Showing posts with label Robbie Williams. Show all posts
Showing posts with label Robbie Williams. Show all posts

Monday, 31 August 2026

Be Better, or Fackham!

A great time was had by all at our Film Club gathering yesterday! Between the nine of us, we brought far too much food as usual for the "picnic-substitute" buffet, but kept The Perseverance bar going strong - at times our gang upstairs in the function room were practically the only customers they had, but we're all pretty good session drinkers...

And the films on offer were both unexpectedly superb, too! First up was one I've wanted to see for ages - the autobiographic portrayal of the often-traumatic rise to fame of "national treasure" Robbie Williams, formerly of Take That:

I certainly wasn't expecting it to be as brilliantly done, nor quite such an emotional rollercoaster, as it was!

Our second film was one I had very little knowledge or expectation of. Described by critics as "Downton Abbey meets The Naked Gun," we were all pleasantly surprised - it was utterly hilarious!

Just what the doctor ordered.

Despite the fact that it is a Bank Holiday, I haven't forgotten that it is a Tacky Music Monday - so how about the very brief-but-faboo "musical soiree" from that very movie?

Have a good week, dear reader - dodge the showers...

Saturday, 27 December 2025

Música nueva

And so here were are, officially in that "bit-in-the-middle" - and were off en famille to John-John's for an afternoon/evening of jolly japes and a "picky tea". Meanwhile, how about a little selection of some of the "newer" choons that have caught my ear of late?

I heard this on on the radio very recently, and I was hooked!

Here's another one from the "final fling" of Saint Etienne that I loved back in late summer, but neglected to feature up to now:

Twenty-five years on since it was a popular bootleg that Fatboy Slim used to use in his DJ sets, the Rolling Stones have finally given their blessing to the release of this remix/mash-up of two magnificent hits - and the result (even with its AI-generated video) is rather good:

I can absolutely, categorically state that my office party last week was nothing like this:

Yay! Robyn's back...

...as is the very lovely Robbie Williams!

And, finally...

...the campest of the lot [and another Madam Arcati discovery], this!

Thoughts of warmer weather are upon us as we speak - our next trip to Spain is just over a month away!

As ever, dear reader, I'm interested to hear your thoughts on the selection...

Sunday, 30 October 2022

A smile on your face?

On this grey and gloomy Sunday, with the nights creeping in far too early now that British Summer Time is officially over and the clocks have gone back, I think it's time for another showcase of some of the "newer" choons that have caught my ear of late.

Let's open with something sleazy, shall we? How about a bit of "bump'n'grind", courtesy of Sam Smith and Kim Petras..?

I've always loved the work of master mixer Dave Aude - and here's his latest:

For some bizarre reason Ukrainian pop sensation, the very lovely Max Barskih [see here and here] has just changed his name to "Mick Sunday" - but at least he's producing new music in the midst of all the horror his home nation is suffering. In his own words: "This war brought great changes to my life. Feeling negative emotions and constant stress, you seem to forget about the existence of joy, happiness and love... I hope this music can put a smile on your face and put you in a good mood.” It works!

You just know when you see the name Shapeshifters that you're in for a treat - and with this remake of an old Talking Heads classic, I'm not disappointed!

Finally, how about a sizeable portion of Robbie? Yes please!

As ever, dear reader - let me know your thoughts...

Sunday, 7 August 2022

Hypno-tiz-ed

Few among my beloved audience noticed my last selection, it would appear, but undaunted as I am - here is another random assortment of "newer" choons that have caught my ear of late!

First up, Our Princess Kylie's latest, a rather faboo track from her Disco: Guest List Edition [which, incidentally, landed her the accolade of being the first female artist to have a number one album in five consecutive decades]:

Next up - this "summer anthem" [well, it was actually released last November, but the band's performance at Glastonbury got them noticed] has been clogging-up the airwaves lately here in the long, hot summer in the UK! Understandably...

Heavens, this "80s-style" mix is so much better than the original! They eununciated things far better in those days, of course - poor Ms Lipa evidently cannot pronounce any consonants:

Here's an irresistable oddity - not new at all [it was actually released in 2017, and apparently featured in an advert for an Apple iPhone], but new to me - courtesy of Paddy O'Connell, sitting in for Liza Tarbuck on BBC Radio 2 today:

By way of a complete contrast, as part of his own celebration of 25 years in the business [cf Geri and the Spice Girls, as featured yesterday] the lovely Robbie Williams is back with a new single:

And, saving the best for last - a "national treasure", with a most remarkable earworm...

As ever, let me know your thoughts, dear reader...

Saturday, 22 October 2016

Salmigondis de musique



I have not done one of these "potpourri-of-pop" blogs for such a long time, I'd almost forgotten that "newer music" can produce some works of wonder and amusement. One tends to avoid most music beloved of the "benighted yoof" these days (all those Kendricks, Minajs, Drakes, Arianas, Little Mixes and Biebers - yuk), but occasionally I do pop in for a little look... Of the chart-toppers, I can just about cope with some currently mega-popular artists such as Adele or Clean Bandit, and the occasional tolerable choon like that Zara Larsson one that dominated the summer airwaves, or maybe that much-hyped Christina and the Queens ditty, but in general whatever the "Charts" these days encompasses tends to pass me by. But what of the rest? Here goes...

Watch me shimmy into the light..." Thus the remarkable Allie X announces her arrival - and, with RuPaul's Drag Race winner (and house fave) Violet Chachki on board in this magnificent "let's-raid-the-dressing-up-box" video, what a spectacle she is too! She's All The Rage:


Speaking of summer, the strangely-named Kungs vs Cookin’ on 3 Burners and This Girl has an alluring Northern Soul-tinged feel about it. The "pretty-young-things-at-play" video certainly does make one rather nostalgic for warmer climes...


One can always rely upon the brilliant Mr Dave Audé to make a slightly-catchy-yet-not-good-enough song such as Handclap by Fitz and the Tantrums into something really special:


No-one ever thought that meeja-sensations Sam and the Womp would ever be more than a one-hit-wonder, after their surprise hit of 2012 Bom Bom - but, as "comebacks" go, with the help of some "Bjork-lite" vocals from Bloom De Wilde and a glitzy video I think Fireflies is a rather jolly effort:


Next, and by complete contrast, a song that was played (with his tongue firmly in his cheek) by the ever-wonderful Desmond Carrington on his penultimate show on Radio 2 last night - it's Madeleine Peyroux and her cover of Tom Waits's Tango Till They're Sore. I love it!


Here is a really unexpected treat. We are all aware that everyone's (not least ours at Dolores Delargo Towers) favourite octogenarian chanteuse (not-yet-a-Dame) Petula Clark is cool, professional, and still retains the vocal tone and energy that would shame many a wannabee a quarter her age, but she is also never content just to rest on her "easy listening" laurels, it seems. With its catchy tune and atmospheric visuals, her new single Sacrifice My Heart is simply faboo!


The very lovely Andy Bell has been busy, too - what with his stage show Torsten The Beautiful Libertine, various live appearances and the release of two albums (the soundtrack to Torsten and a remix album of songs from the show Variance 2) this year. And here [courtesy of our friend John-John, who alerted me to it a while ago], with the excellent support of the one-and-only Al Pillay and the mixing talents of DJ Matt Pop, is Queercore!


If it's a party you're after, you can do much worse than a really catchy cover of the Four Seasons' Oh What A Night, in French, by the Gallic pop sensation (and occasional Ricky Martin duettist) M. (Matt) Pokora! Cette Année La, indeed:


...then there is the sumptuously funky début by the esoterically-named JANE and We Don't Wanna Dance! Shades of Sylvester/Wild Cherry/Average White Band and the heyday of Disco, methinks:

And, finally - not because this is by any means a conclusive list of favourites from the past few months, but merely because I have to end somewhere - Here's the lovely Robbie Williams and his (oh-so-"controversial") Party Like a Russian:


Anything that pisses Putin off has my vote!

Anyhoo, that's all folks - as ever, enjoy; and let me know your thoughts...

[*Salmigondis de musique = (hopefully) "musical hodgepodge" in French]

Thursday, 13 February 2014

Totty of the Day













Happy 40th birthday today to Robbie Williams!

Although all of Take That were yummy in their own way (Mark was ever my fantasy), Robbie was the eternal "naughty boy" - the one you just knew would "give you one" out the back of the club, by the fire escape...

So I make no excuses for featuring again my favourite gay softcore pop video, with the man himself and the rest of the boys looking their best, ever - it's Pray:


Robbie may be annoying, he may sometimes have an unerring faith in his own talents that belies some of his output, but yes! I'd still do him.

"I am not as bad as people would suggest. Not as good as I would like to be."

Robert Peter "Robbie" Williams (born 13th February 1974)

Tuesday, 5 June 2012

Makes ya proud to be British!



I have just finished watching the Queen's Diamond Jubilee Concert (we recorded it). What a glittering event! I only wish I had won one of the tickets to be there in person...

When we Brits decide to throw a party, we certainly do it in style. A crown-shaped stage around the Victoria Memorial on The Mall, Buck House outstretched behind - and in a stroke of genius, used as a big screen onto which film of the Queen's reign and other images were projected - a dazzling line-up of billion-selling artists, a range of music spanning six decades, an audience of tens of thousands... What could be better?





Opening the show accompanied by a huge miltary band, Robbie Williams rocked Let Me Entertain You like a child throwing his toys out of the pram, but that's exactly what we love him for! We shan't, however, mention the next few acts - that's what fast-forward is for. Will.i.am, Jessie J, our organiser Gary Barlow duetting with "Cherl Kerl" (Cheryl Cole), JLS, Sir Cliff Richard. Ewww.



The inevitable classical section rescued us from absolute musical crucifixion, thankfully, opening with the brilliant Lang-Lang ("the musical Panda"?) and his piano virtuosity, which calmed matters down a bit - well, until Alfie Boe (on next) decided to turn O Sole Mio into some kind of pub-rock number. Speaking of piano geniuses, Jools Holland and Ruby Turner were fabulous as always, singing Billy Preston's You Are So Beautiful.



However, even Miss Turner's flowery frock couldn't compete with the stunning magnificence that is Grace Jones! At 64, the diva proved her mettle by hula-hooping throughout a gutsy rendition of Slave to the Rhythm, and I was on the edge of my seat!


Unfortunately, as is the nature of such an event, the ups are followed by downs.

Ed Sheeran is a boring little tit, and was completely out of place on this set. I think even the Royals popped out the back for a pee and a fag at this point. A big surprise followed, for despite the glittery frock and angel wings the lovely Annie Lennox was surprisingly off tonight, as she struggled to reach the notes she used to on Must Be An Angel (Playing With My Heart). Renee Fleming had no such problems with her beautiful rendition of Un bel dì vedremo from Madam Butterfly, however.



The first sign of a true crowd-pleaser was the magnificent Sir Tom Jones singing a rollocking version of Mama Told Me Not To Come, and of course Delilah - which had thousands in the crowd singing along! Only fitting for such a musical icon, of course.

The interlude saw the arrival of Her Majesty (gawd bless her - especially since Phil has been taken to hospital), looking fab in a black cape (last seen on her in a 1968 Cecil Beaton portrait). And just in time for the lovely Robbie's return, this time on Mack the Knife (rather good it was too). Unlike Gary Barlow and Andrew Lloyd-Webber's "official tribute" Sing - massed chorus or no massed chorus. But who cares about "official tributes" - it was DIVA TIME!



Resplendent in a glittering white chiffon number, Dame Shirley Bassey it seems only had one song to sing - but by god she certainly sang it! And what else would she choose on this special occasion but Diamonds Are Forever? Sublime...




No sooner had one great gay icon glittered her way off (stage left), but in from stage right skipped our own Pearly Queen Kylie! Accompanied by girls in silver crown dresses and faux-guardman hats and bouncy boys with sequinned crown t-shirts, she bowled the audience over with a stunning medley of her hits - Spinning Around, Can't Get You Out Of My Head, Step Back In Time and All The Lovers. Wow!


Coming back down to earth a bit, and realising that by now it had got dark, the focus shifted to Buckingham Palace itself, illuminated with flowers. There, on the prestigious balcony, Alfie Boe and Renee Fleming sang a beautiful rendition of one of my all-time most beloved songs Somewhere. Truly lovely...



Back to the stage, and it was the turn of the sparkly pink wonder that is Elton John! Evidently still recovering from his recent bout of pneumonia, he was slightly croaky but nevertheless every inch the showman on I'm Still Standing, Your Song and Crocodile Rock. He was followed by the equally legendary Stevie Wonder (a man in whom I have never really seen the appeal), who got even the Royal box tapping its feet to Sir Duke. However, from there it went downhill (with the godawful Isn't She Lovely and a duet with that bloody creep Will.i.am), so I moved on.



Of course, next up was one of the great anticipated highlights of the evening, as Madness performed a selection of their classics (including Our House, complete with projected image of terraced housing across the front of the Palace, and It Must Be Love with hearts) - on the roof of The Queen's residence! Incredibly clever, and rather fab.

Sir Paul McCartney (the most successful of all the artists on the bill) was the inevitable headliner, with a selection of Beatles and his solo hits; from Magical Mystery Tour through Let it Be and Live and Let Die to the finale of Ob-la-di, at which point everyone (Charles, Camilla and the Queen herself included) took to the stage.

To finish, Prince Charles (who called The Queen "Mummy" much to the joy of the crowd) made a speech of thanks to everyone; the crowd did a shout-out to the ailing Philip and a big "three cheers" to HM; thousands of voices sang the National Anthem through an ocean of Union Jacks; Her Majesty placed a large jewel into a rather Bond-like apparatus and the Official Jubilee Beacon lit up - and then the whole world exploded!!




A totally and utterly remarkable occasion...

Diamond Jubilee Concert

Monday, 26 December 2011

When You're Winning



Ten years ago, the Xmas charts - and, it seemed, the world - belonged to Mr Robbie Williams.

His duet with Nicole Kidman Something Stupid was at Number 1 in the singles chart, and his Swing When You're Winning LP was at the top of the album chart. He was (and remains) among the best-selling music artists in the world and the best-selling British solo artist in the UK.

To celebrate, here's a rather fab way to open a show!


I'd still do him...

www.robbiewilliams.com