Showing posts with label Klaus Nomi. Show all posts
Showing posts with label Klaus Nomi. Show all posts

Saturday, 3 October 2020

Einheit

Today (scarily) marks thirty years since the reunification of Germany, following the total collapse of the Soviet Eastern Bloc. Understandably, celebrations have been somewhat hampered by what maybe we should call today "the Trump virus", but nevertheless a significant milestone.

Never one to miss an opportunity, I thought I would focus, by way of celebration, on some of the - ahem - choicer musical gems I have featured over the years that originated in the Land of the Franks...

First up, perhaps our favourite Kraut-rocker, the utterly bizarre (and wonderful) Punk-turned-Big-Band-chanteuse Nina Hagen!

Here's a true classic from the late, sadly-missed Falco:

Another fave, the splendid Max Raabe (who we managed to get to see live in March this year, just weeks before lockdown), with his "tribute" to Britney...

The amazing, the unique, the irreplaceable, late, great Klaus Nomi:

And finally - possibly the weirdest clip in German cinematic history from the legendary Marika Rökk...

Gern geschehen.

Happy German Unity Day!

Sunday, 2 July 2017

Ooh, it's so good, it's so good



Listening to Radio 2 (as is my wont on Sundays) I heard a trailer for a show tomorrow that sent a shockwave down my spine.

For, terrifyingly, it is forty years since the release of one of the most influential songs, ever - I Feel Love by Donna Summer!

The brilliant product of a cross-pollination between the mechanised, electronic world of Giorgio Moroder's synths and the sassy, sleazy world of funk-disco vocal styles, I Feel Love was not only the song that encapsulated the global domination of Disco, but also gave birth to the synth-pop era that made the late 70s and early-mid 80s such an era of experimentation and innovation.

As the blurb for the programme The Summer Of "I Feel Love" says:
Exactly 40 years ago, the combination of Donna Summer's beguiling voice and the studio wizardry of writer-producers Giorgio Moroder and Pete Bellotte created a record that changed the course of dance music. I Feel Love, released on July 2, 1977, was the template for the electronic revolution that followed, inspiring generations of artists with a daringly futuristic sound that reverberates to this day.

To mark this momentous anniversary, Paul Sexton introduces a celebration of a truly groundbreaking record. The Summer Of "I Feel Love" features memories of its creation from Moroder and Bellotte, while superstar DJs Arthur Baker and John Morales talk about its impact on both the dancefloor and on their lives. Martyn Ware, meanwhile, describes the influence that I Feel Love had on his work with the Human League and Heaven 17. Also featured are techno pioneer Derrick May, author Tim Lawrence and Sister Bliss of Faithless, who reveal what it was like to remix the track that became the very pulse of disco.
It also spawned myriad cover versions, not least by Madonna, Kylie, Blondie, Bette Midler, Moby, and...

...the inimitable Klaus Nomi:


...an Irish fiddle-band called Ham Sandwich:


...Blue Man Group featuring Venus Hum [love that dress!]:


...a Turkish singer called Ülkü:


...and, of course, Bronski Beat and Marc Almond!


However, there is only one original, after all...


Happy birthday, I Feel Love!


Postscript - 3 July 2017

A fact I never realised:
I Remember Yesterday was yet another concept album, cooked up by Bellotte and inspired by Anthony Powell’s novel A Dance to The Music Of Time (also the LP’s original title). Each song would evoke a different decade’s mood, from 40s swing to the 1960s with the Shirelles and Supremes, 70s funk and contemporary disco before alighting upon the future with the final track: I Feel Love.
Read Bill Brewster's history of the making of the song in MixMag