way homewards...

A great day.

Wednesday, 22 July 2015

Nouvelles chansons



Being well overdue (again) for a little feature-ette on some of the "newer" music that has caught my attention lately, let's just get right on down to it...

Opening the show is one of our fave jolly entertainers, Miss Caro Emerald - who we will have the good fortune to be seeing live in September as she is on the line-up for Proms in the Park (alongside The Jacksons, Russell Watson, The Mavericks, Danielle de Niese and Beverley Knight). Usually known for a "Swing" style, her new song is, surprisingly, a sort-of-reggae number:


Those eternal fans of sparkly face-wear, the Divine Knights are back with a new single that is highly critical of their native Australia for its continued refusal to add gay equality to its agenda:


With a musical tribute to all things early 80s, here's a new one from "the Artist-formerly-known-as-Bimbo-Boy" Eurotix:


"It's so hot in here!", she sings. It's always hotter-than-hot when the fabulous funksters Le Grind [remember I Was There, Where Were You?] get going!


The very lovely Little Boots is back, with a new album Working Girl and, from it, this rather marvellous new single:


Ramping up the "summer dance quotient" a little is the ever-reliable Mr Martin Solveig, here teamed up with Miami DJ duo GTA and with a most weird video indeed - he's definitely Intoxicated:


And, finally - to quote Issy Sampson in the Guardian's "New Music" slot: "Just when you’ve resigned yourself to the fact that all music, for all time, will be Some Rubbish EDM ft Pitbull, Petite Meller comes along and bangs out the song of the summer." It is indeed fantabulosa!


As always, enjoy! And please let me know what you think...

Wednesday, 13 August 2014

And tell me baby, tell me where it hurts



We're off to Amsterdam tomorrow! To conclude this "mini-countdown" to our much-needed break, I think we are overdue another fabulously slinky number from Holland's greatest export since Edam - the wonderful Miss Caro Emerald:


I think I may do the same.

I'll hide behind the Errol Flynn moustache,
Remove the false impression to make sure the feeling lasts.
Call me the equalizer for the girls,
And tell me baby, tell me where it hurts.


Indeed.

Caro Emerald official website

Wednesday, 1 January 2014

New Musical Excess



It's 2014, dear reader - Happy New Year!

As we slowly recover from last night's annual melée that is the Dolores Delargo Towers NYE party, it is time, methinks, to recall some of the musical highlights of the year that was...

We had many great musical nights out during 2013 - A Chorus Line, The Tailor-Made Man, Mile High - the Musical, The Supreme Fabulettes supporting Leslie Jordan, Marianne Faithfull, Merrily We Roll Along, Brian Ferry at Proms in the Park, Eve Ferret and Hazel O'Connor, and Top Hat among them.

However, the year in music really belonged to one man. Surprising the world (as he inevitably does), our icon Mr David Bowie returned to the limelight in January after a decade away, with a new single Where Are We Now? - a prelude to his absolutely brilliant album The Next Day:


As excellent as that comeback trip was, it was the title track of the album that I think really did it for me (as featured here in May)...


...and (needless to say), I will remember the stunning tribute exhibition David Bowie is... for the rest of my life!

Speaking if surprising musical resurrections, our beloved Pet Clark really astounded the critics with her Cut Copy Me single and marvellous album Lost in You (featured here back in March) - and one of the best events of the year was seeing her live in October. Here's the single:


But what of the rest? It wasn't such a bad year for newer music, either...

I first highlighted the superb single I Could Be The One by Avicii vs Nicky Romero way back in January, and lo and behold the benighted music-buying yoof agreed - this was one of the biggest dance songs of the year:


Speaking of mega-hits of the year, it was in February that I first picked up on the fab'n'shouty I Love It by Icona Pop featuring Charlie XCX, and the rest is history, as it dominated early summer in the UK:


Mention "shouty", and of course we have to mention our beloved Luciana! In June 2013, she teamed up with the gayest-of-in-yer-face-gays Cazwell to knock the spots off the opposition:


A completely contrasting singer who I really adored during 2013 is the marvellously camp Miss Caro Emerald. Featured here in August, here's her anthem for my life, it's Liquid Lunch:


We also welcomed back an old favourite in August, the singer formerly of the mega-kitsch Bear Force One, now calling himself Circuit21, and his version of gay 80s standard Love In The Shadows:


Our very own superstars the Pet Shop Boys had a rather good renaissance in 2013 with the fab album Electric, and a clutch of great singles from it. Here, from June, is my fave - Axis:



It was quite a year for our favourite sexy houseboys Kazaky, too! They featured here not once, not twice, but three times - in August it was their exhortation to Touch Me (yes, please!) and in October It Doesn't Matter; but it was their protest song against the creeping repression of gays in Russia and their native Ukraine (from April), Crazy Law that really was the business!


Princess Kylie, on the other hand, had a less memorable year. In 2013 she not only signed to Jay-Z's management firm Roc-Nation (gawd help us! - the home of bloody Rihanna, MIA and Rita Ora) and split with her gorgeous boyfriend Andrés Velencoso, but her official single Skirt was in my opinion so unbearable it didn't even merit being featured here. Two side-projects with other artists, however, did - the very strange Whistle (with Icelandic experimental combo Múm, as featured here in March), and this rather lovely collaboration with Laura Pausini (from October), Limpido:


There were many contenders in 2013 for the title "catchiest song of the year", but Le Grind's I Was There (Where Were You?) from June was certainly one of them!


Many, too, are the contenders for "song of 2013". However, for me - and I make no apologies for featuring it here for a third time (first time was in October) - given the unhappy situation in Russia, and with the Sochi Winter Olympics almost upon us, it simply has to be the magnificent Xelle and Red Flag!


Let us look forward to another good year in music - roll on, 2014!

Sunday, 18 August 2013

Bladmuziek



Another quick compilation of the latest "newer" music to cross my consciousness is due, methinks...

I first heard this wondrous number a couple of months ago, but, still pondering on all things Dutch after our fab weekend in the 'Dam last week, I realise I haven't yet featured the latest from Holland's finest (and house fave here at Dolores Delargo Towers) Miss Caro Emerald. It's a bit of an anthem for my life...


Taking a trip from the sassy campness of the Netherlands to the electro-dance music wonderland that is Sweden, here's the new single from the lovely Oh Land. It's rather hypnotic:


One that was introduced to me (once again) by the lovely Henry at Barbarella's Galaxy, with one of the cleverest videos I have seen in a long time, is the rather fab Safe and Sound by Capital Cities:


Father Tiger, a gay LA duo led by the incredibly cute singer Greg Delson, has released a most catchy new single First Love (a portion of the iTunes proceeds of which will be donated to fight for marriage equality in the USA). You really must watch this wonderful video through to the end...


Cranking things up a level, here's a sexy new production by former Kazaky collaborator the Greek wannabee-sex-bomb Andreas for his new single Another World. Meaty, beaty big and bouncy - I love it!


We have been in mourning here at the Towers since we learned that the uber-kitsch BearForce 1 had split up. However - joy of joys! - their former singer, Belfast-born Robert Brown, now known as Circuit21, is back in business, with a remix of his new single - a cover of the EG Daily Hi-NRG classic Love in the Shadows - by DJ Cahill, no less. This is truly fabulous...


And finally... after a gap of 22 years, the long-awaited third release in the Music of Quality and Distinction series from the Martyn Ware (of Heaven 17 and early Human League fame) side project British Electric Foundation has been released! These collections - the first of which way back in 1982 is an all-time fave, and was responsible for the massive relaunch of Tina Turner's career in the 80s - feature contemporary artists providing a new "spin" on old (and often obscure) songs.

With its spooky themed video, from Music of Quality and Distinction volume 3 Dark (which also features Sandie Shaw, Andy Bell, Boy George, Sarah Jane Morris and Green Gartside among others) here's our very own Kim Wilde covering Stevie Wonder's Every Time I See You I Go Wild - fang-tastic!


As ever, enjoy - and let me know your thoughts!

Tuesday, 14 May 2013

Emeralds are a girl's best friend



Congratulations to the lovely Caro Emerald, Dutch diva of jolly jazzy cabaret numbers, whose second album The Shocking Miss Emerald has debuted at Number 1 in the UK album charts.

I adored her first album Deleted Scenes From The Cutting Room Floor, and I look forward to hearing the new one. She's a sassy lady - her persistence in getting her music noticed, long before getting a record deal (she was championed by both Jools Holland and Terry Wogan), is the stuff of legend, and she still retains full artistic control over her productions. Here are a few of her choons to cheer us up.



And the new one, Tangled Up:


She's wonderful!

Caro Emerald official website

My previous blog featuring Miss Emerald

Sunday, 3 October 2010

How low can we go?



On this lazy Sunday, it is too wet to plant the bulbs or to do the laundry, so instead I thought we'd cross over to the Low Countries for some musical treats today...

First up is a lady who has scored a record-breaking 27 weeks at the top of the Dutch charts so far this year! Described by Mark Savage of the BBC as "like a modern version of Jane Russell or Bettie Page, sultry eyed and bedecked in elaborate antique jewellery", Miss Caro Emerald was turned down by all the major record companies in her attempt to launch her career, so she did all the marketing herself. It paid off in spades, and her album Deleted Scenes from the Cutting Room Floor is released next week in the UK. One to look out for, I'd say...


Next up, a song from the year 2000 that I had never heard before our French friend Thierry ("Kylie") sent a link. Hooverphonic were at one stage one of Belgium's biggest pop bands, and their song 2Wicky was used on the soundtrack of the hit 90s movie Stealing Beauty.


Their jazzy, trippy sound was originally influenced by artists like Massive Attack and St Etienne, but on this single they appeared to veer towards a more soulful style (more recently adopted by the likes of Duffy). It's beautiful - enjoy!


I really struggled to find any music of any merit from the third of the Low Countries, Luxembourg... So I fall back upon that staple fodder of the Grand Duchy - Eurovision! Winners many times, the little country has had a knack of producing perfect songs for the contest, not least this fabulous ditty. Enjoy Mmme Anne-Marie David!