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...for me to play my sister's favourite movie clip!
The Return of Count Yorga.
Of course.
Happy Hallowe'en, Hils! As every year...
[More Hallowe'en shenanigans]
It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine tonight in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now.Speaking of Dylan Thomas...
Voice | Michael Sheen |
Captain Cat | Tom Jones |
New York Voice | Matthew Rhys |
Laugharne Voice | Aimee-Ffion Edwards |
Drowned and Willy Nilly | Tom Rhys Harries |
Drowned and Voice | Karl Johnson |
Drowned and Evans the Death | Iwan Rheon |
Drowned and Voice | Aneurin Barnard |
Rosie Probert | Nia Roberts |
Mog Edwards | Ioan Gruffudd |
Myfanwy Price | Kimberley Nixon |
Mr Waldo | Steffan Rhodri |
Neighbour | Mark Lewis Jones |
Neighbour | Richard Harrington |
Neighbour | Sophie Evans |
Neighbour | Melanie Walters |
Voice | Griff Rhys Jones |
Voice | John Rhys-Davies |
Voice | Andrew Howard |
Voice | Rakie Ayola |
Mr Pugh | Jonathan Pryce |
Mrs Pugh | Sian Phillips |
Rev Eli Jenkins | Bryn Terfel |
Polly Garter | Katherine Jenkins |
Mrs Ogmore Pritchard | Charlotte Church |
Mr Ogmore | Tom Ellis |
Mr Pritchard | Aneirin Hughes |
Butcher Beynon | Robert Pugh |
Mrs Beynon | Suzanne Packer |
Lily Smalls | Eve Myles |
Mae Rose Cottage | Alexandra Roach |
Nogood Boyo | Craig Roberts |
Mary Ann Sailors | Sharon Morgan |
Dai Bread | Owen Teale |
Mrs Dai Bread One | Di Botcher |
Mrs Dai Bread Two | Sian Thomas |
Sinbad Sailors | Jon Tregenna |
Read more about this brilliant programme
Dylan Thomas Centenary
{2022 UPDATE: Like so much of Mr Hides' material - gone from the interwebs]
Miss Zellweger is not the only one whose face appears to be completely different to how we remember it.
Take Nicole Kidman, for example:
Or Jennifer "Dirty Dancing" Grey:
How about Meg Ryan?
Or Priscilla Presley?
And let's not even mention Jennifer Rush...
"With an unparalleled career in show business spanning over sixty years, Dame Shirley Bassey has done and seen it all, performing for the likes of Royals and Presidents, being met with rapturous applause on worldwide stages from the glamour of Las Vegas to the mud of Glastonbury.And so the inimitable Dame Shirley has announced the release of Hello Like Before, her 60th anniversary album, described as a tribute to all the songs that the The Girl With The Golden Voice "...has always longed to record and finally been able to imbue with her own Bassey spellbinding presence."
Throughout it all, Dame Shirley’s immediately entrancing voice has matured and richened to ensure she remains even more vibrant a musical force than the day she first stepped into the spotlight. Quite simply, [this] is Dame Shirley Bassey at her very best."
In September - just weeks before he passed away on Monday at the age of 82 - [we] named Oscar de la Renta one of 2014's most influential red-carpet designers. And that he was, with his graceful, modernly elegant gowns making an astounding 54 appearances on red carpets during the past 12 months.Favourite designer of such disparate bedfellows as Oprah Winfrey, Jackie Kennedy Onassis and Nancy Reagan, Mr de la Renta - an emigré to Spain from the Dominican Republic in the early 50s - was one of the world's most successful couturiers, eclipsing even his mentors Balenciago and Lanvin to preside over a $200m international empire.
"I feel very lucky to work with such extraordinary women. It is a tremendous honour and a great pleasure. My role as a designer is to make a woman feel her best. If I have made a woman feel beautiful, then that would be my ultimate contribution," [he said].
Tim Hauser, the founder and singer of the Grammy-winning vocal troupe The Manhattan Transfer, died Thursday from cardiac arrest, band representative JoAnn Geffen said Friday. He was 72.I adored The Manhattan Transfer as a youngster - all stylish outfits and classy harmonies, they seemed to inhabit that unattainable world typified by Brideshead Revisited and Mapp and Lucia, of Art Deco and Transatlantic liners, cocktails and Jazz hands, a world I still aspire to - and their utter stylishness is typified by this, my fave:
Hauser founded Manhattan Transfer, who released their debut album in the early 1970s and launched hits such as Operator and The Boy from New York City. They went on to win multiple pop and jazz Grammy Awards. Their critically acclaimed album, 1985's Vocalese, earned a whopping 12 Grammy nominations.
In a classic scene from the Star Trek episode titled “What are Little Girls Made Of” (season one, episode seven, which aired on October 20th, 1966) we are treated to a skirmish involving Captain Kirk, a stalactite strongly resembling a huge dildo and a giant alien named “Ruk,” played by actor Ted Cassidy (who portrayed “Lurch” in The Addams Family).
Thirty-five minutes into the episode, Kirk is chased by Ruk into the caves of the alien planet he teleported to. To defend himself, Kirk pulls a huge piece of stalactite from the ceiling of the cave and after a quick edit, we get to see Captain Kirk holding what looks inexplicably like a gigantic marital aid. Kirk smacks Ruk around with it and you get to wonder how hard the production crew was laughing when this one slipped by the censors over at NBC.
In case you are short on time, someone has kindly put together a 25-second video summary of the episode that is posted below for your perusal.
I was halfway home, I was half insaneAnd, because I couldn't choose between versions, here first is the original by the (then) cute Paul Weller and Style Council:
And every shop window I looked in just looked the same
I said, "Now send me a sign to save my life
Cause at this moment in time there is nothing certain in
These days of mine."
Ya see its a frightening thing when it dawns upon you
That I know as much as the day I was born
And though I wasn't asked, I might as well stay
And promise myself each and every day
That when you're knocked on your back and your life's a flop
And when you're down on the bottom there's nothing else
But to shout to the top, well we're gonna shout to the top
We're gonna shout to the top, we're gonna shout to the top
Hey, we're gonna shout to the top!"
"...he's gripped by this debonair gentleman. Billy disregards the transaction he thought might have taken place. It's the old man he's interested in. He must live locally. Billy's seen him at least three times before, here on this street. Unmistakeable. When the old man walks, trailing rich aromatic smoke from his pipe, he holds himself taut and regal. This graceful image of a man is enough to spark Billy's interest for unconventional behaviour, and he manages a couple of good shots of the man, amid his photographs of the flowers.All rather enthralling, we thought...
From his place in the sunlight, he observed the old man doff his hat and say goodbye to the flower seller, punctuated by a flourish of his hand.
Look at that, thinks Billy. The flair, the twirl - he loves that the man doesn't conform to any normal code of behaviour. Swanning swiftly through the crowds of fashionably dressed people carrying freakishly cut flowers, the old gentleman disappears round the corner into Laburnum Road. Billy follows quickly to see if he can get another shot to take back to the studio. The old man fascinates him and he wonders if he may have found new subject. The gentleman heads down the east-end street towards the Victorian maisonettes where Billy lives. It's a great surprise to him to see the old man take a key from his pocket and slip into the communal entrance of his building; Billy's building. 'Oh my God!' Billy can't help saying out loud, before reaching the front door. 'He lives upstairs.'