Showing posts with label Tallulah Bankhead. Show all posts
Showing posts with label Tallulah Bankhead. Show all posts

Tuesday, 21 June 2011

Two ladies

Today would have been ninetieth birthday celebrations of two greats of the classic era of Hollywood, one who lived to the ripe old age of 90 - Miss Jane Russell (who I have blogged about several times before)...



...and one who, with her "ditzy blonde" ingenue personality and photogenic good looks, probably could have been every bit the star her contemporaries such as Betty Hutton and Doris Day became, had she not been taken away from us too soon. Miss Judy Holliday died of cancer in 1965, aged just 42.



So as a little tribute to the fabulous Miss Holliday, here's a great audio-clip from her appearance on Tallulah Bankhead's radio show:


Judy Holliday on IMDB

Two great ladies, dearly remembered.

Sunday, 31 January 2010

As pure as the driven slush



"My father warned me about men and booze, but he never mentioned a word about women and cocaine."

Having already mentioned her in my earlier blog, I just felt the need to turn my attention to the magnificent Tallulah Bankhead, whose 108th anniversary it is today.

Nowadays Miss Bankhead is better remembered for her scandalous party-going, her alleged affairs with Marlene Dietrich and Greta Garbo (among others), and of course her excoriating wit. She is less well remembered for her acting skills - she worked with Hitchcock on the (now) cult movie Lifeboat, and on stage she starred in several plays that were later adapted for the big screen (mainly starring Bette Davis in the lead role), Little Foxes, Dark Victory and Jezebel among them.

From limited film success, Miss Bankhead instead turned to the newer media of radio and TV. Largely due to her relentless OTT self-parody, camp bitchiness and wise-cracking hutzpah she was destined to become a gay icon. This was at last a role she could play with relish - and so she did, in numerous guest appearances on shows such as I Love Lucy, and (inevitably) in kitsch classics such as Batman and Hammer Horror films, right up to her untimely death in 1968.

Her one-liners will inevitably out-live the memory of the woman herself:
  • "Nobody can be exactly like me. Even I have trouble doing it."
  • "If I had to live my life again, I'd make the same mistakes, only sooner."
  • "I'd rather be strongly wrong than weakly right."
  • "They used to photograph Shirley Temple through gauze. They should photograph me through linoleum."
  • "I'll come and make love to you at five o'clock. If I'm late start without me."
  • "I've been called many things, but never an intellectual."
  • "I'm as pure as the driven slush."
  • "I've tried several varieties of sex. The conventional position makes me claustrophobic and the others give me a stiff neck or lockjaw."
  • "It's the good girls who keep diaries; the bad girls never have the time."
  • "The less I behave like Whistler's mother the night before, the more I look like her the morning after."
  • "A frozen daiquiri of a scorching afternoon is soothing. It makes living more tolerable."

A few facts about Miss Bankhead:
  • She was named Tallulah for her grandmother, who was named for a waterfall, Tallulah Falls, in Georgia.
  • Her father was Alabama Congressman William Bankhead who was later Speaker of the House in the US government.
  • One of her favourite party tricks was to arrive, knickerless, and cartwheel her way into the room. On other occasions she would simply arrive naked.
  • In the early 1950s, she became the highest-paid performer in Las Vegas with her one-woman show.
  • Her later attempts to return to the dramatic stage, in adaptations of Tennessee Williams' A Streetcar Named Desire and The Milk Train Doesn't Stop Here Anymore were both monumental flops. (The self-parodic image she had created apparently defeated her attempts to "play it straight".)
But how can you fault someone whose screen debut is as atmospheric as this? RIP Tallulah.


Tallulah Bankhead biography

Tuesday, 12 January 2010

A Lavender Lady



Today marks the centenary of the birth of one of Hollywood's lesser-known characters, the late, great comedienne Patsy Kelly. Why bother to feature such an obscure lady, you may ask?

I admire Miss Kelly mainly for one key aspect that has emerged over the years - her surprisingly candid "out" lesbianism, a lifestyle that was very difficult to maintain in the moralistic society of the 1930s and 40s. At a time when all the major closeted stars in the Hollywood system (such as Barbara Stanwyck, Agnes Moorehead and Marjorie Main) were being "married-off", she proclaimed to anyone who would listen that she was a "dyke" and had a long-term affair with none other than Tallulah Bankhead. Of course, the "scandal" meant she never achieved any top-billing parts in films of the Golden Era - she must have played the maid in more films than anyone else!

However Patsy Kelly went on to earn a healthy living as a character actress and in comedy roles on radio in The Bob Hope Show and on TV in series such as Bonanza and The Untouchables, and later in life returned to the big screen in Rosemary's Baby and Freaky Friday, and to the stage in No, No Nanette.

A bold lady and pioneer...

Here she is extolling the virtues of the "Vibrato", which I am certain has more tongue-in-cheek meaning than anyone at the time would have liked to admit:


Read a fascinating article on the subject: Hollywood's golden age of lesbian 'glam'.

Patsy Kelly official website