Tuesday, 14 November 2023

Oh, Mandy - well, you came and you gave without taking

Our second outing of the weekend (this time, just Madam Arcati and I) was one we simply could not miss, even if the timing made for a rather hectic two days - a truly legendary "master of his craft" live on stage in London for the first time since January 2009. The first man to play "Che Guevara" in Evita on Broadway, the original "George" in Sondheim's Sunday in the Park with George, actor in Yentl, The Princess Bride and Homeland - Mr Mandy Patinkin!

We're so glad we did...

This was an amazingly eclectic evening of song - the moment he followed his opening wistful medley of songs about childhood (Inchworm/School Days/Time in a Bottle) with a hilarious take on Ella's A Tisket A Tasket, complete with him mimicking the little girl who lost it and a "police investigation" into the loss, complete with megaphone, we knew we were in for something very different from the norm. Indeed, no-one could have predicted the spectacle of Mr Patinkin's "Silent Movie Medley" (that included Paramount Blues, Movies Were Movies, I'm Always Chasing Rainbows and more), in which he mimed some classic silent routines (pretending to tune a guitar, doing the "Chaplin walk", getting all flummoxed over a newspaper that keeps getting bidder and bigger as it unfolds, and so on) or his solo rendition of Bohemian Rhapsody by Queen!

"Patinkin the actor is on full display. He doesn’t perform songs as much as he wears them as costumes, draping melodies over the fully realised characters he conjures in each three-minute number. When not singing, he is joyous, joking with the audience and telling stories. He is an engaging performer, and against a plain curtained backdrop with nothing but a spotlight to focus one’s eye, he has the entire audience alternately silently enraptured and roaring with laughter." - Ian Bowkett, Musical Theatre Review

For those of who know him as an arch-Sondheimite, he threw everything but the book into a pairing of Sorry-Grateful and Being Alive. At another point in the show, he related a touching anecdote about the family record collection (in which Angela Lansbury's Mame cast recording was one of just four stacked in the radiogram), and the occasion his father took young Mandy all the way to New York just to see it (and get her autograph). Years later, when Mr Patinkin and Ms Lansbury's paths crossed again, he remarked to her that he wished it was his dad, not him, who was present at that occasion - then performed a remarkable version of the Sondheim title song from Ms Lansbury's debut musical, Anyone Can Whistle.

Sondheim aside, Mr Patinkin took us on a roller-coaster ride of emotions from the excoriating sadness of Randy Newman’s Wandering Boy and Marc Anthony Thompson’s My Mom to the very silly If I Had a Boat by Lyell Lovett (another mime, this time of riding a horse), from Easy Street to Can You Use Any Money Today? to the incredible and energetic "patter-song" Rock Island from The Music Man, and the powerful Soliloquy from Carousel.

"Not alone, however, Patinkin shares the spotlight with pianist Adam Ben David providing a tightly synchronised and pitch-perfect performance from the side of the stage. The pair’s idiosyncratic back and forth is delightful and refrains from being distracting. There’s this gloriously playful sense of ‘making it up as they go’, which far from the truth, makes for an easy-going night from the Broadway showman." - Dominic Corr, The Reviews Hub/Corr Blimey

All this, and he still found time for some amusing repartee, mostly around his age (puffing and mopping his brow) and purported inability to read his own prompt notes or get to the end of an anecdote about his Bar Mitzvah - before suddenly snapping into a serious medley of You've Got to be Carefully Taught/Children Will Listen, followed by Kermit the Frog's It's Not Easy Being Green. One reads between the lines the politics behind some of his choices of songs, given the current world situation. That was made startlingly clear when, as an encore, he reminded the audience of the context in which one of the world's most beloved songs was written - its writer and composer were both sons of East European Jews who had fled the pogroms - and launched into a most spine-tingling rendition of Over The Rainbow. In Yiddish!

We could hardly breathe.

This was a truly magnificent show - get to see it while you can!

Mandy Patinkin - Live in Concert runs at the Lyric Theatre until 19 November 2023.

Here's (a much younger) Mandy singing that startling medley he performed for us on Sunday:

Sublime.

Monday, 13 November 2023

Some day I'm gonna make her mine

Heavens. What a weekend! Two trips to the theatre in succession, and with hardly time to blink it's Monday again (and all that entails...).

The first of the theatrical extravaganzas "our gang" - me, The Madam, Baby Steve, Houseboy Alex, Hils and Crog - gathered for on Saturday night was the most unexpected subject for a West End premiere - the five-decade relationship between Queen Elizabeth the Queen Mother and her loyal and trusted servant and confidant Billy Tallon. The Michael Grandage production plays free-and-easy with the real-life story, but it's a masterful concoction nonetheless.

With top-notch actors Dame Penelope Wilton and the hunky Luke Evans in the lead roles, the chemistry and quick-fire repartee between them was entirely believable, and simply wonderful!

"As Billy, Luke Evans is a rogue with a ramrod back and Feargal Sharkey’s hair, a stickler for propriety when it suits him, a mischievous rule-breaker when it doesn’t." - Nick Curtis, The Evening Standard

The play opens with a welcome taste of things to come, as two adorable corgis scamper across the magnificent set - recreating the Queen Mum's favourite the Garden Room at Clarence House - followed by the imperious "Billy" at the height of his powers, choreographing the setting of the numerous floral arrangements to create an ambience fit for a Queen. And her guests...

This is where Billy's mischief really shows itself. He and Her Maj having a long-established protocol of boozy gatherings - "no bores" - when two boring teetotallers turn up to rock that particular boat, he creates a "cordial" that is not all it seems, and farce abounds.

There are other staff whose eyes are on him, however - not least HM's prissy and uptight Private Secretary Kerr (Ian Drysdale), forever trying to tighten the purse-strings and get rid of Billy and his extravagance, who starts manipulating the "new boy" Gwydion (Iwan Davies) to spy on him.

Throughout all this The Queen Mother, with feigned disinterest, oversees everything!

"...it’s (Penelope) Wilton who owns the stage. She brings a dazed, distracted quality to the Queen Mother that acts as a smokescreen for papercut cruelty delivered with a benign smile. She and Evans establish a playful rapport. But this isn’t a straightforwardly heartwarming story - Billy is as much a plaything as anything. The Queen Mother’s blessing comes with conditions." - Tom Wicker, Time Out

Aside from all the campery and the repartee being played out in the "inner circle", there are two lovely touching moments when the set darkens and we travel back in time to when young Billy (Ilan Galkoff) [he was fifteen years old when he entered Royal service] and the Queen-in-mourning first build their enduring rapport - initially, in the moments after the funeral of her husband King George VI when she is not only bereft of her beloved, but also her home and title too; and in the second, just after the Coronation of HM Queen Elizabeth II, when she lost her eldest daughter to a life of duty and gained the epithet of Queen Mother. In the latter vignette, the touching way an old Queen allows a very young queen to wear her priceless jewels is remarkably well done.

The second half of the show, amongst the ribaldry and farce (Billy brings a shag Ian (Eloka Ivo) back to the palace, transgressing the sanctum of the Garden Room, is witnessed by the "new boy", and in the mayhem a huge painted dildo/"artwork" belonging to Ian gets lost amongst the boxed bibelots and curiosities from various collections that are used as "icebreakers" at Her Maj's regular gatherings - but who gets the box?), there's an attempt at a darker sub-text to all the frippery - in other words the otherwise completely ignored world outside, with its civil unrest, riots and the rise of Maggie Thatcher.

"Billy’s proud boast is “I have stopped time for her”, and inside the champagne continues to flow liberally, despite pressure on the Queen Mother to rein in her spending." - Fiona Mountford, iNews

Unfortunately, we found this change of tone to be a little jarring and unnecessary, especially the way Ian turned into a less-than-believable "radical cliché", but it didn't completely ruin the flow. The aftermath, with the Private Secretary believing he'd finally got rid of the thorn in his side - Billy up before "the Boss" for dismissal - takes a completely different tack, with "Britain's Favourite Grandmother" playing against all preconceptions and asserting her authority over her errant Steward and Page of the Backstairs in a most unexpected and humiliating manner.

As the concluding narrative - with "young Billy" and "Backstairs Billy" on stage at the same time - reminds us, however, he did indeed retain his position for the next twenty-three years, so who had the last laugh, really?

We utterly adored this show - hilariously funny one minute, full of pathos and sorrow the next, and unashamedly camp throughout.


[click any pic to embiggen]

I highly recommend it!

Backstairs Billy is at the Duke of York's Theatre, St Martin's Lane until 27th January 2024.


PS

I haven't forgotten it's a Tacky Music Monday, of course - here's something appropriate:

Have a good week.

Sunday, 12 November 2023

Senses working overtime, indeed

You know you're getting old when...

...you discover that the mightily-talented Mr Andy Partridge of XTC is 70 years old!

Let's remind ourselves of the genius of him and his band, shall we?

Oh, how I loved them...


PS Ding, dong! Round two of our weekend in the theatre starts here - as we head off for a matinee performance of Mandy Patinkin - Live in Concert at the Lyric Theatre in the West End! Phew.

Saturday, 11 November 2023

Showgirls, aliens and the Queen Mum doing the Calypso?


I don't know what this is from, but I want to see it!

After a bit of a hectic morning getting the place in order for our guests Baby Steve and Alex, I'm taking a breather before they arrive.

We're all off to see Penelope Wilton and Luke Evans in Backstairs Billy tonight - a farce based around the late Queen Mum and her co-dependent relationship with her long-serving "Steward and Page of the Backstairs" - and I'm really looking forward to it!

Meanwhile...

Apparently, when the Queen Mum's record collection was unearthed in 2011, among the more surprising LPs they discovered was from this band:

I can just imagine her calypso-ing with the corgis as we speak...

Friday, 10 November 2023

The return of the dancing zoo

Another drab and dreary week slumps wearily to its close - and the weekend beckons! [And a busy one, with not one but two trips to the theatre; but more on that later, no doubt]

Let's brighten up proceedings and get the party started with an old, old favourite... Three minutes of complete mind-blowing madness - and we love it!

Thank Disco Dancing Hippos and Sheep (and chickens) It's Friday!

Have a great one, dear reader!

Thursday, 9 November 2023

Pensive, flummox, vagrant and labourer

Sex education?

© Scarfolk Council

[Click to embiggen]

Wednesday, 8 November 2023

They just HAD to see it...


[click to embiggen]

...and who could blame them..?!

Simply breath-taking. And ninety years ago!

[Shame we're not actually experiencing "the hottest weather in years". It's pissing down again...]