Showing posts with label electronica. Show all posts
Showing posts with label electronica. Show all posts

Tuesday, 26 September 2023

The Fantastic Mr Foxx


Cheekbones. Whatever happened to them?

Another day, another shudder goes down my spine as I realise how old everyone is getting (including me).

For today it is the 75th birthday of Mr Dennis Leigh - better known of course as synthesizer aficionado, original vocalist and founder-member of Ultravox, John Foxx!

It seems like only yesterday that I almost fell off my chair - electronic music freak that I was (am) - when I first heard this, his magnificent debut solo hit [and almost immediately had to go to Roxcene Records in Newport to buy the 7" single! I still have it.]:

On investigating his career [prompted by the fact he had been cited several times by none other than my idol Gary Numan as being as great an influence on him as Kraftwerk], I came across - and immediately fell in love with - this [the best song Ultravox ever created, in my opinion]:

Somehow we drifted off too far
Communicate like distant stars
Splintered voices down the 'phone

The sunlit dust, the smell of roses drifts, oh no
Someone waits behind the door
Hiroshima mon amour

Riding inter-city trains
Dressed in European grey
Riding out to echo beach

A million memories in the trees and sands, oh no
How can I ever let them go?
Hiroshima mon amour

Meet beneath the autumn lake
Where only echoes penetrate
Walk through Polaroids of the past

Future's fused like shattered glass, the sun's so low
Turns our silhouettes to gold
Hiroshima mon amour

Nostalgia. It ain't what it used to be... Sigh.

Many happy returns, John Foxx (born 26th September 1948)!

Saturday, 18 June 2022

You are perfect, you are sheer, if you are a red-haired queer

A little trip down memory lane today, dear reader...

Although my recall of the exact timeline is understandably a little hazy after all these years, at some time in the early 1980s after I left school (probably 1982 - forty years ago), I and my school-friend Shane first ventured out to a pioneering club event - the "Bowie/Roxy Nights" at Newport's swanky and up-to-the-moment nightclub Lazers:

Obviously the quality is a bit shonky, given that this film dates from 1984, but this was the laser light-show that opened every evening of dancing and debauchery at Lazers nightclub...

Within a fairly short space of time I became a regular punter (as did my sister). I really had found my niche in the emerging world of the "New Romantics", and - although I had a few years yet till I officially came out - I dressed the part: twelve-pleat pegged trousers in two-tone teal and amber, "Adam Ant" waistcoat, pirate shirts, pointy shoes, henna-ed back-combed hair, jewellery, the lot!

Among the classics such as Sound and Vision, Virginia Plain, Kraftwerk Das Model, Giorgio Moroder From Here To Eternity, Cerrone Supernature, Grace Jones Private Life, post-punk icons like Siouxsie and the Banshees, Toyah, Simple Minds and The Cure, and all the emergent New Wave/electro pioneers such as Gary Numan, Depeche Mode, OMD, Human League, Yello, Heaven 17, John Foxx, Visage and so on, one song really sticks out - one that instantly transports me back four decades to a very different world indeed.

No GDM (Dedicated to Quentin Crisp) by Gina X Performance was (and still is) unlike anything else I had heard. A song sung in totally cold, deadpan Germanic tones over a synth-heavy beat - yet with tantalising lyrics that blatantly mentioned "queer" and "lesbian"..? It's no wonder that it didn't take very long before first discovering this mysterious other-worldly music that I also "discovered my true self"...

Wanna be a great dark man,
Being but a lesbian.
You are perfect, you are sheer,
If you are a red-haired queer.
That's life, one dies.
C'est la vie, ma cherie,
But it really doesn't matter.

No G.D.M.
No great dark man
No G.D.M.
No great dark man

There won't be a great dark man,
If I am a red-haired queer.
You are perfect, you are sheer,
If you are a red-haired queer.
C'est la vie, have a sniff.
C'est la vie, ma cherie,
But it really doesn't matter.

Yellow teeth between pink lips,
Eyeline shadow with a crazy look,
The jewel behind my lobe of ear,
Rouge on my face hides my beard,
Long violet fingernails,
I adore those magic tales.
I don't mind, I don't mind.

No G.D.M.
No great dark man
No G.D.M.
No great dark man

Wanna be a great dark man,
Being but a lesbian.
You are perfect, you are sheer,
If you are a red-haired queer.

That's life, one dies.
C'est la vie, ma cherie.
C'est la vie, have a sniff.
That’s life, one dies.
C'est la vie, ma cherie.
C'est la vie, have a sniff.
That’s life, one dies.

C'est la vie, ma cherie.
C'est la vie, have a sniff.
That’s life, one dies.
C'est la vie, ma cherie,
C'est la vie, have a sniff
That's life, one dies.
C'est la vie, ma cherie.

Ah, memories...

I utterly adore it to this day.


Footnote:

Lazers (which itself was previously known as "The Stowaway" club) finally closed in 1990, subsequently reopened as "Brooklyn Heights" and later "Heights 2000" before finally closing under the name "Zanzibar". In 2018, arsonists burned the whole thing and the neighbouring chuch to the ground.

Wednesday, 5 May 2021

You'll never be in doubt, that's what it's all about

French fashion model turned New Romantic chanteuse Ronny, acolyte of Steve Strange, was a striking figure even among the most stylish of the "Blitz Kids". Then, as quickly as she arrived, she disappeared from view. So who was this mysterious woman who captivated me so, and where did she go?

I have been doing some research...

According to Discogs:

Club entrepreneur Rusty Egan met Ronny in the Paris club Privelege and co-produced with Midge Ure her first releases. Vangelis, Georg Kajanus and Peter Godwin also produced for her.
Quoted in an article in Electronics & Music Maker magazine in July 1982 (as transcribed by Mu:Zines magazines archive), she said:

"I was in Paris dancing and modelling, but getting fed up with the whole thing and decided just to stop everything and go into something else - I wanted to explore my voice and link this with the use of electronic music. Apart from Jean-Michel Jarre in France, I could hear this music coming from England. I wasn't attracted to the current French disco sounds and later signed over here with Polydor as a solo artist...

...I like to think of a song as a little movie in itself. It's very hard to put across in three or four minutes what you want to express. Often people never hear the lyrics clearly or get the atmosphere behind it - they just hear something to dance to and move to. I would like to go further than that."

Warren Cann of Ultravox and Visage, in an interview for the now-demised Electrogarden site [retrieved via The Wayback Machine on Archive.org]:
"We were friends for years and I never did know her last name, it honestly never occurred to me to ask her. She was an unfathomably gorgeous French woman who'd once been a "Bluebell" dancer in Paris at Le Lido. She gave up modelling to come to London to make it as a singer.

I met her backstage at one of our gigs when Midge, who'd been producing some tracks for her, introduced us. Ronny wasn't a "pop" artist so much as a pop chanteuse, a torch singer. Her voice, while not virtuosic in the conventional sense, was utterly compelling and expressive. She could read a phone book and you'd swoon. She made Sade sound like Tweety.

Hans Zimmer and I did some gigs for her and she appears briefly on the Helden album "Spies." Chalk it up to bad luck, bad timing, or the vagaries of the music business, but it just never worked out for her and, after a number of years getting nowhere, she gave up music and moved back to France."

According to a thread post in an Ultravox discussion forum by Graeme Oxby, erstwhile manager of Howard Devoto's band Magazine and collaborator with Steve Strange on various attempts to revive Visage as an entity:

"Steve Strange bumped into Ronny years later and she was working behind the make-up counter of a department store in Paris. I think Steve bought some eye shadow but don't quote me lol!"
Unsurprisingly, the maestro Rusty Egan is still in touch with the lady, according to this comment he made on a post on The Wave of Things blog - and (unlike Mr Cann above) refers to her by her full name in his social media posts...

...Miss Ronny Vuniconnu - one of the true "Shapers of the 80s" - we salute you!

Both those numbers are indeed superb - as is her wildly camp duet with Steve Strange on Lady is a Tramp, as featured here in 2019 - but, way back around this time forty years ago, it was this (her debut) song that absolutely bowled me over! The moment I heard it [probably played by someone like John Peel or Annie Nightingale on Radio 1], I had to rush out to Woolworths to buy the single, and played it absolutely to death on my radiogram...

If you want me to stay
I'll be around someday
To be available for you to see
But I'm about to go
And baby then you'll know
For me to stay here
I've got to be me

You'll never be in doubt
That's what it's all about
You can't take me for granted and smile
I can't believe I'm gone
Forget pushing me back home
I promised I'll be gone for a while

And when you see me again
I bet that you have been
The kind of person
That you really are now

I got to get things straight
How could I ever be late
When you're my woman takin' up my time
How could I ever allow
I guess I wondered how
I get romantic with you just for fun

I'll be good
Although I wish I could
But you'll still gonna be my No.1

[French lyrics]

If you want me to stay
I'll be around someday
To be available for you to see
But I'm about to go
And baby then you'll know
For me to stay here
I've got to be me

You'll never be in doubt
That's what it's all about
You can't take me for granted and smile
I can't believe I'm gone
Forget pushing me back home
But I promise I'll be back in a while

Memories, memories... I was seventeen.

Sigh.

[click any photo to embiggen]

Thursday, 7 May 2020

Heute Abend die Mensch-Machine





As a shorter-than-usual week's "excitement" working from home draws to its close (it's a bank holiday for the 75th anniversary of VE Day tomorrow), so our thoughts should normally be drawing towards party planning, and all that!

By bizarre happenstance, the sad news of the death of the "Chief Robot", founder-member of the one of the most influential bands in pop history Kraftwerk Florian Schneider has provided us with an opportunity (of sorts) to do so - firstly with an unexpectedly camp remix of one of their classic hits Man Machine by the genius that is Matt Pop...


...and a possibly even more unexpected appearance by another of their tracks, here being whooped up by the enthusiastic dancers on what appears to be a "modern" follow-up to America's iconic Soul Train show:


Faboo!

RIP Florian Schneider-Esleben (7th April 1947 – 30th April 2020)

Friday, 6 September 2019

From Liverpool To Wales I wanna hear the music pumping



Sharing a birthday with a mixed bag of luminaries such as CeCe Peniston, Idris Elba, Laugh-in veteran Jo Anne Worley, songwriter Jackie Trent, one of London's great landowners Lady Anne Cavendish-Bentinck, Pink Floyd's Roger Waters, the original "Nosferatu" Max Schreck, MAD magazine cartoonist Sergio Aragonés, Dolores O’Riordan of The Cranberries, and - erm - Buster Bloodvessel from Bad Manners, the late, great Sylvester (James) would have been 72 today.

To get us in the mood for the celebration that is the weekend (yay!), let's have something a little different from the great gay icon himself - a number from his later career, when he ventured into the electro-tinged (sometimes known as "New-Beat") crossover territory that marked the slow decline of Hi-NRG and the ascendancy of House and Techno music. Regardless of what you call it, however, let's just Thank Disco It's Friday!!


Have a great weekend, peeps!

Tuesday, 3 September 2019

Le garçon que nous connaissions



On reading of the premature death (at 58) of one Laurent Sinclair [pictured above, left] of the French New-Romantic-era band Taxi Girl [one of his fellow band members being Queen Madge-collaborator Mirwais], I have to confess I had to go and look them up. And I am very glad I did...

Although their bandname may not have been instantly familiar, their biggest hit certainly is (to me anyway - I remember "pointy-dancing" to this in Lazers in Newport in 1981)!


RIP, the 80s M. Sinclair.

Wednesday, 19 June 2019

Dance, dance, dance, dance, dance to the radio



All the hoo-ha in the "hip" media this week about the 40th anniversary of Unknown Pleasures, the debut album by Joy Division released this week in 1979, has paid dividends, it seems - for the first time since its release, it looks like the album is headed for the Top Ten in the UK.

This news just makes me wonder... if everybody's coming out of the woodwork to tell the press about how "brilliant", "seminal", "influential", [insert hyperbole here] it was, why did nobody buy a copy first time around?! On its release, it failed to chart in the UK and on its re-release after the death of lead singer Ian Curtis in August 1980 only peaked at the not-very-impressive Number 71 slot. Its successor LP Closer [a copy of which is in my vinyl collection at Dolores Delargo Towers] did much better...

Whatever, it gives me a perfect excuse (if any were needed) to play two of my favourite Joy Division tracks:



Oh, teenage angst - I remember it well. Where did those decades go? And where's my long black trench-coat?!

Unknown Pleasures on Wikipedia

Tuesday, 28 May 2019

She loves the theatre but never comes late



An icon of mine, the undisputed maestro of the New Romantic era, Steve Strange would have been 60 today!

Born just up the road from moi in South Wales, the former Mr Harrington was obsessed with art and fashion from a young age. Via the punk explosion, he met Glenn Matlock and Malcolm McLaren, so it was probably inevitable he would end up heading for the bright lights of London - and within a short time, he was "the face" of his own club (Blitz, with Rusty Egan), was selected (by the man himself) to appear in David Bowie's Ashes to Ashes video, and with his hastily-assembled band Visage [and that video, of course] had a worldwide hit that influenced myriad bands who followed.

By way of a tribute, I have found something even I never heard/saw before - and it's faboo!


Rodgers and Hart would approve, I'm sure.

Stephen John Harrington (28th May 1959 – 12th February 2015)

Tuesday, 18 September 2018

The magic of the Moog



I've been listening to writer and broadcaster Andrew Collins' rather faboo four-part series on electronic music The Great Bleep Forward on BBC Radio 6 Music.

It's a fab retrospective of a genre of music I particularly love - and features everything from the Teleharmonium to Wendy/Walter Carlos to Tangerine Dream to Robert Moog to the BBC Radiophonic Workshop to Brian Eno to Kraftwerk, Gary Numan, the Human League, OMD, Depeche Mode, Trevor Horn, House music and beyond.

And, just because... Here's a mix of oddities I have chosen, for your delectation, from that great "bleeping" world of artificial soundscapes:








Bleep!

Tuesday, 13 April 2010

Masters of weird

There is always a place in my heart for some genuinely eccentric pop purveyors. Who better to fit the bill than the fabulous Fischerspooner?