Our second outing of the weekend (this time, just Madam Arcati and I) was one we simply could not miss, even if the timing made for a rather hectic two days - a truly legendary "master of his craft" live on stage in London for the first time since January 2009. The first man to play "Che Guevara" in Evita on Broadway, the original "George" in Sondheim's Sunday in the Park with George, actor in Yentl, The Princess Bride and Homeland - Mr Mandy Patinkin!
We're so glad we did...
This was an amazingly eclectic evening of song - the moment he followed his opening wistful medley of songs about childhood (Inchworm/School Days/Time in a Bottle) with a hilarious take on Ella's A Tisket A Tasket, complete with him mimicking the little girl who lost it and a "police investigation" into the loss, complete with megaphone, we knew we were in for something very different from the norm. Indeed, no-one could have predicted the spectacle of Mr Patinkin's "Silent Movie Medley" (that included Paramount Blues, Movies Were Movies, I'm Always Chasing Rainbows and more), in which he mimed some classic silent routines (pretending to tune a guitar, doing the "Chaplin walk", getting all flummoxed over a newspaper that keeps getting bidder and bigger as it unfolds, and so on) or his solo rendition of Bohemian Rhapsody by Queen!
"Patinkin the actor is on full display. He doesn’t perform songs as much as he wears them as costumes, draping melodies over the fully realised characters he conjures in each three-minute number. When not singing, he is joyous, joking with the audience and telling stories. He is an engaging performer, and against a plain curtained backdrop with nothing but a spotlight to focus one’s eye, he has the entire audience alternately silently enraptured and roaring with laughter." - Ian Bowkett, Musical Theatre Review
For those of who know him as an arch-Sondheimite, he threw everything but the book into a pairing of Sorry-Grateful and Being Alive. At another point in the show, he related a touching anecdote about the family record collection (in which Angela Lansbury's Mame cast recording was one of just four stacked in the radiogram), and the occasion his father took young Mandy all the way to New York just to see it (and get her autograph). Years later, when Mr Patinkin and Ms Lansbury's paths crossed again, he remarked to her that he wished it was his dad, not him, who was present at that occasion - then performed a remarkable version of the Sondheim title song from Ms Lansbury's debut musical, Anyone Can Whistle.
Sondheim aside, Mr Patinkin took us on a roller-coaster ride of emotions from the excoriating sadness of Randy Newman’s Wandering Boy and Marc Anthony Thompson’s My Mom to the very silly If I Had a Boat by Lyell Lovett (another mime, this time of riding a horse), from Easy Street to Can You Use Any Money Today? to the incredible and energetic "patter-song" Rock Island from The Music Man, and the powerful Soliloquy from Carousel.
"Not alone, however, Patinkin shares the spotlight with pianist Adam Ben David providing a tightly synchronised and pitch-perfect performance from the side of the stage. The pair’s idiosyncratic back and forth is delightful and refrains from being distracting. There’s this gloriously playful sense of ‘making it up as they go’, which far from the truth, makes for an easy-going night from the Broadway showman." - Dominic Corr, The Reviews Hub/Corr Blimey
All this, and he still found time for some amusing repartee, mostly around his age (puffing and mopping his brow) and purported inability to read his own prompt notes or get to the end of an anecdote about his Bar Mitzvah - before suddenly snapping into a serious medley of You've Got to be Carefully Taught/Children Will Listen, followed by Kermit the Frog's It's Not Easy Being Green. One reads between the lines the politics behind some of his choices of songs, given the current world situation. That was made startlingly clear when, as an encore, he reminded the audience of the context in which one of the world's most beloved songs was written - its writer and composer were both sons of East European Jews who had fled the pogroms - and launched into a most spine-tingling rendition of Over The Rainbow. In Yiddish!
We could hardly breathe.
This was a truly magnificent show - get to see it while you can!
Mandy Patinkin - Live in Concert runs at the Lyric Theatre until 19 November 2023.
Here's (a much younger) Mandy singing that startling medley he performed for us on Sunday:
Sublime.
Babs was on Colbert last night & she mentioned that Mandy told her he thought they would be having an affair while making Yentl. Barbra set him straight & he annoyed the hell out of her.
ReplyDeleteI heard all that - Mr Patinkin has yet to confirm or deny it. I would hazard a guess that he's not even going to bother. Jx
DeletePS I suspect many, many, many people annoy MegaBabs! And vice-versa.
He's incredible! I follow him and his wife, Kathryn Grody, on Instagram. Together they are a times hilarious, serious, informative, but always engaging. I'm truly jealous, sweetpea! xoxo
ReplyDelete"Engaging" is the word, my dear - he simply captivated the audience, and for the whole almost two-hour show, we were in the palm of his hand. A truly talented man. Jx
DeleteI'm so jealous! That sounds wonderful!
ReplyDeleteI know him from all of those things but last I saw him on the show Homeland. I love it when he tells Claire Danes character, "How can someone so smart be so stupid?" I really feel that. I can do some really big brain stuff sometimes and then get hung up on the silliest things.
I must admit, I never heard of Homeland. Just looked it up on Wikipedia. I wasn't even sure it was shown in the UK, but apparently it was/is(?) on terrestrial TV on our Channel 4 (a station we rarely, if ever, look at since it dropped its "alternative/arty" ethos in favour of "reality" TV).
DeleteRegardless, Mr Patinkin is a wonderful showman! Jx
Give it a try if you can. It can be quite provocative at times. There's no LBGTQ+ representation that I can recall. Just a bunch of Cis hetero peeps messing up the world like they do. It's refreshing to have a main character who has to navigate their mental illness and the stress and importance of their job though. Society is often so quick to bury its mental illnesses under the rug.
DeleteI very much doubt I'd ever enter that rabbit-hole. Eight seasons? No way, José. It's hard enough, with our work patterns, for us to get through documentaries (we haven't even started Planet Earth III yet!) without taking on a seven-year old drama series that - to be honest - doesn't appeal in the slightest. Jx
DeleteHis voice is so pure and powerful. We saw him as Che in Evita. I’ve never seen one of his solo performances.
ReplyDeleteAt 70, his characteristic vibrato is a little more "cracked" these days - but still a helluva set of pipes! From the tiniest to the biggest notes, everything hit home. Jx
DeleteNext weekend will seem dull, unless you have more exciting plans??!
ReplyDeleteI think I would have been more up for the Backstairs Billy production, to be honest, but really pleased you had a great time.
Sx
Oh, the "social whorl" never ceases, Ms Scarlet! Tomorrow, John-John and I are off to the cinema in Leicester Square [no, not the one that hosts all the red-carpet premieres] to see The Marvels.
DeleteThe rest of the weekend - torrential rain (as forecast) permitting, I hope to sort at least some of the mulch of leaves out the back, and cut back and clear some tatty stuff that's gone over. We shall see...
Both shows were superb, and diametrically opposite, but I can see why Backstairs Billy might appeal more to you. Jx
Still fab at 70
ReplyDeleteA truly magical and memorable evening.
It's not often to be in the company of such a "living legend"...
DeleteMagical, indeed. Jx