Sondheim on Sondheim is a wonderful evening's entertainment that basically does exactly what it says on the tin - it's built around a series of clips from numerous documentaries, interviews and audio quotations from the "God" of the musical himself, describing his musical journey, the people who were integral to his development (his "adopted father figure" Oscar Hammerstein, estimable Broadway powerhouses such as Arthur Laurents, Jerome Robbins and Hal Prince, and the many writers who produced the libretto/"book" for his shows), and, most importantly the (often tortuous) evolution of some his best-known shows and the songs that eventually made the "cut" to become classics.
Meanwhile, on stage in the faded glamour of the venerable Alexandra Palace Theatre we were treated to a very fine ensemble cast indeed to perform some of those very hits and misses: Jenna Russell, Clive Rowe, Scarlet Strallen, Josefina Gabrielle, Jak Malone, Georgina Onuorah, Lucca Chadwick-Patel and (the rather cute) Jack Wolfe.
As Madam Arcati said, in conversation with two fellow Sondheimites outside while having a fag, it was "a great evening of entertainment and education."
And what of those numbers? Well, who knew that The Maestro's first musical hit for which he wrote both lyrics and music had not one, but two opening numbers dropped (Love Is in the Air and Forget War) before we eventually got the jolly toe-tapper Comedy Tonight? Or that the closing number of Company, the tearjerker Being Alive might well - had Sondheim not thrown out two previous versions Marry Me a Little and Happily Ever After - have never seen the light of day? From the same show, one of our "family favourites" Not Getting Married Today was a complete re-write of a number called The Wedding Is Off, and in Gypsy there was originally a song called Smile, Girls. Our cast sang 'em all!
The bulk of the show focused on songs from the shows that made his name (and a few that flopped first time around, like Passion, Anyone Can Whistle, Bounce/Road Show - that included Sondheim's first ever love duet between two men The Best Thing That Ever Happened - and Assassins) often with a "twist", including an unusual close-harmony version of Something's Coming from West Side Story, and a beautifully sung medley of Losing My Mind (from Follies) with Not a Day Goes By (from Merrily We Roll Along). Both shows were heavily featured throughout the show. Our duettists were Summer Strallen and Jenna Russell, but here's Miss Russell performing it with Rosalie Craig:
Just one of many moments that brought a tear to our eye.
Other highlights included Jack Wolfe's Finishing the Hat (from another heavily-featured show Sunday in the Park with George - from it, our first act closing number Sunday is another one that never fails to raise a tear), Clive Rowe's Epiphany (from Sweeney Todd), Children Will Listen (from Into The Woods), Miss Russell (again) on Send in the Clowns (A Little Night Music) ...
...and Josefina Gabrielle performing a song that Sondheim wrote specifically for Dame Diana Rigg to perform in the 1987 West End production of Follies (because he knew she was a better actress and singer than she was a dancer, so dropped The Story of Lucy and Jessie):
As one commenter out there on a message board [yes, people still use those, even in the age of social media] remarked: "It felt like a nice after-party/follow up to Old Friends, keeping the spirit alive all these months later!"
Despite the many shortcomings of the venue's slightly shambolic organisation, this was a stunner of a show - a perfect evening for any Stephen Sondheim fan! [Although this production was only a two-night run, I'm certain it'll pop up at another venue fairly soon.]
Sondheim on Sondheim on Wikipedia.
And, to finish, this:
Footnote:
Read more about the restoration of the Alexandra Palace Theatre, which only reopened after 80 years of neglect in 2018.
PS
The hectic social schedule continues...
Tonight, we're off to see a legend in conversation - none other than Dame Joan Collins!!!
Once again, half the world away, I rely on you for the best snippets. Thank you.
ReplyDeleteYou do know that, next time I'm in London, you and Madam and I are going to a West End hit. So there!
When are you planning to be in the UK next, Dinah? I thought you'd have your hands full with your move back to New Zealand? Jx
DeleteThe maid and I did something equally highbrow a few weeks ago at the Hull City Hall, we paid £36 each to see the stage show of Most Haunted, we left during the interval, it really was that bad, "a cash grab" I overheard someone in the audience call it and I agreed with him, so we never got to hear Yvette Fielding singing Twinkle Twinkle Little Star in a childlike voice, according to a friend of mine who was also at the show but not with us, said that was the highlight of the show. The scariest part of it all was being surrounded by the Hull mob.
ReplyDeleteOh dear. Doesn't sound very "highbrow" to me. Jx
DeleteOh, I’m so envious. I, too, am a Sondheimite.
ReplyDeleteI wonder how his work translates into Spanish? He's renowned for his complicated wordplay, so I imagine quite a bit might be lost in translation. Jx
DeletePS Did you see my week-long series of posts I did in tribute to the Great Man when he died? This one (the finale) has an index at the foot of the page with links to all the previous ones. Enjoy!
DeleteAntonio Banderas stage Company here in Spanish and it was exceptional. And, yes, I remember your tribute. I was in heaven.
ReplyDeleteGawd bless the very lovely Antonio Banderas! He and I share a birthday, you know? Very little else, of course.
DeleteI am pleased you enjoyed the mammoth tribute. Stephen Sondheim deserved it. Jx
A marvellous evening in marvellous company, in London's oldest new theatre.
ReplyDeleteI would love to see Antonio Banderas do Sondheim in Spanish.
I'd like to see Antonio Banderas do a few things 😉! Jx
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