Showing posts with label Frank Sinatra. Show all posts
Showing posts with label Frank Sinatra. Show all posts

Monday, 4 November 2024

Fill my heart with song, and let me sing for ever more

Grrr. Monday again, and to make the mood even more sombre than usual we are greeted by sad news - the genius that was Quincy Jones has departed (at the venerable age of 91) for that great Montreux Festival in the sky.

He worked with just about everybody in the business in a career that spanned 70 years, from Jimmy and Tommy Dorsey, Lionel Hampton, Gene Krupa, Ella Fitzgerald and Dizzy Gillespie, to Anita O'Day, Miles Davis, Aretha Franklin, Sarah Vaughan and Lena Horne, to Michael Jackson, Donna Summer, Patti Austin, James Ingram, Diana Ross, Brothers Johnson, George Benson and even Amy Winehouse.

His collaborations with Frank Sinatra and Count Basie were regarded as the pinnacle of their recording careers, not least for this:

A masterclass in how to arrange a song around a singer - his complete revision of Noël Coward's classic paean to unrequited love; a gift for the diva Dinah Washington:

His work in the Disco era and beyond (that made him such a fortune, courtesy of Michael Jackson's massive-selling Off The Wall, Thriller and Bad albums) also saw Quincy step out from behind the scenes to gain a few hits of his own, including this one:

A few decades later, and a certain toothy 1960s spy gave Mr Jones's very first single back in 1962 a new lease of life, to huge success:

And finally, no - I haven't forgotten that it's a Tacky Music Monday, nor the (surprising) fact that one of Mr Jones's earliest ventures into the big time was as the producer of the archetypal purveyor of tearful teen ballads, Miss Lesley Gore!

RIP, Quincy Delight Jones Jr. (14th March 1933 – 3rd November 2024)

Tuesday, 1 June 2021

Don't be that way


click to embiggen

Groan. A beautiful, hot and sunny long weekend is over, and bump! Back to reality...

We had a faboo time visiting the boys in Essex, and the treat of all treats was in store - as they took us to the internationally-renowned Beth Chatto Gardens on Saturday! Created by plantswoman Beth Chatto in 1960 from the gravel soil and bogs of the disused fruit farm belonging to her husband, botanist Andrew Chatto, the garden follows her innovative ethos of "right plant, right place", and encompasses a range of habitats from her famous (never watered!) gravel garden, to woodland, wetland, scree [as in the photo above, with just one ugly specimen spoiling the picture - me] and herbaceous planting - and it is utterly splendiferous! We thoroughly enjoyed it.

And, as usual, we trawled the garden centres all around the area and came back with bags full of new plants for the extensive gardens here at Dolores Delargo Towers...

But what did we miss while we were away..?

The news was much the same old, same old - COVID, that Nazi dictator in Belarus mouthing-off, banner headlines and gratuitous swimsuit shots in the tabloids just because there was actually sunshine on a Bank Holiday weekend, Denmark's "spy ring" was exposed... and Heinz Tomato Ketchup is going to be made in Britain again! Oh, and apparently Prince Harry's new job title means "penis" in Japanese.

We missed the late, great national treasure Dame Thora Hird's 110th anniversary, the legendary Edna Doré's centenary and the sadly-missed Eurovision host Katie Boyle's 95th, the 90th birthday of Baby Doll star and sex symbol Carroll Baker [still with us!], as well as the 60th birthdays of impressionist Harry Enfield and the gorgeous Roland Gift of Fine Young Cannibals, and Wicked star Idina Menzel's 50th.

Over the weekend, we mainly listened to/watched YouTube videos of camp pop (as is our wont) such as Kylie, Fangoria, Erasure and Steps, and 90s dance music, which was jolly. However, today marks the centenary of the birth of one Nelson Smock Riddle Jr., so I think we should have a selection of more sophisticated music from the great man's repertoire to greet our return to work. Like these:

How life should be.

Reminder to self: Must. Win. Euromillions Lottery. Tonight.

Tuesday, 6 April 2021

Something in my heart told me I must have you

I am still clinging onto the "attempted-meme-that-no-one-actually-bothered-much-about" that Ms Scarlet started then abandoned a while ago - #adecadeago - and so "here's one I made earlier".

Ten years ago on this date, to be precise:

"There’s only 110 pounds of Frank, but there’s ten pounds of cock!" - Ava Gardner

From the BBC today:
An original version of 1951 novel From Here to Eternity is to be reissued digitally, with previously censored references to homosexuality restored. The uncensored version will be made available online from 10 May.

It will include a scene in which Private Angelo Maggio - the character played by singer Frank Sinatra in the film - reveals he is paid to have oral sex with another man.
I thought this appropriate in the circumstances...

Strangers in the night exchanging glances
Wond'ring in the night
What were the chances we'd be sharing love
Before the night was through.

Something in your eyes was so inviting,
Something in your smile was so exciting,
Something in my heart,
Told me I must have you.

Strangers in the night, two lonely people
We were strangers in the night
Up to the moment
When we said our first hello.
Little did we know
Love was just a glance away,
A warm embracing dance away and -

Ever since that night we've been together.
Lovers at first sight, in love forever.
It turned out so right,
For strangers in the night.

Did it ever get published? Did anyone ever read it?

Questions, questions...

Saturday, 12 December 2020

Well alright, okay, he wins

Everyone in the universe is more than familiar with the vocal talents of Frank Sinatra, whose 105th anniversary it is today. However, another superb vocalist was also born on this date, yet is all but forgotten in the "Great American Songbook Hall of Fame" - Mr Joe Williams.

A Big Band singer from the 1930s, his talents were well sought-after by all the greats such as Coleman Hawkins, Red Saunders and Lionel Hampton, and he was a long-term collaborator with the Count Basie Orchestra - and was still performing almost till his death in 1999, at the age of 80.

By way of a tribute, here is the great man, singing one of his signature numbers to an appreciative audience that included Ol' Blue Eyes himself, back in 1990...

Now, that's class...

Joe Williams (born Joseph Goreed, 12th December 1918 – 29th March 1999)

Monday, 27 August 2018

We've hair on our chests, so what we like the best are the nights


l-r: Leonard Bernstein, Jerome Robbins, Betty Comden and Adolph Green

BBC Radios 3 and, to a lesser extent, 2 have been going mad lately in celebration of the centenary of the prolific composer Leonard Bernstein; featuring myriad compositions from his repertoire, some great and many - bearing in mind his penchant for modernism, which in orchestral music can be excruciatingly difficult to listen to - not so great.

The culmination of the celebrations was (inevitably) at the BBC Proms, with Prom 57 on Saturday (Lenny's actual birthday) dedicated to his first foray into the genre of musical theatre, On The Town. The film version of the stage production was a notable success, but Mr Bernstein boycotted it when the producers replaced all but three of his original compositions with ones by MGM Studios' "in-house" writer Roger Edens.

But here, by way of a jolly pick-me-up suitable on this Tacky Music Monday (despite the fact that is is a Bank Holiday so we're enjoying another free day off), are two numbers from that film version - the first composed by Leonard Bernstein, and the other by Mr Edens...


We'll find the romance and danger waiting in it
Beneath the Broadway lights;
But we've hair on our chests
So what we like the best are the nights
Sights! Lights! Nights!

New York, New York, a helluva town.
The Bronx is up, but the Battery's down.
The people ride in a hole in the groun'.
New York, New York, it's a helluva town!



We're going on the town, New York,
We're riding on a rocket, we're going to really sock it,
Because tonight's the night.
We're going on the tube,
We're going to raise a riot, the Brooklyn Bridge we'll buy it,
And hit the hype tonight, the highest hype tonight.

East side, west side, rouse the city,
One day, one night, that's the pity.
And we won't look ahead,
We'll let the light of dawn get around,
We're really living, Jack, we're going on the town.


Indeed.

Leonard Bernstein (born Louis Bernstein, 25th August 1918 – 14th October 1990)

Monday, 23 July 2018

Come out, come out from under that star



Oh, pook. Monday again...

As the sunshine and 30C temperatures continue in London, as even Iceland has run out of ice, and as the short-sleeve-shirt industry goes into overdrive, so we return to the faulty-air-conditioned, miserable, tinted-window gloom of the office.

Never mind, it would have been the birthday today of one of the last of the MGM Studios starlets, Miss Gloria DeHaven (who only died in 2016, aged 91) - so let's perk ourselves up on this Tacky Music Monday with a couple of her numbers, starring alongside a very young, and very sexy, Frank Sinatra:



Sublime. Have a good week, dear reader!

Gloria Mildred DeHaven (23rd July 1925 – 30th July 2016)

Saturday, 31 August 2013

The ideas man



“Men die but an idea does not.”"

Responsible for shows such as Brigadoon, Gigi, An American in Paris, Royal Wedding, Camelot, Paint Your Wagon, On a Clear Day You Can See Forever and My Fair Lady; songs including I Remember It Well, Take Care of This House, Almost Like Being In Love, Come Back To Me, If I Ever Would Leave You, On the Corner of the Rue Cambon, One More Walk Around the Garden, Wand'rin' Star, The Night They Invented Champagne, Show Me, I Could Have Danced All Night and hundreds more - Mr Alan Jay Lerner, who was born 95 years ago today, was a powerhouse of the great American musical tradition.

He collaborated with great composers such as Kurt Weill, André Previn, John Barry, Leonard Bernstein, Burton Lane and Charles Strouse, but - of course - it was for his five-decade partnership with Frederick Loewe that his name will forever be remembered.

Here is a small selection of Alan Jay Lerner numbers, in celebration...

Fred Astaire and Jane Powell, goofing it up on How Could You Believe Me When I Said I Love You When You Know I've Been a Liar All My Life:


The incredible tonsils of Dame Shirley Bassey on If I Ever Would Leave You:


And finally - the classic combination of Bing, Frank, Peggy and Louis, with a never-to-be-repeated version of I'm Glad I'm Not Young Any More:


Facts about Mr Lerner:
  • In his fifty-year writing career, he won three Tony Awards, three Academy Awards, two Golden Globes, the Johnny Mercer Lifetime Award for lyric writing and a Kennedy Center Honour.
  • His show Lolita, My Love (with John Barry), which opened and closed in 1971, lost $900,000, much of it Mr Lerner's money. Its lead song was Going, Going, Gone.
  • Andrew Lloyd Webber wanted Alan to write the lyrics to The Phantom of the Opera (he did write Masquerade), but he had to leave the project due to the effects of an undiagnosed brain tumour.
  • He turned down an invitation to write the English-language lyrics for the musical version of Les Misérables.
Alan Jay Lerner (31st August 1918 – 14th June 1986)

[My tributes to Mr Loewe are here and here.]

Saturday, 1 June 2013

Under my skin



Today, on what would have been the legendary composer and arranger Nelson Riddle's 92nd birthday, I thought a bit of "swing easy" music might be appropriate - so who better than Mr Riddle's most famous collaborator, Mr Frank Sinatra to set the mood?

From Sinatra! An Artistic and Historical Overview, an article by Phillip D. Atteberry:

I’ve Got You Under My Skin from Songs for Swingin’ Lovers is often hailed as Sinatra’s single greatest recording, with Milt Bernhart’s crescendoing trombone climaxing the instrumental bridge. And certainly this cut reflects the swinging, swaggering hat-tilted image that Sinatra was cultivating. No longer the gentle, wavy-haired teen idol, this was a voice of experience, a guy who had been around and really knew about getting under one’s skin.

Nelson Smock Riddle, Jr. (1st June 1921 – 6th October 1985)

Sunday, 29 April 2012

Who wants to wallow in champagne?



Today, one of the great survivors of the classic Hollywood era Celeste Holm celebrates - remarkably - her 95th birthday!

Hers is indeed a remarkable career. She won an Oscar for Gentleman's Agreement (in which she played opposite Gregory Peck), and was nominated for both Come to the Stable (in which she starred with Loretta Young, Hugh Marlowe and Elsa Lanchester) and of course All About Eve (in which she more than held her own against the remarkable Bette Davis, Anne Baxter, George Sanders and Thelma Ritter). She played opposite Frank Sinatra twice - in High Society and The Tender Trap.

Before her screen success, she was fêted as the original "Ado Annie" in the Broadway smash Oklahoma!, and, after All About Eve she had a long and successful US television career - including a memorably camp and villainous appearance in Falcon Crest.



Facts about Celeste Holm:
  • Apparently Bette Davis said of her: "There was only one bitch in the cast of All About Eve - Celeste Holm." Ouch.
  • At the age of 87, she married opera singer Frank Basile, 46 years her junior. Following their marriage, the couple have had a long and protracted legal battle with Miss Holm's sons over the control of her money (which was held in a trust).
  • Miss Holm successfully sued Pedro Almodóvar for using film footage of her from All About Eve without her permission in his film All About My Mother; her contract from the film stipulated her image could not be used.
  • She still (despite being diagnosed with Alzheimer's) makes occasional cameo performances on stage and screen (including a part in a 2012 movie called College Debts), and continues to act as a spokesperson for UNICEF.
Here is the redoubtable Miss Holm, starring as the Fairy Godmother opposite another house favourite here at Dolores Delargo Towers, Miss Lesley Ann Warren, in a 1965 American TV production of Cinderella. Just right for a Sunday...


But, of course, it is for this classic routine that she is perhaps most fondly remembered...


Who wants to be a Millionaire?

I DO!!!

Celeste Holm official website

Wednesday, 25 January 2012

Quiet star



Eighty-five years ago today, the "father of Bossa Nova" Antônio Carlos Brasileiro de Almeida (Tom) Jobim was born.

To commemorate, I am definitely in a sultry samba mode, so here are some of his classics...




Antonio Carlos Jobim (January 25, 1927 – December 8, 1994) on Wikipedia

Thursday, 15 December 2011

A paean to Ramnit.A



Whoo-hoo! "Normal" service is resumed!

To celebrate this evening a bit of a victory - for tonight I managed (fingers crossed) to finally restore my PC after a couple of days of battling a very nasty virus indeed (its name is Win32/Ramnit.A) - I thought I'd play a rather appropriate little number:


PS It would have been the 104th birthday of Mr Francis Albert Sinatra this week. I've Got You Under My Skin was perhaps the longest-serving of the great man's standards...

http://www.sinatra.com/

Wednesday, 1 June 2011

The Great Riddle



Today would have been the 90th birthday of the magnificent Nelson Riddle, bandleader, composer and orchestrator of some of the greatest musical moments of the 20th century (including his work with house favourites such as Judy Garland, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith).

In 1950, Riddle was hired by composer Les Baxter to write arrangements for a recording session with Nat King Cole at Capitol Records. Although one of the songs Riddle had arranged, Mona Lisa soon became the biggest selling single of Cole's career, the work was credited to Baxter. However, once Cole learned the identity of the arrangement's creator, he sought out Riddle's work for other sessions, and thus began a successful partnership that furthered the careers of both men at Capitol.


Mr Riddle was called upon to arrange sessions for Frank Sinatra in 1953, when the great man had just jumped ship from his old record label. Their collaborations were a huge success and he is often credited with relaunching the singer's slumping career - and a long and fruitful partnership between the two artists was born.


In the 60s he worked closely with the amazing Ella Fitzgerald, notably on several of her American Songbooks, such as that dedicated to Jerome Kern:


In the 1970s he concentrated most significantly on film and TV themes, including Route 66, episodes of Batman and other television series, and motion pictures including The Great Gatsby, Robin and the 7 Hoods and the original Ocean's Eleven.

Then in the 80s, Mr Riddle made a resurgence in the unlikely company of rock/country singer Miss Linda Ronstadt - and their collaboration produced three hit albums, the last of which was released in the year of Mr Riddle's death in 1985 (so he never saw it win a Grammy).


RIP a musical luminary...

Nelson Riddle official website

Wednesday, 6 April 2011

From here to..?



"There’s only 110 pounds of Frank, but there’s ten pounds of cock!" - Ava Gardner

From the BBC today:
An original version of 1951 novel From Here to Eternity is to be reissued digitally, with previously censored references to homosexuality restored. The uncensored version will be made available online from 10 May.

It will include a scene in which Private Angelo Maggio - the character played by singer Frank Sinatra in the film - reveals he is paid to have oral sex with another man.
I thought this appropriate in the circumstances...


Strangers in the night exchanging glances
Wond'ring in the night
What were the chances we'd be sharing love
Before the night was through.

Something in your eyes was so inviting,
Something in your smile was so exciting,
Something in my heart,
Told me I must have you.

Strangers in the night, two lonely people
We were strangers in the night
Up to the moment
When we said our first hello.
Little did we know
Love was just a glance away,
A warm embracing dance away and -

Ever since that night we've been together.
Lovers at first sight, in love forever.
It turned out so right,
For strangers in the night.

Sunday, 12 December 2010

When legends meet



Today marks a double celebration - the 70th birthday of Miss Dionne Warwick, and the 95th anniversary of the birth of one Francis Albert Sinatra!

There are few words one can succinctly add to the millions of pages already written about either of these demi-gods in the pantheon of music - so let us instead enjoy a classic from each:



And this is rarer than hen's teeth - a duet featuring both great artists! Shame it's such a dull song...

Tuesday, 22 September 2009

Let's face the music



Twenty years ago today Irving Berlin, that astounding genius of music, died at the ripe old age of 101. During his lifetime he wrote an estimated 1,500 songs, many of which are absolute standards today - including Alexander's Ragtime Band, Cheek to Cheek, I've Got My Love to Keep Me Warm, Let's Face The Music and Dance, There's No Business Like Show Business, What'll I do?, Heat Wave, Anything You Can Do (I Can Do Better) and even God Bless America.

Mr Berlin (born Israel Baline, a Russian Jewish refugee) also wrote classic musicals like Annie Get Your Gun, Call Me Madam, Holiday Inn, Top Hat, Puttin' On The Ritz, White Christmas and Easter Parade, worked with Ziegfield, Paul Whiteman, Al Jolson, Fred Astaire, Ethel Merman, Rudy Vallee, Judy Garland, Rodgers and Hammerstein, Moss Hart and Jerome Kern, and was commissioned by the US government to produce patriotic numbers during WW2. Whew!

Even George Gershwin acknowledged the influence of the great man thus: "Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbour. Irving Berlin remains, I think, America's Schubert. But apart from his genuine talent for song-writing, Irving Berlin has had a greater influence upon American music than any other one man."

Praise indeed...





Irving Berlin (11th May 1888 – 22nd September 1989)

Sunday, 26 July 2009

Take back your mink, take back your pearls



Forty years ago the musical genius that was Frank Loesser died (far too early at only 59), and the world of musicals lost one of its most prolific writers.

In his glittering career, Loesser wrote more than 700 songs, giving the world such enduring standards as On a Slow Boat to China, Two Sleepy People, Heart and Soul, I Don't Want to Walk Without You, Wonderful Copenhagen, Moon of Manakoora, Spring Will Be a Little Late this Year, They're Either Too Young or Too Old, Standing On The Corner, and the Oscar-winning Baby, It's Cold Outside. Some of his songs, with their open-to-interpretation lyrics even became camp gay anthems - including Kiss The Boys Goodbye and (See What) The Boys in the Backroom (Will Have).

After a prolongued spell in Hollywood, writing for over sixty films including Destry Rides Again, Neptune's Daughter, Thank Your Lucky Stars and Fred Astaire's Let's Dance, he returned to Broadway and produced his masterwork - one of the most popular musicals of all time - Guys and Dolls.

With its cavalcade of classics such as A Bushel and a Peck, Luck Be a Lady, Sit Down You're Rocking the Boat, Take Back Your Mink and the wonderful Adelaide's Lament, this musical has had numerous revivals (and was famously adapted for the big screen with Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine), including the 2005 West End production, which we went to see, starring Ewan McGregor.

So to celebrate this man's genius, here are just some of Frank Loesser's greatest musical moments:






Frank Loesser (29th June 1910 – 28th July 1969)

Wednesday, 16 January 2008

If baby I’m the bottom, you’re the top!



It is the centenary of the birth of the owner of one of the biggest voices in showbiz - happy birthday Ethel Merman!

Ethel Zimmerman may not have been the greatest "looker" of her generation, but she soon rose from the ranks in the live performance stakes. She was "discovered" while working for a car parts company, and from an early start in vaudeville was soon snapped up by the likes of George and Ira Gershwin and Cole Porter.

With such estimable backing she soon leapt to stardom, notably with her signature song There's No Business Like Showbusiness and her long-remembered starring role in Anything Goes, belting out hit songs like Blow Gabriel Blow and You're the Top. Dozens more shows, films and guest appearances followed in her long career, including in It's A Mad Mad Mad World and we won't even mention her appearance in Airplane, nor the fantastic Ethel Merman Disco Album...

There's no-one in showbiz who could ever touch the sheer gutsy bravado of Ms Merman - and indeed she was admired by (and was an inspiration for) some of the biggest and the best in the business, including Elaine Stritch, Angela Lansbury, Bea Arthur and Lucille Ball.

Ethel Merman's crowning glory was as "Mama" in Gypsy - a role which was always going to be "hers", despite losing out on the original film role to Rosalind Russell (who then ended up having her voice dubbed). Of Russell's role, Merman said: "There's a name for women like her but it's seldom used in society outside [of] a kennel."

A class act indeed!


You're the Top
At words poetic, I'm so pathetic
That I always have found it best,
Instead of getting 'em off my chest,
To let 'em rest unexpressed,
I hate parading my serenading
As I'll probably miss a bar,
But if this ditty is not so pretty
At least it'll tell you
How great you are.

You're the top!
You're the Coliseum.
You're the top!
You're the Louvre Museum.
You're a melody from a symphony by Strauss
You're a Bendel bonnet,
A Shakespeare's sonnet,
You're Mickey Mouse.
You're the Nile,
You're the Tower of Pisa,
You're the smile on the Mona Lisa
I'm a worthless check, a total wreck, a flop,
But if, baby, I'm the bottom you're the top!

Your words poetic are not pathetic.
On the other hand, babe, you shine,
And I can feel after every line
A thrill divine
Down my spine.
Now gifted humans like Vincent Youmans
Might think that your song is bad,
But I got a notion
I'll second the motion
And this is what I'm going to add;

You're the top!
You're Mahatma Gandhi.
You're the top!
You're Napoleon Brandy.
You're the purple light
Of a summer night in Spain,
You're the National Gallery
You're Garbo's salary,
You're cellophane.
You're sublime,
You're turkey dinner,
You're the time, the time of a Derby winner
I'm a toy balloon that's fated soon to pop
But if, baby, I'm the bottom,
You're the top!

You're the top!
You're an arrow collar
You're the top!
You're a Coolidge dollar,
You're the nimble tread
Of the feet of Fred Astaire,
You're an O'Neill drama,

You're Whistler's mama!

You're camembert.

You're a rose,
You're Inferno's Dante,

You're the nose
On the great Durante.
I'm just in a way,
As the French would say, "de trop".
But if, baby, I'm the bottom,
You're the top!

You're the top!
You're a dance in Bali.
You're the top!
You're a hot tamale.
You're an angel, you,
Simply too, too, too diveen,
You're a Boticcelli,
You're Keats,
You're Shelly!

You're Ovaltine!
You're a boom,
You're the dam at Boulder,
You're the moon,
Over Mae West's shoulder,
I'm the nominee of the G.O.P.

Or GOP!

But if, baby, I'm the bottom,
You're the top!

You're the top!
You're a Waldorf salad.
You're the top!
You're a Berlin ballad.
You're the boats that glide
On the sleepy Zuider Zee,
You're an old Dutch master,

You're Lady Astor,
You're broccoli!
You're romance,
You're the steppes of Russia,
You're the pants, on a Roxy usher,
I'm a broken doll, a fol-de-rol, a blop,

But if, baby, I'm the bottom,
You're the top!


Ethel Merman page on Musicals 101